A scandal sociology of the Queermuseu exhibition: disputes over the mediatic framing between professional journalism and the Movimento Brasil Livre
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Sociedade e Estado |
Texto Completo: | https://periodicos.unb.br/index.php/sociedade/article/view/42383 |
Resumo: | This paper analyzes the scandal surrounding the closing of the Queermuseu exhibition, which took place at the Santander Cultural space in Porto Alegre in the second half of 2017. The text seeks to reveal the process in which, from the mobilization on digital platforms, an art exhibition focused on sexual diversity came to be understood in certain segments as a promoter of “pedophilia”, “zoophilia” and “blasphemy”, and was early closed, which resulted in the persecution of artists and its curator, and the dissemination of an interpretation that associates the left with an agenda of “moral perversion” towards children. The empirical analysis was based on digital and printed reports from the newspaper Zero Hora, from Porto Alegre, in addition to texts, images, and videos that circulated on digital platforms, specifically addressing the framing of the event by the Movimento Brasil Livre (MBL), a group that led the campaign to close the exhibition. Analyzing the scope of the MBL framework, it is possible to recognize how digital platforms have expanded the space for political groups to schedule public issues and impose their framework on their audiences. From the empirical case analyzed, the paper elucidates aspects of the pervasiveness of the media in the public debate in the context of a technical-mediatized public sphere and seeks to highlight aspects of the accentuated mediatization of politics in the digital age. |
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A scandal sociology of the Queermuseu exhibition: disputes over the mediatic framing between professional journalism and the Movimento Brasil LivreUma sociologia do escândalo da Mostra Queermuseu: disputas de enquadramento midiático entre o jornalismo profissional e o Movimento Brasil LivreQueermuseuenquadramento midiáticoMovimento Brasil Livreesfera pública técnico-midiatizadamidiatizaçãoQueermuseumedia framingMovimento Brasil Livretechnical-mediatized public spheremediatizationThis paper analyzes the scandal surrounding the closing of the Queermuseu exhibition, which took place at the Santander Cultural space in Porto Alegre in the second half of 2017. The text seeks to reveal the process in which, from the mobilization on digital platforms, an art exhibition focused on sexual diversity came to be understood in certain segments as a promoter of “pedophilia”, “zoophilia” and “blasphemy”, and was early closed, which resulted in the persecution of artists and its curator, and the dissemination of an interpretation that associates the left with an agenda of “moral perversion” towards children. The empirical analysis was based on digital and printed reports from the newspaper Zero Hora, from Porto Alegre, in addition to texts, images, and videos that circulated on digital platforms, specifically addressing the framing of the event by the Movimento Brasil Livre (MBL), a group that led the campaign to close the exhibition. Analyzing the scope of the MBL framework, it is possible to recognize how digital platforms have expanded the space for political groups to schedule public issues and impose their framework on their audiences. From the empirical case analyzed, the paper elucidates aspects of the pervasiveness of the media in the public debate in the context of a technical-mediatized public sphere and seeks to highlight aspects of the accentuated mediatization of politics in the digital age.This paper analyzes the scandal surrounding the closing of the Queermuseu exhibition, which took place at the Santander Cultural space in Porto Alegre in the second half of 2017. The text seeks to reveal the process in which, from the mobilization on digital platforms, an art exhibition focused on sexual diversity came to be understood in certain segments as a promoter of "pedophilia", "zoophilia" and "blasphemy", and was early closed, which resulted in the persecution of artists and its curator, and the dissemination of an interpretation that