Translate Christine de Pizan's singing in confinement

Detalhes bibliográficos
Autor(a) principal: Druciak, Carmem Lucia
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: por
Título da fonte: Belas Infiéis
Texto Completo: https://periodicos.unb.br/index.php/belasinfieis/article/view/33801
Resumo: Christine de Pizan left a very varied work regarding literary themes and genres, her first poems being written in verses, ballads, virelais, rondeaux, jeux à vendre and some songs. In this study, we will present two of her lyric compositions in translation into Portuguese, Ballade XI and Virelai I, in which Christine de Pizan regrets her new reality: the loneliness of widowhood and the contradiction of poetic activity in disguising and revealing her feelings. The aim of this work is to show that the translation of these medieval poems can illustrate principles of the translation of poetry that go beyond the meaning and form of the text. For that, we resort to some considerations by authors such as Antoine Berman and Mário Laranjeira, for whom the translation can shelter the other, can reveal the identity of a text and say something about its history. We also emphasize the distance in the timeline that separates the composition of the source texts and the translation exercise proposing our work as a witness to the other, aiming to offer the original a continuity in this century, giving it the shelter that the stranger can receive in distant lands.
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spelling Translate Christine de Pizan's singing in confinementTraduire le chant de Christine de Pizan au confinementTraduzir o canto de Christine de Pizan no confinamento Christine de Pizan. Mulher escritora. Lírica medieval. Tradução de poesia. Confinamento.Christine de Pizan. Writer woman. Medieval lyric. Translation of poetry. Confinement.Christine de Pizan left a very varied work regarding literary themes and genres, her first poems being written in verses, ballads, virelais, rondeaux, jeux à vendre and some songs. In this study, we will present two of her lyric compositions in translation into Portuguese, Ballade XI and Virelai I, in which Christine de Pizan regrets her new reality: the loneliness of widowhood and the contradiction of poetic activity in disguising and revealing her feelings. The aim of this work is to show that the translation of these medieval poems can illustrate principles of the translation of poetry that go beyond the meaning and form of the text. For that, we resort to some considerations by authors such as Antoine Berman and Mário Laranjeira, for whom the translation can shelter the other, can reveal the identity of a text and say something about its history. We also emphasize the distance in the timeline that separates the composition of the source texts and the translation exercise proposing our work as a witness to the other, aiming to offer the original a continuity in this century, giving it the shelter that the stranger can receive in distant lands.Christine de Pizan deixou uma obra bastante variada no que se refere a temas e gêneros literários, sendo seus primeiros escritos poemas em versos, baladas, virelais, rondeaux, jeux à vendre e algumas cantilenas. Neste estudo, apresentaremos duas de suas composições líricas em tradução para o português, a Ballade XI e o Virelai I, em que Christine de Pizan lamenta sua nova realidade: a solidão da viuvez e a contradição da atividade poética ao encobrir e revelar seus sentimentos. O intuito deste trabalho é mostrar que a tradução desses poemas medievais pode ilustrar princípios da tradução de poesia que vão além do significado e da forma do texto. Para isso, recorremos a algumas considerações de autores como Antoine Berman e Mário Laranjeira, para quem a tradução pode abrigar o outro, pode revelar a identidade de um texto e dizer algo sobre sua história. Dessa forma, destacamos a distância na linha do tempo que separa a composição dos textos de partida e o exercício tradutório propondo nosso trabalho como testemunha do outro, visando a oferecer ao original uma continuidade no corrente século, dando-lhe o albergue que o longínquo pode receber em terras distantes.Programa de Pós-Graduação em Estudos da Tradução (POSTRAD) do Departamento de Línguas Estrangeiras e Tradução (LET) do Instituto de Letras (IL) da Universidade de Brasília2021-07-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.unb.br/index.php/belasinfieis/article/view/3380110.26512/belasinfieis.v10.n3.2021.33801Belas Infiéis; Vol. 10 No. 3 (2021): Traduzir em tempos de peste e confinamento; 01-24Belas Infiéis; v. 10 n. 3 (2021): Traduzir em tempos de peste e confinamento; 01-242316-661410.26512/belasinfieis.v10.n3.2021.3reponame:Belas Infiéisinstname:Universidade de Brasília (UnB)instacron:UNBporhttps://periodicos.unb.br/index.php/belasinfieis/article/view/33801/30263Copyright (c) 2021 CC BYhttps://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessDruciak, Carmem Lucia2021-07-02T14:12:09Zoai:ojs.pkp.sfu.ca:article/33801Revistahttps://periodicos.unb.br/index.php/belasinfieisPUBhttps://periodicos.unb.br/index.php/belasinfieis/oai||germanahp@gmail.com|| belasinfieis@gmail.com2316-66142316-6614opendoar:2021-07-02T14:12:09Belas Infiéis - Universidade de Brasília (UnB)false
dc.title.none.fl_str_mv Translate Christine de Pizan's singing in confinement
Traduire le chant de Christine de Pizan au confinement
Traduzir o canto de Christine de Pizan no confinamento
title Translate Christine de Pizan's singing in confinement
spellingShingle Translate Christine de Pizan's singing in confinement
Druciak, Carmem Lucia
Christine de Pizan. Mulher escritora. Lírica medieval. Tradução de poesia. Confinamento.
