The real and the fictional: the backlands of São Francisco in the novels Os cabras do coronel e A Dama do Velho Chico
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Tabuleiro de Letras |
Texto Completo: | https://revistas.uneb.br/index.php/tabuleirodeletras/article/view/16861 |
Resumo: | Literature is produced from the imaginary construction of writers who cast a glance at reality and interpret it, thus constituting symbolic universes. With this, it is observed that Wilson Lins in his novel Os cabras do coronel (1964) and Carlos Barbosa in A Dama do Velho Chico (2002), when casting their eyes on the sertanejo universe of São Francisco, recreate in their novels possibilities of representation of that space. The dramas of the sertanejos portrayed for a long time as the eternal migrants, are reconfigured and reveal their experiences amid the bad weather, building their ways of life. The relationship established between the real and the fictional, allowed us to present some discussions about the concept of credible presented by Tzvetan Todorov (2003) and how Language and Literature are articulated for the constitution of the literary text guided by Lúcia Castelo Branco and Ruth Silva Silviano Brandão (1995). In this way, the dramas of the sertanejos portrayed for a long time as the eternal migrants, are reconfigured and reveal the experiences of a people who, amid the bad weather, constitute their ways of life culturally enriched and fertilized by the waters of the Velho Chico. |
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The real and the fictional: the backlands of São Francisco in the novels Os cabras do coronel e A Dama do Velho ChicoO real e o ficcional: o sertão do São Francisco nos romances Os cabras do coronel e A Dama do Velho ChicoLiterature is produced from the imaginary construction of writers who cast a glance at reality and interpret it, thus constituting symbolic universes. With this, it is observed that Wilson Lins in his novel Os cabras do coronel (1964) and Carlos Barbosa in A Dama do Velho Chico (2002), when casting their eyes on the sertanejo universe of São Francisco, recreate in their novels possibilities of representation of that space. The dramas of the sertanejos portrayed for a long time as the eternal migrants, are reconfigured and reveal their experiences amid the bad weather, building their ways of life. The relationship established between the real and the fictional, allowed us to present some discussions about the concept of credible presented by Tzvetan Todorov (2003) and how Language and Literature are articulated for the constitution of the literary text guided by Lúcia Castelo Branco and Ruth Silva Silviano Brandão (1995). In this way, the dramas of the sertanejos portrayed for a long time as the eternal migrants, are reconfigured and reveal the experiences of a people who, amid the bad weather, constitute their ways of life culturally enriched and fertilized by the waters of the Velho Chico.A literatura é produzida a partir da construção imaginária dos escritores que lançam um olhar sobre a realidade e a interpretam, constituindo assim universos simbólicos. Com isso, observa-se que Wilson Lins no seu romance Os cabras do Coronel (1964) e Carlos Barbosa em A dama do Velho Chico (2002), ao lançarem seus olhares sobre o universo sertanejo do São Francisco, recriam em suas obras possibilidades de representação daquele espaço. Os dramas dos sertanejos retratados por muito tempo como os eternos retirantes, reconfiguram-se e revelam suas vivências em meio às intempéries climáticas, constituindo seus modos de vida. A relação estabelecida entre o real e o ficcional, nos permitiu apresentar algumas discussões a respeitos do conceito de verossímil apresentado por Tzvetan Todorov (2003) e como Linguagem e Literatura se articulam para a constituição do texto literário pautada por Lúcia Castelo Branco e Ruth Silva Silviano Brandão (1995). Assim, os dramas dos sertanejos retratados por muito tempo como os eternos retirantes, se reconfiguram e revelam as vivências de um povo que em meio às intempéries climáticas, constituem seus modos de vida enriquecidos culturalmente e fertilizados pelas águas do Velho Chico.Programa de Pós Graduação em Estudo de Linguagens - PPGEL2023-06-18info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.uneb.br/index.php/tabuleirodeletras/article/view/1686110.35499/tl.v17i1.16861Tabuleiro de Letras; v. 17 n. 1 (2023); 169-1802176-578210.35499/tl.v17i1reponame:Tabuleiro de Letrasinstname:Universidade do Estado da Bahia (UNEB)instacron:UNEBporhttps://revistas.uneb.br/index.php/tabuleirodeletras/article/view/16861/11621Copyright (c) 2023 Tabuleiro de Letrasinfo:eu-repo/semantics/openAccessBonfim, Joseilton Ribeiro doSouza, Marcos Aurélio dos Santos 2023-06-18T21:13:12Zoai:ojs.revistas.uneb.br:article/16861Revistahttps://revistas.uneb.br/index.php/tabuleirodeletrasPUBhttps://revistas.uneb.br/index.php/tabuleirodeletras/oainlopes@uneb.br2176-57822176-5782opendoar:2023-06-18T21:13:12Tabuleiro de Letras - Universidade do Estado da Bahia (UNEB)false |
