The intricate game of remembering and forgetting in Euclides da Cunha's speech on the Canudos campaign
Autor(a) principal: | |
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Data de Publicação: | 2023 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Pontos de Interrogação (Online) |
Texto Completo: | https://www.revistas.uneb.br/index.php/pontosdeint/article/view/16404 |
Resumo: | This essay intends to investigate how the interweaving between remembering and forgetting is processed in Euclides da Cunha's speech on the Canudos Campaign. The visibility of the conflict today leads readers to believe that interest in the topic has remained unchanged since 1897, when news about the war was widely disseminated in Brazil and in several countries around the world. However, in the years after the event, an effort to forget Canudos became a trend in the press. Os sertões, released five years after the end of the conflict, also assumes the inscription of oblivion. In the “Preliminary Note” to the book, Euclides da Cunha refers to the Canudos Campaign as a dated theme, signaling to the reader that the work's guiding theme would be another. However, in the very forging of the writing, as it replaces the first theme (the campaign in the backlands of Bahia), the second theme (a racial discussion, completely dated in contemporary times) is the protagonist of its own oblivion, and the intention to forget the Canudos conflict becomes another way of bringing him to mind. The notions of forgetting and remembering appear in this study according to the perspective of Paul Ricoeur, in Memory, history, forgetting. In this context, the essays “Mourning and melancholy” and “Remembering, repeating and elaborating”, by Sigmund Freud, are also used as a theoretical foundation. The conception of discourse that guides the essay transits between the notions of “greater narratives” and “founders of discursivities” or “instarators of discursivity”, both by Michel Foucault, in the texts The Order of Discourse and What is an Author?, respectively. [Received on: November 20, 2022 – Accepted on: December 15, 2022] |
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The intricate game of remembering and forgetting in Euclides da Cunha's speech on the Canudos campaignO intrincado jogo de rememoração e esquecimento no discurso de Euclides da Cunha sobre a campanha de CanudosEuclides da CunhaOs sertõesCampanha de CanudosEsquecimentoRememoraçãoEuclides da CunhaOs sertõesCanudos CampaignForgetfulnessRemembranceThis essay intends to investigate how the interweaving between remembering and forgetting is processed in Euclides da Cunha's speech on the Canudos Campaign. The visibility of the conflict today leads readers to believe that interest in the topic has remained unchanged since 1897, when news about the war was widely disseminated in Brazil and in several countries around the world. However, in the years after the event, an effort to forget Canudos became a trend in the press. Os sertões, released five years after the end of the conflict, also assumes the inscription of oblivion. In the “Preliminary Note” to the book, Euclides da Cunha refers to the Canudos Campaign as a dated theme, signaling to the reader that the work's guiding theme would be another. However, in the very forging of the writing, as it replaces the first theme (the campaign in the backlands of Bahia), the second theme (a racial discussion, completely dated in contemporary times) is the protagonist of its own oblivion, and the intention to forget the Canudos conflict becomes another way of bringing him to mind. The notions of forgetting and remembering appear in this study according to the perspective of Paul Ricoeur, in Memory, history, forgetting. In this context, the essays “Mourning and melancholy” and “Remembering, repeating and elaborating”, by Sigmund Freud, are also used as a theoretical foundation. The conception of discourse that guides the essay transits between the notions of “greater narratives” and “founders of discursivities” or “instarators of discursivity”, both by Michel Foucault, in the texts The Order of Discourse and What is an Author?, respectively. [Received on: November 20, 2022 – Accepted on: December 15, 2022]Este