Caminho dos Ossos
| Autor(a) principal: | |
|---|---|
| Data de Publicação: | 2019 |
| Tipo de documento: | Artigo |
| Idioma: | por |
| Título da fonte: | METAgraphias |
| Texto Completo: | https://periodicos.unb.br/index.php/metagraphias/article/view/25291 |
Resumo: | The fragmented writing brings in its own transtemporality the promiscuous performativity between the references of literature, action in the visual arts, anthropology, contemporary philosophy and social sciences, which now transits through a place traditionally recognized as academic, now recognized as becoming in movement in poetic essays, bringing us to the fracture of different languages and concepts, tales and the construction of writing as another aesthetic object that is not attached to the mere description of the actions evoked. The third bank of the river, concept-image from the story of João Guimarães Rosa appears as a fracture of time, third line, production of deviation in the social body. Édouard Glissant is made present from concepts such as poetics of relations, trace / residue, creolization and trembling thought. |
| id |
UNB-10_f5da19425f3375ddbafd3279b3896025 |
|---|---|
| oai_identifier_str |
oai:ojs.pkp.sfu.ca:article/25291 |
| network_acronym_str |
UNB-10 |
| network_name_str |
METAgraphias |
| repository_id_str |
|
| spelling |
Caminho dos OssosThe fragmented writing brings in its own transtemporality the promiscuous performativity between the references of literature, action in the visual arts, anthropology, contemporary philosophy and social sciences, which now transits through a place traditionally recognized as academic, now recognized as becoming in movement in poetic essays, bringing us to the fracture of different languages and concepts, tales and the construction of writing as another aesthetic object that is not attached to the mere description of the actions evoked. The third bank of the river, concept-image from the story of João Guimarães Rosa appears as a fracture of time, third line, production of deviation in the social body. Édouard Glissant is made present from concepts such as poetics of relations, trace / residue, creolization and trembling thought.La escritura, fragmentada, trae en la propia trastemporalidad la performatividad promiscua entre las referencias de la literatura, acción en artes visuales, antropología, filosofía contemporánea y de las ciencias sociales, que ora transita por un lugar tradicionalmente reconocido como académico, ya se reconoce como devenir en movimiento en los ensayos poéticos, trayéndonos a la fractura de los diferentes lenguajes y de los conceptos, de los cuentos y de la construcción de la escritura como otro objeto estético que no se refiere a la mera descripción de las acciones evocadas. La tercera margen del río, imagen-concepto a partir del cuento de João Guimarães Rosa surge como fractura del tiempo, rasca tercera, producción de desvío en el cuerpo social. Édouard Glissant se hace presente a partir de conceptos como poética de las relaciones, rastro / residuo, criolización y pensamiento del temblor.A escrita, fragmentada, traz na própria transtemporalidade a performatividade promíscua entre as referências da literatura, ação em artes visuais, antropologia, filosofia contemporânea e das ciências sociais, que ora transita por um lugar tradicionalmente reconhecido como acadêmico, ora se reconhece como devir em movimento nos ensaios poéticos, trazendo-nos para a fratura das diferentes linguagens e dos conceitos, dos contos e da construção da escrita como outro objeto estético que não se prende à mera descrição das ações evocadas. A terceira margem do rio, imagem-conceito a partir do conto de João Guimarães Rosa surge como fratura do tempo, risca terceira, produção de desvio no corpo social. Édouard Glissant se faz presente a partir de conceitos como poética das relações, rastro/resíduo, crioulização e pensamento do tremor. UnB2019-07-09info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.unb.br/index.php/metagraphias/article/view/2529110.26512/mgraph.v3i4.25291METAgraphias; v. 3 n. 4 (3): LUTO-lúdico-LISÉRGICO2448-1246reponame:METAgraphiasinstname:Universidade de Brasília (UnB)instacron:UNBporhttps://periodicos.unb.br/index.php/metagraphias/article/view/25291/22794Copyright (c) 2019 METAgraphiasinfo:eu-repo/semantics/openAccessMatricardi, Maria Eugênia2019-10-06T23:28:35Zoai:ojs.pkp.sfu.ca:article/25291Revistahttp://periodicos.unb.br/index.php/metagraphias/indexPUBhttp://periodicos.unb.br/index.php/metagraphias/oai||metagraphias@gmail.com2448-12462448-1246opendoar:2019-10-06T23:28:35METAgraphias - Universidade de Brasília (UnB)false |
| dc.title.none.fl_str_mv |
Caminho dos Ossos |
| title |
Caminho dos Ossos |
| spellingShingle |
Caminho dos Ossos Matricardi, Maria Eugênia |
| title_short |
Caminho dos Ossos |
| title_full |
Caminho dos Ossos |
| title_fullStr |
Caminho dos Ossos |
| title_full_unstemmed |
Caminho dos Ossos |
| title_sort |
Caminho dos Ossos |
| author |
Matricardi, Maria Eugênia |
| author_facet |
Matricardi, Maria Eugênia |
| author_role |
author |
| dc.contributor.author.fl_str_mv |
Matricardi, Maria Eugênia |
| description |
The fragmented writing brings in its own transtemporality the promiscuous performativity between the references of literature, action in the visual arts, anthropology, contemporary philosophy and social sciences, which now transits through a place traditionally recognized as academic, now recognized as becoming in movement in poetic essays, bringing us to the fracture of different languages and concepts, tales and the construction of writing as another aesthetic object that is not attached to the mere description of the actions evoked. The third bank of the river, concept-image from the story of João Guimarães Rosa appears as a fracture of time, third line, production of deviation in the social body. Édouard Glissant is made present from concepts such as poetics of relations, trace / residue, creolization and trembling thought. |
| publishDate |
2019 |
| dc.date.none.fl_str_mv |
2019-07-09 |
| dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
| format |
article |
| status_str |
publishedVersion |
| dc.identifier.uri.fl_str_mv |
https://periodicos.unb.br/index.php/metagraphias/article/view/25291 10.26512/mgraph.v3i4.25291 |
| url |
https://periodicos.unb.br/index.php/metagraphias/article/view/25291 |
| identifier_str_mv |
10.26512/mgraph.v3i4.25291 |
| dc.language.iso.fl_str_mv |
por |
| language |
por |
| dc.relation.none.fl_str_mv |
https://periodicos.unb.br/index.php/metagraphias/article/view/25291/22794 |
| dc.rights.driver.fl_str_mv |
Copyright (c) 2019 METAgraphias info:eu-repo/semantics/openAccess |
| rights_invalid_str_mv |
Copyright (c) 2019 METAgraphias |
| eu_rights_str_mv |
openAccess |
| dc.format.none.fl_str_mv |
application/pdf |
| dc.publisher.none.fl_str_mv |
UnB |
| publisher.none.fl_str_mv |
UnB |
| dc.source.none.fl_str_mv |
METAgraphias; v. 3 n. 4 (3): LUTO-lúdico-LISÉRGICO 2448-1246 reponame:METAgraphias instname:Universidade de Brasília (UnB) instacron:UNB |
| instname_str |
Universidade de Brasília (UnB) |
| instacron_str |
UNB |
| institution |
UNB |
| reponame_str |
METAgraphias |
| collection |
METAgraphias |
| repository.name.fl_str_mv |
METAgraphias - Universidade de Brasília (UnB) |
| repository.mail.fl_str_mv |
||metagraphias@gmail.com |
| _version_ |
1798320048117383168 |