Christine de Pizan. Writer woman. Medieval lyric. Translation of poetry. Confinement.
title_short Translate Christine de Pizan's singing in confinement
title_full Translate Christine de Pizan's singing in confinement
title_fullStr Translate Christine de Pizan's singing in confinement
title_full_unstemmed Translate Christine de Pizan's singing in confinement
title_sort Translate Christine de Pizan's singing in confinement
author Druciak, Carmem Lucia
author_facet Druciak, Carmem Lucia
author_role author
dc.contributor.author.fl_str_mv Druciak, Carmem Lucia
dc.subject.por.fl_str_mv Christine de Pizan. Mulher escritora. Lírica medieval. Tradução de poesia. Confinamento.
Christine de Pizan. Writer woman. Medieval lyric. Translation of poetry. Confinement.
topic Christine de Pizan. Mulher escritora. Lírica medieval. Tradução de poesia. Confinamento.
Christine de Pizan. Writer woman. Medieval lyric. Translation of poetry. Confinement.
description Christine de Pizan left a very varied work regarding literary themes and genres, her first poems being written in verses, ballads, virelais, rondeaux, jeux à vendre and some songs. In this study, we will present two of her lyric compositions in translation into Portuguese, Ballade XI and Virelai I, in which Christine de Pizan regrets her new reality: the loneliness of widowhood and the contradiction of poetic activity in disguising and revealing her feelings. The aim of this work is to show that the translation of these medieval poems can illustrate principles of the translation of poetry that go beyond the meaning and form of the text. For that, we resort to some considerations by authors such as Antoine Berman and Mário Laranjeira, for whom the translation can shelter the other, can reveal the identity of a text and say something about its history. We also emphasize the distance in the timeline that separates the composition of the source texts and the translation exercise proposing our work as a witness to the other, aiming to offer the original a continuity in this century, giving it the shelter that the stranger can receive in distant lands.
publishDate 2021
dc.date.none.fl_str_mv 2021-07-01
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.unb.br/index.php/belasinfieis/article/view/33801
10.26512/belasinfieis.v10.n3.2021.33801
url https://periodicos.unb.br/index.php/belasinfieis/article/view/33801
identifier_str_mv 10.26512/belasinfieis.v10.n3.2021.33801
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.unb.br/index.php/belasinfieis/article/view/33801/30263
dc.rights.driver.fl_str_mv Copyright (c) 2021 CC BY
https://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 CC BY
https://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Programa de Pós-Graduação em Estudos da Tradução (POSTRAD) do Departamento de Línguas Estrangeiras e Tradução (LET) do Instituto de Letras (IL) da Universidade de Brasília
publisher.none.fl_str_mv Programa de Pós-Graduação em Estudos da Tradução (POSTRAD) do Departamento de Línguas Estrangeiras e Tradução (LET) do Instituto de Letras (IL) da Universidade de Brasília
dc.source.none.fl_str_mv Belas Infiéis; Vol. 10 No. 3 (2021): Traduzir em tempos de peste e confinamento; 01-24
Belas Infiéis; v. 10 n. 3 (2021): Traduzir em tempos de peste e confinamento; 01-24
2316-6614
10.26512/belasinfieis.v10.n3.2021.3
reponame:Belas Infiéis
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instacron:UNB
instname_str Universidade de Brasília (UnB)
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institution UNB
reponame_str Belas Infiéis
collection Belas Infiéis
repository.name.fl_str_mv Belas Infiéis - Universidade de Brasília (UnB)
repository.mail.fl_str_mv ||germanahp@gmail.com|| belasinfieis@gmail.com
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