ensaio pretende investigar como se processa o entrelaçamento entre rememoração e esquecimento no discurso de Euclides da Cunha sobre a Campanha de Canudos. A visibilidade do conflito na atualidade induz os leitores a acreditarem que o interesse pelo tema manteve-se inalterado desde o ano de 1897, quando as notícias sobre a guerra foram amplamente divulgadas no Brasil e em vários países do mundo. Porém, nos anos posteriores ao acontecimento, tornou-se tendência na imprensa o esforço para esquecer Canudos. Os sertões, lançado cinco anos após o término do conflito, também assume a inscrição de esquecimento. Na “Nota preliminar” ao livro, Euclides da Cunha se refere à Campanha de Canudos como um tema datado, sinalizando ao leitor que seria outro o tema norteador da obra. Porém, no próprio forjamento da escrita, à medida que se apresenta em substituição ao tema primeiro (a campanha nos sertões baianos), o tema segundo (uma discussão racial, completamente datada nos dias contemporâneos) protagoniza seu próprio esquecimento, e a intenção de esquecer o conflito de Canudos se converte numa outra forma de trazê-lo à lembrança. As noções de esquecimento e rememoração aparecem neste estudo conforme perspectiva de Paul Ricoeur, em A memória, a história, o esquecimento. Nesse contexto, também são utilizados como fundamentação teórica os ensaios “Luto e melancolia” e “Recordar, repetir e elaborar”, de Sigmund Freud. A concepção de discurso que orienta o ensaio transita entre as noções de “narrativas maiores” e “fundadores de discursividades” ou “instauradores de discursividade”, ambas de Michel Foucault, nos textos A ordem do discurso e O que é um autor?, respectivamente. [Recebido em: 20 nov. 2022 – Aceito em: 15 dez. 2022]Universidade do Estado da Bahia (UNEB) – Programa de Pós-Graduação em Crítica Cultural2023-02-07info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.revistas.uneb.br/index.php/pontosdeint/article/view/1640410.30620/pdi.v12n2.p79Pontos de Interrogação – Journal of Cultural Criticism; Vol. 12 No. 2 (2022): Dossiê: Revisitar Canudos, reinventar o Brasil; 79-96Pontos de Interrogação – Revista de Crítica Cultural; Vol. 12 Núm. 2 (2022): Dossiê: Revisitar Canudos, reinventar o Brasil; 79-96Pontos de Interrogação – Revista de Crítica Cultural; v. 12 n. 2 (2022): Dossiê: Revisitar Canudos, reinventar o Brasil; 79-962237-9681reponame:Pontos de Interrogação (Online)instname:Universidade do Estado da Bahia (UNEB)instacron:UNEBporhttps://www.revistas.uneb.br/index.php/pontosdeint/article/view/16404/11130Copyright (c) 2022 Pontos de Interrogação – Revista de Crítica Culturalhttps://creativecommons.org/licenses/by-sa/4.0info:eu-repo/semantics/openAccessDias, Léa Costa Santana2023-05-12T22:30:25Zoai:ojs.revistas.uneb.br:article/16404Revistahttps://www.revistas.uneb.br/index.php/pontosdeintPUBhttps://www.revistas.uneb.br/index.php/pontosdeint/oairevistaponti@gmail.com || osmar.moreira@uol.com.br2237-96812178-8952opendoar:2023-05-12T22:30:25Pontos de Interrogação (Online) - Universidade do Estado da Bahia (UNEB)false |
dc.title.none.fl_str_mv |
The intricate game of remembering and forgetting in Euclides da Cunha's speech on the Canudos campaign O intrincado jogo de rememoração e esquecimento no discurso de Euclides da Cunha sobre a campanha de Canudos |
title |
The intricate game of remembering and forgetting in Euclides da Cunha's speech on the Canudos campaign |
spellingShingle |
The intricate game of remembering and forgetting in Euclides da Cunha's speech on the Canudos campaign Dias, Léa Costa Santana Euclides da Cunha Os sertões Campanha de Canudos Esquecimento Rememoração Euclides da Cunha Os sertões Canudos Campaign Forgetfulness Remembrance |
title_short |
The intricate game of remembering and forgetting in Euclides da Cunha's speech on the Canudos campaign |
title_full |
The intricate game of remembering and forgetting in Euclides da Cunha's speech on the Canudos campaign |
title_fullStr |
The intricate game of remembering and forgetting in Euclides da Cunha's speech on the Canudos campaign |
title_full_unstemmed |
The intricate game of remembering and forgetting in Euclides da Cunha's speech on the Canudos campaign |
title_sort |
The intricate game of remembering and forgetting in Euclides da Cunha's speech on the Canudos campaign |
