A Real Beleza: uma análise discursivo-crítica do corpo diferente presente na campanha Dove

Detalhes bibliográficos
Autor(a) principal: Gonçalves, Lunara David
Data de Publicação: 2014
Tipo de documento: Dissertação
Idioma: por
Título da fonte: LOCUS Repositório Institucional da UFV
Texto Completo: http://locus.ufv.br/handle/123456789/4884
Resumo: Women still hold the majority in the pursuit of the aesthetic ideal. The imposition of standards of beauty is a social problem in which maximizes the prejudice and discrimination of those who do not fit these parameters. The standards of beauty and fashion are often unreal, because they suggest a beauty that women are unable to achieve naturally. The standards are unreal because they are created or modified by technologies, computer graphics programs, etcetera. In the same way that discourses are situated and constructed socio-historically, the standards of beauty are as well, so time has a great influence in changing these patterns. Therefore, because there is no concept of absolute and universal beauty, it submits to the current culture and society. The "different body", the one that does not fit into the imposed standards, is rarely portrayed in advertising. Hence, the company Unilever, which owns the Dove brand, used the "different body" as a marketing strategy in one of its advertising campaigns. Therefore, this paper seeks to examine: how the "different body" was portrayed in such campaign, as it used ordinary women, and also featured narratives of these models. Understanding that advertising as a powerful mass media can promote models of identification and behavior, and may strengthen or break stereotypes, this work seeks to analyze: how "different body" was portrayed in such publicity, both in verbal and imagistic mode; which potentially ideological meanings articulated from the discourses; and if the discourses reinforce or negate the current aesthetic standards. Our analytical work is grounded in two theories: Textual analysis for social research by Norman Fairclough (2003) and the Visual Grammar by Kress and van Leeuwen (1996), which assisted in textual and multimodal analysis, respectively. We emphasize that the purpose of this paper is a critical analysis that aims to encourage reading and critical interpretation of discourses, especially from the media, since the discourses are invested with ideologies. We concluded in the advertisements analyzed, the images and narratives were used as strategies to sell their products, and the debate initially proposed by Dove had the intention to break stereotypes, yet in fact did not succeed in the end. The "different body" was portrayed as the imperfect body, as inverse to the ideal body.
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spelling Gonçalves, Lunara Davidhttp://lattes.cnpq.br/3173677450941670Gomes, Maria Carmen Aireshttp://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4791838E8Melo, Mônica Santos de Souzahttp://lattes.cnpq.br/5603442663409183Pimenta, Sônia Maria de Oliveirahttp://lattes.cnpq.br/45916718459443512015-03-26T13:44:33Z2014-12-122015-03-26T13:44:33Z2014-03-31GONÇALVES, Lunara David. A Real Beleza: uma análise discursivo-crítica do corpo diferente presente na campanha Dove. 2014. 143 f. Dissertação (Mestrado em Estudos Linguisticos e Estudos Literários) - Universidade Federal de Viçosa, Viçosa, 2014.http://locus.ufv.br/handle/123456789/4884Women still hold the majority in the pursuit of the aesthetic ideal. The imposition of standards of beauty is a social problem in which maximizes the prejudice and discrimination of those who do not fit these parameters. The standards of beauty and fashion are often unreal, because they suggest a beauty that women are unable to achieve naturally. The standards are unreal because they are created or modified by technologies, computer graphics programs, etcetera. In the same way that discourses are situated and constructed socio-historically, the standards of beauty are as well, so time has a great influence in changing these patterns. Therefore, because there is no concept of absolute and universal beauty, it submits to the current culture and society. The "different body", the one that does not fit into the imposed standards, is rarely portrayed in advertising. Hence, the company Unilever, which owns the Dove brand, used the "different body" as a marketing strategy in one of its advertising campaigns. Therefore, this paper seeks to examine: how the "different body" was portrayed in such campaign, as it used ordinary women, and also featured narratives of these models. Understanding that advertising as a powerful mass media can promote models of identification and behavior, and may strengthen or break stereotypes, this work seeks to analyze: how "different body" was portrayed in such publicity, both in verbal and