The book as an Art Form: Julio Plaza's Contribution to the Production and Theorization of the Artist's Book in Brazil

Detalhes bibliográficos
Autor(a) principal: Mattar, Marina Ribeiro
Data de Publicação: 2021
Tipo de documento: Artigo
Idioma: por
Título da fonte: Estudos de Literatura Brasileira Contemporânea
Texto Completo: https://periodicos.unb.br/index.php/estudos/article/view/37432
Resumo: This article seeks to gather and analyze the contribution of Julio Plaza in the construction of two important questions for the understanding of editorial production: the notion of “independent” focused on the production and circulation of books and the theoretical and conceptual field of the artist's book, seen as product of a certain independent creation practice. Therefore, we investigated Plaza’s theoretical production focused on this theme, published in magazines and newspapers in the 1980s, as well as the critical literature that investigates the Brazilian publishing field today. It was also relevant to approach the concepts of the artist's book in an attempt to understand how the term has been drawn in its theoretical lines. It was noted that the artist's books proved to be products linked to independent modes of production, being, generally, fruits of avant-garde art and poetry, where Plaza was inserted. In this way, it was understood, in this historical rescue of the artist and theorist's performance in the Brazilian publishing field, that self-publishing and self-editing was - and continues to be - a way to “pierce” the bubble of so-called “system editing”.
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spelling The book as an Art Form: Julio Plaza's Contribution to the Production and Theorization of the Artist's Book in Brazil El libro como forma de arte: la contribución de Julio Plaza a la producción y teorización del libro de artista en Brasil O livro como forma de arte: a contribuição de Julio Plaza na produção e teorização do livro de artista no BrasilautopublicaçãoJulio Plazalivro de artistaedição independenteautoediciónJulio Plazalibro de artistaedición independienteself-publishingJulio Plazaartist's bookindependent editionThis article seeks to gather and analyze the contribution of Julio Plaza in the construction of two important questions for the understanding of editorial production: the notion of “independent” focused on the production and circulation of books and the theoretical and conceptual field of the artist's book, seen as product of a certain independent creation practice. Therefore, we investigated Plaza’s theoretical production focused on this theme, published in magazines and newspapers in the 1980s, as well as the critical literature that investigates the Brazilian publishing field today. It was also relevant to approach the concepts of the artist's book in an attempt to understand how the term has been drawn in its theoretical lines. It was noted that the artist's books proved to be products linked to independent modes of production, being, generally, fruits of avant-garde art and poetry, where Plaza was inserted. In this way, it was understood, in this historical rescue of the artist and theorist's performance in the Brazilian publishing field, that self-publishing and self-editing was - and continues to be - a way to “pierce” the bubble of so-called “system editing”.Este artículo busca reunir y analizar la contribución de Julio Plaza en la construcción de dos preguntas importantes para la comprensión de la producción editorial: la noción de "independiente" centrada en la producción y circulación de libros, y el campo teórico y conceptual del libro del artista, visto como producto de una determinada práctica de creación independiente. Por lo tanto, investigamos la producción teórica de Plaza centrada en este tema, publicada en revistas y periódicos en la década de 1980, así como la literatura crítica que investiga el campo editorial brasileño en la actualidad. También fue relevante abordar los conceptos del libro del artista en un intento por comprender cómo se ha dibujado el término en sus líneas teóricas. Se observó que los libros del artista demostraron ser productos vinculados a modos de producción independientes, siendo, en general, fruto del arte y la poesía de vanguardia, donde se insertó Plaza. De esta manera, se entendió, en este rescate histórico de la actuación del artista y del teórico en el campo editorial brasileño, que la autopublicación y la autoedición eran, y siguen siendo, una forma de “perforar” la burbuja de la llamada “edición sistema”.Este artigo busca reunir e analisar a contribuição de Julio Plaza na construção de duas importantes questões para o entendimento da produção editorial: a noção de “independente” voltada à produção e circulação de livros e o campo teórico e conceitual do livro de artista, visto como produto de certa prática independente de criação. Para tanto, investigamos a produção teórica de Plaza voltada a essa temática, veiculada em revistas e jornais nos anos 1980, assim como a literatura crítica que investiga o campo editorial brasileiro nos dias atuais. Fez-se relevante também abordar os conceitos do livro de artista na tentativa de compreender como o termo vem sendo desenhado em suas linhas teóricas. Notou-se que os livros de artista se mostraram como produtos vinculados a modos independentes de produção, sendo, geralmente, frutos da arte e poesia de vanguarda, onde estava inserido Plaza. Desta forma, compreendeu-se, neste resgate histórico da atuação do artista e teórico no campo editorial brasileiro, que a autopublicação e autoedição foi – e continua sendo – uma maneira de “furar” a bolha da dita “edição sistema”.Grupo de Estudos em Literatura Brasileira Contemporânea, da Pós-Graduação em Literatura da Universidade de Brasí­lia2021-04-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionPeer ReviewedEvaluado por los paresAvaliado pelos paresapplication/pdfhttps://periodicos.unb.br/index.php/estudos/article/view/3743210.1590/2316-4018627Estudos de Literatura Brasileira Contemporânea; No. 