dc.title.none.fl_str_mv |
The real and the fictional: the backlands of São Francisco in the novels Os cabras do coronel e A Dama do Velho Chico O real e o ficcional: o sertão do São Francisco nos romances Os cabras do coronel e A Dama do Velho Chico |
title |
The real and the fictional: the backlands of São Francisco in the novels Os cabras do coronel e A Dama do Velho Chico |
spellingShingle |
The real and the fictional: the backlands of São Francisco in the novels Os cabras do coronel e A Dama do Velho Chico Bonfim, Joseilton Ribeiro do |
title_short |
The real and the fictional: the backlands of São Francisco in the novels Os cabras do coronel e A Dama do Velho Chico |
title_full |
The real and the fictional: the backlands of São Francisco in the novels Os cabras do coronel e A Dama do Velho Chico |
title_fullStr |
The real and the fictional: the backlands of São Francisco in the novels Os cabras do coronel e A Dama do Velho Chico |
title_full_unstemmed |
The real and the fictional: the backlands of São Francisco in the novels Os cabras do coronel e A Dama do Velho Chico |
title_sort |
The real and the fictional: the backlands of São Francisco in the novels Os cabras do coronel e A Dama do Velho Chico |
author |
Bonfim, Joseilton Ribeiro do |
author_facet |
Bonfim, Joseilton Ribeiro do Souza, Marcos Aurélio dos Santos |
author_role |
author |
author2 |
Souza, Marcos Aurélio dos Santos |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Bonfim, Joseilton Ribeiro do Souza, Marcos Aurélio dos Santos |
description |
Literature is produced from the imaginary construction of writers who cast a glance at reality and interpret it, thus constituting symbolic universes. With this, it is observed that Wilson Lins in his novel Os cabras do coronel (1964) and Carlos Barbosa in A Dama do Velho Chico (2002), when casting their eyes on the sertanejo universe of São Francisco, recreate in their novels possibilities of representation of that space. The dramas of the sertanejos portrayed for a long time as the eternal migrants, are reconfigured and reveal their experiences amid the bad weather, building their ways of life. The relationship established between the real and the fictional, allowed us to present some discussions about the concept of credible presented by Tzvetan Todorov (2003) and how Language and Literature are articulated for the constitution of the literary text guided by Lúcia Castelo Branco and Ruth Silva Silviano Brandão (1995). In this way, the dramas of the sertanejos portrayed for a long time as the eternal migrants, are reconfigured and reveal the experiences of a people who, amid the bad weather, constitute their ways of life culturally enriched and fertilized by the waters of the Velho Chico. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-06-18 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.uneb.br/index.php/tabuleirodeletras/article/view/16861 10.35499/tl.v17i1.16861 |
url |
https://revistas.uneb.br/index.php/tabuleirodeletras/article/view/16861 |
identifier_str_mv |
10.35499/tl.v17i1.16861 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.uneb.br/index.php/tabuleirodeletras/article/view/16861/11621 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Tabuleiro de Letras info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Tabuleiro de Letras |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Programa de Pós Graduação em Estudo de Linguagens - PPGEL |
publisher.none.fl_str_mv |
Programa de Pós Graduação em Estudo de Linguagens - PPGEL |
dc.source.none.fl_str_mv |
Tabuleiro de Letras; v. 17 n. 1 (2023); 169-180 2176-5782 10.35499/tl.v17i1 reponame:Tabuleiro de Letras instname:Universidade do Estado da Bahia (UNEB) instacron:UNEB |
instname_str |
Universidade do Estado da Bahia (UNEB) |
instacron_str |
UNEB |
institution |
UNEB |
reponame_str |
Tabuleiro de Letras |
collection |
Tabuleiro de Letras |
repository.name.fl_str_mv |
Tabuleiro de Letras - Universidade do Estado da Bahia (UNEB) |
repository.mail.fl_str_mv |
nlopes@uneb.br |
_version_ |
1800211680452411392 |