imagistic mode; which potentially ideological meanings articulated from the discourses; and if the discourses reinforce or negate the current aesthetic standards. Our analytical work is grounded in two theories: Textual analysis for social research by Norman Fairclough (2003) and the Visual Grammar by Kress and van Leeuwen (1996), which assisted in textual and multimodal analysis, respectively. We emphasize that the purpose of this paper is a critical analysis that aims to encourage reading and critical interpretation of discourses, especially from the media, since the discourses are invested with ideologies. We concluded in the advertisements analyzed, the images and narratives were used as strategies to sell their products, and the debate initially proposed by Dove had the intention to break stereotypes, yet in fact did not succeed in the end. The "different body" was portrayed as the imperfect body, as inverse to the ideal body.A imposição de padrões de beleza é um problema social que potencializa o preconceito e a discriminação daqueles que não se enquadram nesses parâmetros. Os padrões de moda e beleza vigentes são muitas vezes irreais, pois propõem uma beleza que as mulheres não conseguem atingir naturalmente, pois são criados ou modificados por tecnologias, programas de computação gráfica, etc. Da mesma maneira que os discursos são situados e construídos sócio-historicamente, os padrões de beleza também o são. Dessa forma, tempo e época exercem grande influência na mudança desses padrões. Portanto, não existe conceito de beleza absoluto e universal, pois submete-se à cultura e à sociedade envolvida. O corpo diferente , aquele que foge dos padrões impostos, raramente é retratado no cenário publicitário. Por isso, a empresa de cosméticos e de produtos de higiene pessoal Unilever, detentora da marca Dove, utilizou tal tipo de corpo como estratégia em uma de suas campanhas publicitárias. A campanha intitulada Dove Real Beleza iniciou-se em 2004, não somente em mídias virtuais, mas também impressa (revistas semanais). Entendendo que a publicidade é uma mídia de massa poderosa capaz de promover modelos de identificação e de comportamento, que pode reforçar ou quebrar estereótipos, esse trabalho busca analisar: como o corpo diferente foi retratado na referida publicidade, tanto no modo verbal quanto imagético e quais os sentidos potencialmente ideológicos são articulados nos discursos, e se esses reforçam ou refutam os padrões estéticos vigentes. Nesse intento, nosso trabalho de análise é pautado nas teorias: Análise de Discurso Textualmente Orientada de Norman Fairclough (2003) e na Gramática do Design Visual de Kress e van Leeuwen (2006 [1996]), que auxiliaram na análise textual e multimodal, respectivamente. A proposta deste trabalho é incentivar a leitura e interpretação crítica dos discursos, principalmente os midiáticos, já que estes são altamente ideológicos. Percebeu-se que o debate inicialmente proposto pela Dove para quebra de estereótipos de fato não ocorre, pois há discursos normatizadores que determinam que os sujeitos precisam cuidar de si, cuidar do corpo, para se encaixarem nos padrões. O corpo diferente foi retratado ainda como antônimo ao corpo ideal.Coordenação de Aperfeiçoamento de Pessoal de Nível Superiorapplication/pdfporUniversidade Federal de ViçosaMestrado em LetrasUFVBREstudos Linguisticos e Estudos LiteráriosAnálise do discursoPublicidadeComunicação de massa e propagandaDoveReal belezaDiscourse analysisAdvertisingMass media and advertisingDoveReal beautyCNPQ::LINGUISTICA, LETRAS E ARTESA Real Beleza: uma análise discursivo-crítica do corpo diferente presente na campanha DoveA Real Beleza: uma análise discursivo-crítica do corpo diferente presente na campanha Doveinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisinfo:eu-repo/semantics/openAccessreponame:LOCUS Repositório Institucional da UFVinstname:Universidade Federal de Viçosa (UFV)instacron:UFVORIGINALtexto completo.pdfapplication/pdf3259912https://locus.ufv.br//bitstream/123456789/4884/1/texto%20completo.pdfa08d83dd3387a6a6692951cbf093f26eMD51TEXTtexto completo.pdf.txttexto completo.pdf.txtExtracted texttext/plain258642https://locus.ufv.br//bitstream/123456789/4884/2/texto%20completo.pdf.txt96386a228d7e8147b1b6418ffc033f2aMD52THUMBNAILtexto completo.pdf.jpgtexto completo.pdf.jpgIM Thumbnailimage/jpeg3582https://locus.ufv.br//bitstream/123456789/4884/3/texto%20completo.pdf.jpga0a202cb0613b059556e507d69ffe70dMD53123456789/48842016-04-11 23:00:32.491oai:locus.ufv.br:123456789/4884Repositório InstitucionalPUBhttps://www.locus.ufv.br/oai/requestfabiojreis@ufv.bropendoar:21452016-04-12T02:00:32LOCUS Repositório Institucional da UFV - Universidade Federal de Viçosa (UFV)false
dc.title.por.fl_str_mv A Real Beleza: uma análise discursivo-crítica do corpo diferente presente na campanha Dove
