Portugues

Detalhes bibliográficos
Autor(a) principal: Badolati Racca, Gustavo
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: P@ranoá
Texto Completo: https://periodicos.unb.br/index.php/paranoa/article/view/29384
Resumo: The city is an unfinished and culturally produced object. Its spaces are defined historically through the conflicts established by different socio-cultural groups that shape it. The spatial arrangements and their representations refer to the way in which the body relates to the city over time. That said, it is understood that the cinematographic representation of the space is made through the cutout delimited by a frame when the filmmaker aims at the landscape. This picture denounces, between movements and filmed stays, the cartography of the path of the one who operates the camera defining the cinematic image. The camera is understood as a “apparatus” that, due to its characteristics, determine the construction of the frame and, therefore, of the film representation itself. Therefore, in order to understand the cinematographic representation of a space it is necessary to investigate the filmic frame, being aware that it presupposes a relationship between body, space and camera.
id UNB-28_76434ecad53dd006f2e02336eb529529
oai_identifier_str oai:ojs.pkp.sfu.ca:article/29384
network_acronym_str UNB-28
network_name_str P@ranoá
repository_id_str
spelling PortuguesO quadro, o corpo e o espaço no cinemaCidade e cinema, corpo e cidade, representação, aparelhoCity and cinema, body e city, representation, apparatusThe city is an unfinished and culturally produced object. Its spaces are defined historically through the conflicts established by different socio-cultural groups that shape it. The spatial arrangements and their representations refer to the way in which the body relates to the city over time. That said, it is understood that the cinematographic representation of the space is made through the cutout delimited by a frame when the filmmaker aims at the landscape. This picture denounces, between movements and filmed stays, the cartography of the path of the one who operates the camera defining the cinematic image. The camera is understood as a “apparatus” that, due to its characteristics, determine the construction of the frame and, therefore, of the film representation itself. Therefore, in order to understand the cinematographic representation of a space it is necessary to investigate the filmic frame, being aware that it presupposes a relationship between body, space and camera.A cidade é um objeto inacabado e culturalmente produzido. Seus espaços são definidos historicamente por meio dos conflitos estabelecidos pelos diferentes grupos socioculturais que a conformam. As disposições espaciais e suas representações referem-se com a maneira com que o corpo se relaciona com a cidade ao longo do tempo. Posto isso, entende-se que a representação cinematográfica do espaço é feita por meio do recorte delimitado por um quadro quando o cineasta mira a paisagem. Esse quadro denuncia, entre movimentos e permanências filmadas, a cartografia do percurso daquele que opera a câmera definindo a imagem cinematográfica. A câmera é entendida como um “aparelho” que, por suas características, condiciona a construção do quadro e, portanto, da própria representação fílmica. Para compreender a representação cinematográfica de um espaço, portanto, se faz necessário investigar o quadro fílmico, ciente de que ele pressupõe uma relação entre corpo, espaço e câmera.Programa de Pós-graduação em Arquitetura e Urbanismo, Faculdade de Arquitetura e Urbanismo2020-02-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.unb.br/index.php/paranoa/article/view/2938410.18830/issn.1679-0944.n24.2019.03Paranoá; Vol. 12 No. 24 (2019): Paranoá 24 - July/December - Cinema Urbana: Memories under Construction; 10-21Paranoá; v. 12 n. 24 (2019): Fluxo Contínuo - Julho/Dezembro; 10-211679-09441677-7395reponame:P@ranoáinstname:Universidade de Brasília (UnB)instacron:UNBporhttps://periodicos.unb.br/index.php/paranoa/article/view/29384/25323Copyright (c) 2019 Paranoá: cadernos de arquitetura e urbanismoinfo:eu-repo/semantics/openAccessBadolati Racca, Gustavo2024-02-08T12:36:02Zoai:ojs.pkp.sfu.ca:article/29384Revistahttps://periodicos.unb.br/index.php/paranoaPUBhttps://periodicos.unb.br/index.php/paranoa/oaiparanoa@unb.br1679-09441677-7395opendoar:2024-02-08T12:36:02P@ranoá - Universidade de Brasília (UnB)false
dc.title.none.fl_str_mv Portugues
O quadro, o corpo e o espaço no cinema
title Portugues
spellingShingle Portugues
Badolati Racca, Gustavo
Cidade e cinema, corpo e cidade, representação, aparelho
City and cinema, body e city, representation, apparatus
title_short Portugues
title_full Portugues
title_fullStr Portugues
title_full_unstemmed Portugues
title_sort Portugues
author Badolati Racca, Gustavo
author_facet Badolati Racca, Gustavo
author_role author
dc.contributor.author.fl_str_mv Badolati Racca, Gustavo
dc.subject.por.fl_str_mv Cidade e cinema, corpo e cidade, representação, aparelho
City and cinema, body e city, representation, apparatus
topic Cidade e cinema, corpo e cidade, representação, aparelho
City and cinema, body e city, representation, apparatus
description The city is an unfinished and culturally produced object. Its spaces are defined historically through the conflicts established by different socio-cultural groups that shape it. The spatial arrangements and their representations refer to the way in which the body relates to the city over time. That said, it is understood that the cinematographic representation of the space is made through the cutout delimited by a frame when the filmmaker aims at the landscape. This picture denounces, between movements and filmed stays, the cartography of the path of the one who operates the camera defining the cinematic image. The camera is understood as a “apparatus” that, due to its characteristics, determine the construction of the frame and, therefore, of the film representation itself. Therefore, in order to understand the cinematographic representation of a space it is necessary to investigate the filmic frame, being aware that it presupposes a relationship between body, space and camera.
publishDate 2020
dc.date.none.fl_str_mv 2020-02-12
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.unb.br/index.php/paranoa/article/view/29384
10.18830/issn.1679-0944.n24.2019.03
url https://periodicos.unb.br/index.php/paranoa/article/view/29384
identifier_str_mv 10.18830/issn.1679-0944.n24.2019.03
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.unb.br/index.php/paranoa/article/view/29384/25323
dc.rights.driver.fl_str_mv Copyright (c) 2019 Paranoá: cadernos de arquitetura e urbanismo
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Paranoá: cadernos de arquitetura e urbanismo
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Programa de Pós-graduação em Arquitetura e Urbanismo, Faculdade de Arquitetura e Urbanismo
publisher.none.fl_str_mv Programa de Pós-graduação em Arquitetura e Urbanismo, Faculdade de Arquitetura e Urbanismo
dc.source.none.fl_str_mv Paranoá; Vol. 12 No. 24 (2019): Paranoá 24 - July/December - Cinema Urbana: Memories under Construction; 10-21
Paranoá; v. 12 n. 24 (2019): Fluxo Contínuo - Julho/Dezembro; 10-21
1679-0944
1677-7395
reponame:P@ranoá
instname:Universidade de Brasília (UnB)
instacron:UNB
instname_str Universidade de Brasília (UnB)
instacron_str UNB
institution UNB
reponame_str P@ranoá
collection P@ranoá
repository.name.fl_str_mv P@ranoá - Universidade de Brasília (UnB)
repository.mail.fl_str_mv paranoa@unb.br
_version_ 1797066979639558144

Registros relacionados