associates the left with an agenda of "moral perversion" towards children. The empirical analysis was based on digital and printed reports from the newspaper Zero Hora, from Porto Alegre, in addition to texts, images, and videos that circulated on digital platforms, specifically addressing the framing of the event by the Movimento Brasil Livre (MBL), a group that led the campaign to close the exhibition. Analyzing the scope of the MBL framework, it is possible to recognize how digital platforms have expanded the space for political groups to schedule public issues and impose their framework on their audiences. From the empirical case analyzed, the paper elucidates aspects of the pervasiveness of the media in the public debate in the context of a technical-mediatized public sphere and seeks to highlight aspects of the accentuated mediatization of politics in the digital age.Este artigo apresenta uma análise do escândalo em torno do fechamento da exposição Queermuseu, ocorrida no Espaço Santander Cultural, em Porto Alegre, no segundo semestre de 2017. O texto busca desvelar o processo no qual, a partir de mobilização nas plataformas digitais, uma mostra artística voltada ao tema da diversidade sexual passou a ser compreendida em certos segmentos como promotora de “pedofilia”, “zoofilia” e “blasfêmia”, teve seu encerramento antecipado, resultando em perseguições a artistas e ao seu curador, bem como na difusão de uma interpretação que associa a esquerda a uma agenda de “perversão moral” às crianças. A análise empírica teve como fonte reportagens digitais e impressas do jornal Zero Hora de Porto Alegre, além de textos, imagens e vídeos que circularam em plataformas digitais, abordando em específico o enquadramento do evento pelo Movimento Brasil Livre (MBL), grupo que liderou a campanha pelo fechamento da exposição. Ao analisar o alcance do enquadramento do MBL, permite-se reconhecer como as plataformas digitais ampliaram o espaço para grupos políticos agendarem questões públicas e imporem seu enquadramento para suas audiências. O artigo elucida, a partir do caso empírico analisado, aspectos da pervasividade das mídias no debate público no contexto de uma esfera pública tecnomidiatizada e busca evidenciar aspectos da acentuada midiatização da política na era digital.Departamento de Sociologia - UnB/SOL2022-08-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttps://periodicos.unb.br/index.php/sociedade/article/view/4238310.1590/s0102-6992-202237020008Sociedade e Estado; Vol. 37 No. 02 (2022); 551-573Sociedade e Estado; Vol. 37 Núm. 02 (2022); 551-573Sociedade e Estado; v. 37 n. 02 (2022); 551-5731980-54620102-6992reponame:Sociedade e Estadoinstname:Universidade de Brasília (UnB)instacron:UNBporhttps://periodicos.unb.br/index.php/sociedade/article/view/42383/34162Copyright (c) 2022 Sociedade e Estadohttps://creativecommons.org/licenses/by-nc/4.0/deed.eninfo:eu-repo/semantics/openAccessBalieiro, Fernando de Figueiredo2022-08-15T11:41:33Zoai:ojs.pkp.sfu.ca:article/42383Revistahttps://periodicos.unb.br/index.php/sociedade/indexPUBhttps://periodicos.unb.br/index.php/sociedade/oaiportaldeperiodicos@bce.unb.br||revistasol@unb.br1980-54620102-6992opendoar:2022-08-15T11:41:33Sociedade e Estado - Universidade de Brasília (UnB)false |
dc.title.none.fl_str_mv |
A scandal sociology of the Queermuseu exhibition: disputes over the mediatic framing between professional journalism and the Movimento Brasil Livre Uma sociologia do escândalo da Mostra Queermuseu: disputas de enquadramento midiático entre o jornalismo profissional e o Movimento Brasil Livre |
title |
A scandal sociology of the Queermuseu exhibition: disputes over the mediatic framing between professional journalism and the Movimento Brasil Livre |
spellingShingle |
A scandal sociology of the Queermuseu exhibition: disputes over the mediatic framing between professional journalism and the Movimento Brasil Livre Balieiro, Fernando de Figueiredo Queermuseu enquadramento midiático Movimento Brasil Livre esfera pública técnico-midiatizada midiatização Queermuseu media framing Movimento Brasil Livre technical-mediatized public sphere mediatization |
title_short |
A scandal sociology of the Queermuseu exhibition: disputes over the mediatic framing between professional journalism and the Movimento Brasil Livre |