dc.title.alternative.eng.fl_str_mv A Real Beleza: uma análise discursivo-crítica do corpo diferente presente na campanha Dove
title A Real Beleza: uma análise discursivo-crítica do corpo diferente presente na campanha Dove
spellingShingle A Real Beleza: uma análise discursivo-crítica do corpo diferente presente na campanha Dove
Gonçalves, Lunara David
Análise do discurso
Publicidade
Comunicação de massa e propaganda
Dove
Real beleza
Discourse analysis
Advertising
Mass media and advertising
Dove
Real beauty
CNPQ::LINGUISTICA, LETRAS E ARTES
title_short A Real Beleza: uma análise discursivo-crítica do corpo diferente presente na campanha Dove
title_full A Real Beleza: uma análise discursivo-crítica do corpo diferente presente na campanha Dove
title_fullStr A Real Beleza: uma análise discursivo-crítica do corpo diferente presente na campanha Dove
title_full_unstemmed A Real Beleza: uma análise discursivo-crítica do corpo diferente presente na campanha Dove
title_sort A Real Beleza: uma análise discursivo-crítica do corpo diferente presente na campanha Dove
author Gonçalves, Lunara David
author_facet Gonçalves, Lunara David
author_role author
dc.contributor.authorLattes.por.fl_str_mv http://lattes.cnpq.br/3173677450941670
dc.contributor.author.fl_str_mv Gonçalves, Lunara David
dc.contributor.advisor1.fl_str_mv Gomes, Maria Carmen Aires
dc.contributor.advisor1Lattes.fl_str_mv http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4791838E8
dc.contributor.referee1.fl_str_mv Melo, Mônica Santos de Souza
dc.contributor.referee1Lattes.fl_str_mv http://lattes.cnpq.br/5603442663409183
dc.contributor.referee2.fl_str_mv Pimenta, Sônia Maria de Oliveira
dc.contributor.referee2Lattes.fl_str_mv http://lattes.cnpq.br/4591671845944351
contributor_str_mv Gomes, Maria Carmen Aires
Melo, Mônica Santos de Souza
Pimenta, Sônia Maria de Oliveira
dc.subject.por.fl_str_mv Análise do discurso
Publicidade
Comunicação de massa e propaganda
Dove
Real beleza
topic Análise do discurso
Publicidade
Comunicação de massa e propaganda
Dove
Real beleza
Discourse analysis
Advertising
Mass media and advertising
Dove
Real beauty
CNPQ::LINGUISTICA, LETRAS E ARTES
dc.subject.eng.fl_str_mv Discourse analysis
Advertising
Mass media and advertising
Dove
Real beauty
dc.subject.cnpq.fl_str_mv CNPQ::LINGUISTICA, LETRAS E ARTES
description Women still hold the majority in the pursuit of the aesthetic ideal. The imposition of standards of beauty is a social problem in which maximizes the prejudice and discrimination of those who do not fit these parameters. The standards of beauty and fashion are often unreal, because they suggest a beauty that women are unable to achieve naturally. The standards are unreal because they are created or modified by technologies, computer graphics programs, etcetera. In the same way that discourses are situated and constructed socio-historically, the standards of beauty are as well, so time has a great influence in changing these patterns. Therefore, because there is no concept of absolute and universal beauty, it submits to the current culture and society. The "different body", the one that does not fit into the imposed standards, is rarely portrayed in advertising. Hence, the company Unilever, which owns the Dove brand, used the "different body" as a marketing strategy in one of its advertising campaigns. Therefore, this paper seeks to examine: how the "different body" was portrayed in such campaign, as it used ordinary women, and also featured narratives of these models. Understanding that advertising as a powerful mass media can promote models of identification and behavior, and may strengthen or break stereotypes, this work seeks to analyze: how "different body" was portrayed in such publicity, both in verbal and imagistic mode; which potentially ideological meanings articulated from the discourses; and if the discourses reinforce or negate the current aesthetic standards. Our analytical work is grounded in two theories: Textual analysis for social research by Norman Fairclough (2003) and the Visual Grammar by Kress and van Leeuwen (1996), which assisted in textual and multimodal analysis, respectively. We emphasize that the purpose of this paper is a critical analysis that aims to encourage reading and critical interpretation of discourses, especially from the media, since the discourses are invested with ideologies. We concluded in the advertisements analyzed, the images and narratives were used as strategies to sell their products, and the debate initially proposed by Dove had the intention to break stereotypes, yet in fact did not succeed in the end. The "different body" was portrayed as the imperfect body, as inverse to the ideal body.
publishDate 2014
dc.date.available.fl_str_mv 2014-12-12
2015-03-26T13:44:33Z
dc.date.issued.fl_str_mv 2014-03-31
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