62 (2021): Independent Publishing - Flávia Denise de Magalhães e Paula Renata Moreira (eds.); 1-11Estudos de Literatura Brasileira Contemporânea; n. 62 (2021): Edição independente - Flávia Denise de Magalhães e Paula Renata Moreira (org.); 1-112316-40181518-0158reponame:Estudos de Literatura Brasileira Contemporâneainstname:Universidade de Brasília (UnB)instacron:UNBporhttps://periodicos.unb.br/index.php/estudos/article/view/37432/29250Copyright (c) 2021 Marina Ribeiro Mattarhttp://creativecommons.org/licenses/by-nd/4.0info:eu-repo/semantics/openAccessMattar, Marina Ribeiro 2021-04-13T02:33:22Zoai:ojs.pkp.sfu.ca:article/37432Revistahttps://periodicos.unb.br/index.php/estudosPUBhttps://periodicos.unb.br/index.php/estudos/oaiportaldeperiodicos@bce.unb.br||revistaestudos@gmail.com2316-40181518-0158opendoar:2021-04-13T02:33:22Estudos de Literatura Brasileira Contemporânea - Universidade de Brasília (UnB)false
dc.title.none.fl_str_mv The book as an Art Form: Julio Plaza's Contribution to the Production and Theorization of the Artist's Book in Brazil
El libro como forma de arte: la contribución de Julio Plaza a la producción y teorización del libro de artista en Brasil
O livro como forma de arte: a contribuição de Julio Plaza na produção e teorização do livro de artista no Brasil
title The book as an Art Form: Julio Plaza's Contribution to the Production and Theorization of the Artist's Book in Brazil
spellingShingle The book as an Art Form: Julio Plaza's Contribution to the Production and Theorization of the Artist's Book in Brazil
Mattar, Marina Ribeiro
autopublicação
Julio Plaza
livro de artista
edição independente
autoedición
Julio Plaza
libro de artista
edición independiente
self-publishing
Julio Plaza
artist's book
independent edition
title_short The book as an Art Form: Julio Plaza's Contribution to the Production and Theorization of the Artist's Book in Brazil
title_full The book as an Art Form: Julio Plaza's Contribution to the Production and Theorization of the Artist's Book in Brazil
title_fullStr The book as an Art Form: Julio Plaza's Contribution to the Production and Theorization of the Artist's Book in Brazil
title_full_unstemmed The book as an Art Form: Julio Plaza's Contribution to the Production and Theorization of the Artist's Book in Brazil
title_sort The book as an Art Form: Julio Plaza's Contribution to the Production and Theorization of the Artist's Book in Brazil
author Mattar, Marina Ribeiro
author_facet Mattar, Marina Ribeiro
author_role author
dc.contributor.author.fl_str_mv Mattar, Marina Ribeiro
dc.subject.por.fl_str_mv autopublicação
Julio Plaza
livro de artista
edição independente
autoedición
Julio Plaza
libro de artista
edición independiente
self-publishing
Julio Plaza
artist's book
independent edition
topic autopublicação
Julio Plaza
livro de artista
edição independente
autoedición
Julio Plaza
libro de artista
edición independiente
self-publishing
Julio Plaza
artist's book
independent edition
description This article seeks to gather and analyze the contribution of Julio Plaza in the construction of two important questions for the understanding of editorial production: the notion of “independent” focused on the production and circulation of books and the theoretical and conceptual field of the artist's book, seen as product of a certain independent creation practice. Therefore, we investigated Plaza’s theoretical production focused on this theme, published in magazines and newspapers in the 1980s, as well as the critical literature that investigates the Brazilian publishing field today. It was also relevant to approach the concepts of the artist's book in an attempt to understand how the term has been drawn in its theoretical lines. It was noted that the artist's books proved to be products linked to independent modes of production, being, generally, fruits of avant-garde art and poetry, where Plaza was inserted. In this way, it was understood, in this historical rescue of the artist and theorist's performance in the Brazilian publishing field, that self-publishing and self-editing was - and continues to be - a way to “pierce” the bubble of so-called “system editing”.
publishDate 2021
dc.date.none.fl_str_mv 2021-04-12
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Peer Reviewed
Evaluado por los pares
Avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.unb.br/index.php/estudos/article/view/37432
10.1590/2316-4018627
url https://periodicos.unb.br/index.php/estudos/article/view/37432
identifier_str_mv 10.1590/2316-4018627
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.unb.br/index.php/estudos/article/view/37432/29250
dc.rights.driver.fl_str_mv Copyright (c) 2021 Marina Ribeiro Mattar
http://creativecommons.org/licenses/by-nd/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 Marina Ribeiro Mattar
http://creativecommons.org/licenses/by-nd/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Grupo de Estudos em Literatura Brasileira Contemporânea, da Pós-Graduação em Literatura da Universidade de Brasí­lia
publisher.none.fl_str_mv Grupo de Estudos em Literatura Brasileira Contemporânea, da Pós-Graduação em Literatura da Universidade de Brasí­lia
dc.source.none.fl_str_mv Estudos de Literatura Brasileira Contemporânea; No. 62 (2021): Independent Publishing - Flávia Denise de Magalhães e Paula Renata Moreira (eds.); 1-11
Estudos de Literatura Brasileira Contemporânea; n. 62 (2021): Edição independente - Flávia Denise de Magalhães e Paula Renata Moreira (org.); 1-11
2316-4018
1518-0158
reponame:Estudos de Literatura Brasileira Contemporânea
instname:Universidade de Brasília (UnB)
instacron:UNB
instname_str Universidade de Brasília (UnB)
instacron_str UNB
institution UNB
reponame_str Estudos de Literatura Brasileira Contemporânea
collection Estudos de Literatura Brasileira Contemporânea
repository.name.fl_str_mv Estudos de Literatura Brasileira Contemporânea - Universidade de Brasília (UnB)
repository.mail.fl_str_mv portaldeperiodicos@bce.unb.br||revistaestudos@gmail.com
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