Coreografías didácticas institucionales y calidad de la enseñanza

Detalhes bibliográficos
Autor(a) principal: Beraza, Miguel A. Zabalza
Data de Publicação: 2019
Outros Autores: Cerdeiriña, María Ainhoa Zabalza
Tipo de documento: Artigo
Idioma: spa
Título da fonte: Linhas Críticas (Online)
Texto Completo: https://periodicos.unb.br/index.php/linhascriticas/article/view/24586
Resumo: Teaching is "the intentional arrangement of situations in which appropriate learning will occur" (Menges, 1997). Based on this principle, many of the views and practices in education have changed the focus, shifting the role of what the teacher said or did to what students do in learning environments, specially prepared to enrich their experience and guide their learning. Choreographies, a metaphor taken from the world of dance (Oser and Baeriswyl, 2001), are part of these new perspectives on teaching. With a simple architecture, the choreographies contain 4 basic components: anticipation, external choreography, internal choreography and product. This article tries to situate the concept of choreography in the context of these new perspectives on university teaching and focuses, above all, on institutional choreography. An analysis model of institutional choreography based on 9 variables is presented: first, the three basic elements of all teaching (teacher, student, content); secondly, others linked to the characteristics of internal organization of the three basic elements of teaching mentioned (relations between teachers, relations between students, relationships between contents); and, finally, three other variables related to the relationship of each of these elements with the other two: relationships between teachers and students; relationships between students and content; relationships between teachers and content.
id UNB - 28_905529bed0002758efaf2674fe4e1ce9
oai_identifier_str oai:ojs.pkp.sfu.ca:article/24586
network_acronym_str UNB - 28
network_name_str Linhas Críticas (Online)
repository_id_str
spelling Coreografías didácticas institucionales y calidad de la enseñanzaCoreografia didáticaAmbientes de aprendizagemEducação superiorEnsino universitárioProcesso de ensino-aprendizagemCoreografíaAmbientes de aprendizajeEducación SuperiorDocencia universitariaEnseñanza-AprendizajeChoreography of TeachingLearning environmentsHigher educationUniversity teachingTeaching-Learning ProcessesTeaching is "the intentional arrangement of situations in which appropriate learning will occur" (Menges, 1997). Based on this principle, many of the views and practices in education have changed the focus, shifting the role of what the teacher said or did to what students do in learning environments, specially prepared to enrich their experience and guide their learning. Choreographies, a metaphor taken from the world of dance (Oser and Baeriswyl, 2001), are part of these new perspectives on teaching. With a simple architecture, the choreographies contain 4 basic components: anticipation, external choreography, internal choreography and product. This article tries to situate the concept of choreography in the context of these new perspectives on university teaching and focuses, above all, on institutional choreography. An analysis model of institutional choreography based on 9 variables is presented: first, the three basic elements of all teaching (teacher, student, content); secondly, others linked to the characteristics of internal organization of the three basic elements of teaching mentioned (relations between teachers, relations between students, relationships between contents); and, finally, three other variables related to the relationship of each of these elements with the other two: relationships between teachers and students; relationships between students and content; relationships between teachers and content.Enseñar es “the intencional arrangement of situations in which apropiate learning will occur” (Menges,1997). Partiendo de ese principio, muchas de las miradas y de las prácticas educativas han ido cambiando el foco, trasladando el protagonismo de lo que el docente decía o hacía a lo que los estudiantes hacen en ambientes de aprendizaje especialmente preparados para enriquecer su experiencia y orientar su aprendizaje. Las coreografías, metáfora tomada del mundo de la danza (Oser y Baeriswyl, 2001) forman parte de esas nuevas miradas sobre la enseñanza. Con una arquitectura simple, las coreografías contienen 4 componentes básicos: anticipación, coreografía externa, coreografía interna y producto. El presente artículo trata de situar el concepto de coreografía en el contexto de estas nuevas miradas sobre la docencia universitaria y se centra, sobre todo, en las coreografías institucionales, sobre las que se presenta un modelo de análisis basado en 9 variables: las tres