title_full |
A scandal sociology of the Queermuseu exhibition: disputes over the mediatic framing between professional journalism and the Movimento Brasil Livre |
title_fullStr |
A scandal sociology of the Queermuseu exhibition: disputes over the mediatic framing between professional journalism and the Movimento Brasil Livre |
title_full_unstemmed |
A scandal sociology of the Queermuseu exhibition: disputes over the mediatic framing between professional journalism and the Movimento Brasil Livre |
title_sort |
A scandal sociology of the Queermuseu exhibition: disputes over the mediatic framing between professional journalism and the Movimento Brasil Livre |
author |
Balieiro, Fernando de Figueiredo |
author_facet |
Balieiro, Fernando de Figueiredo |
author_role |
author |
dc.contributor.author.fl_str_mv |
Balieiro, Fernando de Figueiredo |
dc.subject.por.fl_str_mv |
Queermuseu enquadramento midiático Movimento Brasil Livre esfera pública técnico-midiatizada midiatização Queermuseu media framing Movimento Brasil Livre technical-mediatized public sphere mediatization |
topic |
Queermuseu enquadramento midiático Movimento Brasil Livre esfera pública técnico-midiatizada midiatização Queermuseu media framing Movimento Brasil Livre technical-mediatized public sphere mediatization |
description |
This paper analyzes the scandal surrounding the closing of the Queermuseu exhibition, which took place at the Santander Cultural space in Porto Alegre in the second half of 2017. The text seeks to reveal the process in which, from the mobilization on digital platforms, an art exhibition focused on sexual diversity came to be understood in certain segments as a promoter of “pedophilia”, “zoophilia” and “blasphemy”, and was early closed, which resulted in the persecution of artists and its curator, and the dissemination of an interpretation that associates the left with an agenda of “moral perversion” towards children. The empirical analysis was based on digital and printed reports from the newspaper Zero Hora, from Porto Alegre, in addition to texts, images, and videos that circulated on digital platforms, specifically addressing the framing of the event by the Movimento Brasil Livre (MBL), a group that led the campaign to close the exhibition. Analyzing the scope of the MBL framework, it is possible to recognize how digital platforms have expanded the space for political groups to schedule public issues and impose their framework on their audiences. From the empirical case analyzed, the paper elucidates aspects of the pervasiveness of the media in the public debate in the context of a technical-mediatized public sphere and seeks to highlight aspects of the accentuated mediatization of politics in the digital age. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-08-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.unb.br/index.php/sociedade/article/view/42383 10.1590/s0102-6992-202237020008 |
url |
https://periodicos.unb.br/index.php/sociedade/article/view/42383 |
identifier_str_mv |
10.1590/s0102-6992-202237020008 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.unb.br/index.php/sociedade/article/view/42383/34162 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Sociedade e Estado https://creativecommons.org/licenses/by-nc/4.0/deed.en info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Sociedade e Estado https://creativecommons.org/licenses/by-nc/4.0/deed.en |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
Departamento de Sociologia - UnB/SOL |
publisher.none.fl_str_mv |
Departamento de Sociologia - UnB/SOL |
dc.source.none.fl_str_mv |
Sociedade e Estado; Vol. 37 No. 02 (2022); 551-573 Sociedade e Estado; Vol. 37 Núm. 02 (2022); 551-573 Sociedade e Estado; v. 37 n. 02 (2022); 551-573 1980-5462 0102-6992 reponame:Sociedade e Estado instname:Universidade de Brasília (UnB) instacron:UNB |
instname_str |
Universidade de Brasília (UnB) |
instacron_str |
UNB |
institution |
UNB |
reponame_str |
Sociedade e Estado |
collection |
Sociedade e Estado |
repository.name.fl_str_mv |
Sociedade e Estado - Universidade de Brasília (UnB) |
repository.mail.fl_str_mv |
portaldeperiodicos@bce.unb.br||revistasol@unb.br |
_version_ |
1800211066090684416 |