“A life with no fixed points” the subaltern deconstructing normative linearities
Autor(a) principal: | |
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Data de Publicação: | 2016 |
Tipo de documento: | Artigo |
Idioma: | eng |
Título da fonte: | Grau Zero |
Texto Completo: | https://revistas.uneb.br/index.php/grauzero/article/view/2223 |
Resumo: | According to Spivak (2000, p. 21) more thannecessary translation is inevitable, even if it is still considered impossible. When translation takes place, the “I” gets in touch with the “Other” and this “Other” is, as posed by Maggio (2007, p. 424), (re)created through what the author calls a “reductionist postmodernity”. Therefore, this article aims at rethinking Latin American postmodernity, more specifically in the Amazonian region, through the problematisation of time and space as defined by the (neo)imperial narratology. Such problematisation is here effected through Hatoum’s novel The Brothers (2002), translated by John Gledson, which potentialises this criticismby inserting into the hegemonic centre the voice of a margin that, for so long, has been silenced by it. |
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“A life with no fixed points” the subaltern deconstructing normative linearitiesHatoumGledsonTranslationTimeSpaceAccording to Spivak (2000, p. 21) more thannecessary translation is inevitable, even if it is still considered impossible. When translation takes place, the “I” gets in touch with the “Other” and this “Other” is, as posed by Maggio (2007, p. 424), (re)created through what the author calls a “reductionist postmodernity”. Therefore, this article aims at rethinking Latin American postmodernity, more specifically in the Amazonian region, through the problematisation of time and space as defined by the (neo)imperial narratology. Such problematisation is here effected through Hatoum’s novel The Brothers (2002), translated by John Gledson, which potentialises this criticismby inserting into the hegemonic centre the voice of a margin that, for so long, has been silenced by it.Fábrica de Letras do Pós-Crítica/UNEB2016-04-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtigo avaliado pelos Paresapplication/pdfhttps://revistas.uneb.br/index.php/grauzero/article/view/222310.30620/gz.v1n1.p33Grau Zero – Revista de Crítica Cultural; v. 1 n. 1 (2013): Configurações da crítica cultural; 33-542318-7085reponame:Grau Zeroinstname:Universidade do Estado da Bahia (UNEB)instacron:UNEBenghttps://revistas.uneb.br/index.php/grauzero/article/view/2223/1540Copyright (c) 2013 Grau Zero – Revista de Crítica Culturalhttps://creativecommons.org/licenses/by-sa/4.0info:eu-repo/semantics/openAccessGONÇALVES, Davi Silva2023-09-18T13:24:52Zoai:ojs.revistas.uneb.br:article/2223Revistahttps://revistas.uneb.br/index.php/grauzeroPUBhttps://revistas.uneb.br/index.php/grauzero/oaijfelix@uneb.br || grauzero.uneb@gmail.com || fabricadeletras.uneb@gmail.com2318-70852318-7085opendoar:2023-09-18T13:24:52Grau Zero - Universidade do Estado da Bahia (UNEB)false |
dc.title.none.fl_str_mv |
“A life with no fixed points” the subaltern deconstructing normative linearities |
title |
“A life with no fixed points” the subaltern deconstructing normative linearities |
spellingShingle |
“A life with no fixed points” the subaltern deconstructing normative linearities GONÇALVES, Davi Silva Hatoum Gledson Translation Time Space |
title_short |
“A life with no fixed points” the subaltern deconstructing normative linearities |
title_full |
“A life with no fixed points” the subaltern deconstructing normative linearities |
title_fullStr |
“A life with no fixed points” the subaltern deconstructing normative linearities |
title_full_unstemmed |
“A life with no fixed points” the subaltern deconstructing normative linearities |
title_sort |
“A life with no fixed points” the subaltern deconstructing normative linearities |
author |
GONÇALVES, Davi Silva |
author_facet |
GONÇALVES, Davi Silva |
author_role |
author |
dc.contributor.author.fl_str_mv |
GONÇALVES, Davi Silva |
dc.subject.por.fl_str_mv |
Hatoum Gledson Translation Time Space |
topic |
Hatoum Gledson Translation Time Space |
description |
According to Spivak (2000, p. 21) more thannecessary translation is inevitable, even if it is still considered impossible. When translation takes place, the “I” gets in touch with the “Other” and this “Other” is, as posed by Maggio (2007, p. 424), (re)created through what the author calls a “reductionist postmodernity”. Therefore, this article aims at rethinking Latin American postmodernity, more specifically in the Amazonian region, through the problematisation of time and space as defined by the (neo)imperial narratology. Such problematisation is here effected through Hatoum’s novel The Brothers (2002), translated by John Gledson, which potentialises this criticismby inserting into the hegemonic centre the voice of a margin that, for so long, has been silenced by it. |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016-04-11 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artigo avaliado pelos Pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.uneb.br/index.php/grauzero/article/view/2223 10.30620/gz.v1n1.p33 |
url |
https://revistas.uneb.br/index.php/grauzero/article/view/2223 |
identifier_str_mv |
10.30620/gz.v1n1.p33 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://revistas.uneb.br/index.php/grauzero/article/view/2223/1540 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2013 Grau Zero – Revista de Crítica Cultural https://creativecommons.org/licenses/by-sa/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2013 Grau Zero – Revista de Crítica Cultural https://creativecommons.org/licenses/by-sa/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Fábrica de Letras do Pós-Crítica/UNEB |
publisher.none.fl_str_mv |
Fábrica de Letras do Pós-Crítica/UNEB |
dc.source.none.fl_str_mv |
Grau Zero – Revista de Crítica Cultural; v. 1 n. 1 (2013): Configurações da crítica cultural; 33-54 2318-7085 reponame:Grau Zero instname:Universidade do Estado da Bahia (UNEB) instacron:UNEB |
instname_str |
Universidade do Estado da Bahia (UNEB) |
instacron_str |
UNEB |
institution |
UNEB |
reponame_str |
Grau Zero |
collection |
Grau Zero |
repository.name.fl_str_mv |
Grau Zero - Universidade do Estado da Bahia (UNEB) |
repository.mail.fl_str_mv |
jfelix@uneb.br || grauzero.uneb@gmail.com || fabricadeletras.uneb@gmail.com |
_version_ |
1797041770811359232 |