básicas de toda docencia (docente, estudiante, contenidos); otras tres referidas a las características de organización interna de los tres elementos básicos de la docencia mencionados (relaciones entre los docentes; relaciones entre los estudiantes; relaciones entre los contenidos); y, finalmente, otras tres variables referidas a la relación de cada uno de esos elementos con los otros dos: relaciones entre profesores y estudiantes; relaciones entre estudiantes y contenidos; relaciones entre profesores y contenido.Enseigner est " the intentional arrangement of situations in which appropriate learning will occur " (Menges, 1997). Sur la base de ce principe, bon nombre de points de vue et de pratiques en éducation ont changé ont changé la priorité donnée à ce que l'enseignant a dit ou fait en classe pour ce que les élèves font dans des environnements d'apprentissage, spécialement préparés à enrichir leur expérience et à guider leur apprentissage. Les chorégraphies, métaphore empruntée au monde de la danse (Oser et Baeriswyl, 2001), font partie de ces nouvelles perspectives pédagogiques. Avec une architecture simple, les chorégraphies contiennent 4 éléments de base: anticipation, chorégraphie externe, chorégraphie interne et produit. Cet article tente de situer le concept de chorégraphie dans le contexte de ces nouvelles perspectives de l’enseignement universitaire et se concentre, avant tout, sur la chorégraphie institutionnelle. Un modèle d'analyse de chorégraphie institutionnelle basé sur 9 variables est présenté: premièrement, les trois éléments de base de tout enseignement (enseignant, élève, contenu); deuxièmement, trois autres aspects trois aspects liés aux caractéristiques de l’organisation interne des trois éléments susmentionnés (relations entre enseignants, relations entre élèves, relations entre contenus); et, enfin, trois autres variables liées à la relation de chacun de ces éléments avec les deux autres: relations entre enseignants et étudiants; relations entre les étudiants et le contenu; relations entre les enseignants et le contenu.Ensinar é "the intentional arrangement of situations in which appropriate learning will occur" (Menges, 1997). Com base nesse princípio, muitas das visões e das práticas na educação mudaram o foco, substituindo a relevancia do que o professor disse ou fez por o que os alunos fazem em ambientes de aprendizagem, especialmente preparados para enriquecer sua experiência e guiar sua aprendizagem. Coreografias, uma metáfora tirada do mundo da dança (Oser e Baeriswyl, 2001), fazem parte dessas novas perspectivas sobre o ensino. Com uma arquitetura simples, as coreografias contêm 4 componentes básicos: antecipação, coreografia externa, coreografia interna e produto. Este artigo procura situar o conceito de coreografia no contexto dessas novas perspectivas sobre o ensino universitário e enfoca, sobretudo, a coreografia institucional. Um modelo de análise de coreografia institucional baseada em 9 variáveis é apresentado: primeiro, os três elementos básicos de todo o ensino (professor, aluno, conteúdo); em segundo lugar, outros três ligados às características da organização interna dos três elementos básicos do ensino mencionados (relações entre professores, relações entre alunos, relações entre conteúdos); e, finalmente, três outras variáveis ligadas à relação de cada um desses elementos com os outros dois: relações entre professores e alunos; relações entre alunos e conteúdo; relações entre professores e conteúdo.Faculdade de Educação - Universidade de Brasília2019-07-10info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/xmlhttps://periodicos.unb.br/index.php/linhascriticas/article/view/2458610.26512/lc.v25.2019.24586Linhas Críticas; Vol. 25 (2019): Revista Linhas Críticas v. 25 (jan-dez); e24586Linhas Críticas; Vol. 25 (2019): Revista Linhas Críticas v. 25 (ene-dic); e24586Linhas Crí­ticas; v. 25 (2019): Revista Linhas Críticas v. 25 (jan-dez); e245861981-04311516-489610.26512/lc.v25.2019reponame:Linhas Críticas (Online)instname:Universidade de Brasília (UnB)instacron:UnBspahttps://periodicos.unb.br/index.php/linhascriticas/article/view/24586/22266https://periodicos.unb.br/index.php/linhascriticas/article/view/24586/31850Copyright (c) 2019 Linhas Críticashttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessBeraza, Miguel A. ZabalzaCerdeiriña, María Ainhoa Zabalza2022-02-08T22:02:12Zoai:ojs.pkp.sfu.ca:article/24586Revistahttps://periodicos.unb.br/index.php/linhascriticas/PUBhttps://periodicos.unb.br/index.php/linhascriticas/oairvlinhas@unb.br||1981-04311516-4896opendoar:2022-02-08T22:02:12Linhas Críticas (Online) - Universidade de Brasília (UnB)false
dc.title.none.fl_str_mv Coreografías didácticas institucionales y calidad de la enseñanza
title Coreografías didácticas institucionales y calidad de la enseñanza