author |
Dias, Léa Costa Santana |
author_facet |
Dias, Léa Costa Santana |
author_role |
author |
dc.contributor.author.fl_str_mv |
Dias, Léa Costa Santana |
dc.subject.por.fl_str_mv |
Euclides da Cunha Os sertões Campanha de Canudos Esquecimento Rememoração Euclides da Cunha Os sertões Canudos Campaign Forgetfulness Remembrance |
topic |
Euclides da Cunha Os sertões Campanha de Canudos Esquecimento Rememoração Euclides da Cunha Os sertões Canudos Campaign Forgetfulness Remembrance |
description |
This essay intends to investigate how the interweaving between remembering and forgetting is processed in Euclides da Cunha's speech on the Canudos Campaign. The visibility of the conflict today leads readers to believe that interest in the topic has remained unchanged since 1897, when news about the war was widely disseminated in Brazil and in several countries around the world. However, in the years after the event, an effort to forget Canudos became a trend in the press. Os sertões, released five years after the end of the conflict, also assumes the inscription of oblivion. In the “Preliminary Note” to the book, Euclides da Cunha refers to the Canudos Campaign as a dated theme, signaling to the reader that the work's guiding theme would be another. However, in the very forging of the writing, as it replaces the first theme (the campaign in the backlands of Bahia), the second theme (a racial discussion, completely dated in contemporary times) is the protagonist of its own oblivion, and the intention to forget the Canudos conflict becomes another way of bringing him to mind. The notions of forgetting and remembering appear in this study according to the perspective of Paul Ricoeur, in Memory, history, forgetting. In this context, the essays “Mourning and melancholy” and “Remembering, repeating and elaborating”, by Sigmund Freud, are also used as a theoretical foundation. The conception of discourse that guides the essay transits between the notions of “greater narratives” and “founders of discursivities” or “instarators of discursivity”, both by Michel Foucault, in the texts The Order of Discourse and What is an Author?, respectively. [Received on: November 20, 2022 – Accepted on: December 15, 2022] |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-02-07 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://www.revistas.uneb.br/index.php/pontosdeint/article/view/16404 10.30620/pdi.v12n2.p79 |
url |
https://www.revistas.uneb.br/index.php/pontosdeint/article/view/16404 |
identifier_str_mv |
10.30620/pdi.v12n2.p79 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://www.revistas.uneb.br/index.php/pontosdeint/article/view/16404/11130 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Pontos de Interrogação – Revista de Crítica Cultural https://creativecommons.org/licenses/by-sa/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Pontos de Interrogação – Revista de Crítica Cultural https://creativecommons.org/licenses/by-sa/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Estado da Bahia (UNEB) – Programa de Pós-Graduação em Crítica Cultural |
publisher.none.fl_str_mv |
Universidade do Estado da Bahia (UNEB) – Programa de Pós-Graduação em Crítica Cultural |
dc.source.none.fl_str_mv |
Pontos de Interrogação – Journal of Cultural Criticism; Vol. 12 No. 2 (2022): Dossiê: Revisitar Canudos, reinventar o Brasil; 79-96 Pontos de Interrogação – Revista de Crítica Cultural; Vol. 12 Núm. 2 (2022): Dossiê: Revisitar Canudos, reinventar o Brasil; 79-96 Pontos de Interrogação – Revista de Crítica Cultural; v. 12 n. 2 (2022): Dossiê: Revisitar Canudos, reinventar o Brasil; 79-96 2237-9681 reponame:Pontos de Interrogação (Online) instname:Universidade do Estado da Bahia (UNEB) instacron:UNEB |
instname_str |
Universidade do Estado da Bahia (UNEB) |
instacron_str |
UNEB |
institution |
UNEB |
reponame_str |
Pontos de Interrogação (Online) |
collection |
Pontos de Interrogação (Online) |
repository.name.fl_str_mv |
Pontos de Interrogação (Online) - Universidade do Estado da Bahia (UNEB) |
repository.mail.fl_str_mv |
revistaponti@gmail.com || osmar.moreira@uol.com.br |
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1797042192000221184 |