spellingShingle Coreografías didácticas institucionales y calidad de la enseñanza
Beraza, Miguel A. Zabalza
Coreografia didática
Ambientes de aprendizagem
Educação superior
Ensino universitário
Processo de ensino-aprendizagem
Coreografía
Ambientes de aprendizaje
Educación Superior
Docencia universitaria
Enseñanza-Aprendizaje
Choreography of Teaching
Learning environments
Higher education
University teaching
Teaching-Learning Processes
title_short Coreografías didácticas institucionales y calidad de la enseñanza
title_full Coreografías didácticas institucionales y calidad de la enseñanza
title_fullStr Coreografías didácticas institucionales y calidad de la enseñanza
title_full_unstemmed Coreografías didácticas institucionales y calidad de la enseñanza
title_sort Coreografías didácticas institucionales y calidad de la enseñanza
author Beraza, Miguel A. Zabalza
author_facet Beraza, Miguel A. Zabalza
Cerdeiriña, María Ainhoa Zabalza
author_role author
author2 Cerdeiriña, María Ainhoa Zabalza
author2_role author
dc.contributor.author.fl_str_mv Beraza, Miguel A. Zabalza
Cerdeiriña, María Ainhoa Zabalza
dc.subject.por.fl_str_mv Coreografia didática
Ambientes de aprendizagem
Educação superior
Ensino universitário
Processo de ensino-aprendizagem
Coreografía
Ambientes de aprendizaje
Educación Superior
Docencia universitaria
Enseñanza-Aprendizaje
Choreography of Teaching
Learning environments
Higher education
University teaching
Teaching-Learning Processes
topic Coreografia didática
Ambientes de aprendizagem
Educação superior
Ensino universitário
Processo de ensino-aprendizagem
Coreografía
Ambientes de aprendizaje
Educación Superior
Docencia universitaria
Enseñanza-Aprendizaje
Choreography of Teaching
Learning environments
Higher education
University teaching
Teaching-Learning Processes
description Teaching is "the intentional arrangement of situations in which appropriate learning will occur" (Menges, 1997). Based on this principle, many of the views and practices in education have changed the focus, shifting the role of what the teacher said or did to what students do in learning environments, specially prepared to enrich their experience and guide their learning. Choreographies, a metaphor taken from the world of dance (Oser and Baeriswyl, 2001), are part of these new perspectives on teaching. With a simple architecture, the choreographies contain 4 basic components: anticipation, external choreography, internal choreography and product. This article tries to situate the concept of choreography in the context of these new perspectives on university teaching and focuses, above all, on institutional choreography. An analysis model of institutional choreography based on 9 variables is presented: first, the three basic elements of all teaching (teacher, student, content); secondly, others linked to the characteristics of internal organization of the three basic elements of teaching mentioned (relations between teachers, relations between students, relationships between contents); and, finally, three other variables related to the relationship of each of these elements with the other two: relationships between teachers and students; relationships between students and content; relationships between teachers and content.
publishDate 2019
dc.date.none.fl_str_mv 2019-07-10
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.unb.br/index.php/linhascriticas/article/view/24586
10.26512/lc.v25.2019.24586
url https://periodicos.unb.br/index.php/linhascriticas/article/view/24586
identifier_str_mv 10.26512/lc.v25.2019.24586
dc.language.iso.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://periodicos.unb.br/index.php/linhascriticas/article/view/24586/22266
https://periodicos.unb.br/index.php/linhascriticas/article/view/24586/31850
dc.rights.driver.fl_str_mv Copyright (c) 2019 Linhas Críticas
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Linhas Críticas
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
text/xml
dc.publisher.none.fl_str_mv Faculdade de Educação - Universidade de Brasília
publisher.none.fl_str_mv Faculdade de Educação - Universidade de Brasília
dc.source.none.fl_str_mv Linhas Críticas; Vol. 25 (2019): Revista Linhas Críticas v. 25 (jan-dez); e24586
Linhas Críticas; Vol. 25 (2019): Revista Linhas Críticas v. 25 (ene-dic); e24586
Linhas Crí­ticas; v. 25 (2019): Revista Linhas Críticas v. 25 (jan-dez); e24586
1981-0431
1516-4896
10.26512/lc.v25.2019
reponame:Linhas Críticas (Online)
instname:Universidade de Brasília (UnB)
instacron:UnB
instname_str Universidade de Brasília (UnB)
instacron_str UnB
institution UnB
reponame_str Linhas Críticas (Online)
collection Linhas Críticas (Online)
repository.name.fl_str_mv Linhas Críticas (Online) - Universidade de Brasília (UnB)
repository.mail.fl_str_mv rvlinhas@unb.br||
_version_ 1797053652982038528