“The yellow wallpaper”: representation as struggle

Detalhes bibliográficos
Autor(a) principal: CRUZ, Tarso do Amaral de Souza
Data de Publicação: 2016
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Grau Zero
Texto Completo: https://revistas.uneb.br/index.php/grauzero/article/view/2248
Resumo: The article discusses the narrative strategies employed by American writer Charlotte Perkins Gilman which aimed at subverting literary conventions that could have prevented her from representing a woman’s inner struggles. The article also aims at discussing how such subversion may be related not only to the literary realm but also to the social restraints with which women were forced to deal during the second half of the nineteenth century in The United States of America.
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spelling “The yellow wallpaper”: representation as struggleRepresentationRealismSubversionThe article discusses the narrative strategies employed by American writer Charlotte Perkins Gilman which aimed at subverting literary conventions that could have prevented her from representing a woman’s inner struggles. The article also aims at discussing how such subversion may be related not only to the literary realm but also to the social restraints with which women were forced to deal during the second half of the nineteenth century in The United States of America.Fábrica de Letras do Pós-Crítica/UNEB2016-04-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArtigo avaliado pelos Paresapplication/pdfhttps://revistas.uneb.br/index.php/grauzero/article/view/224810.30620/gz.v1n1.p367Grau Zero – Revista de Crítica Cultural; v. 1 n. 1 (2013): Configurações da crítica cultural; 367-3792318-7085reponame:Grau Zeroinstname:Universidade do Estado da Bahia (UNEB)instacron:UNEBenghttps://revistas.uneb.br/index.php/grauzero/article/view/2248/1563Copyright (c) 2013 Grau Zero – Revista de Crítica Culturalhttps://creativecommons.org/licenses/by-sa/4.0info:eu-repo/semantics/openAccessCRUZ, Tarso do Amaral de Souza2023-09-18T13:24:52Zoai:ojs.revistas.uneb.br:article/2248Revistahttps://revistas.uneb.br/index.php/grauzeroPUBhttps://revistas.uneb.br/index.php/grauzero/oaijfelix@uneb.br || grauzero.uneb@gmail.com || fabricadeletras.uneb@gmail.com2318-70852318-7085opendoar:2023-09-18T13:24:52Grau Zero - Universidade do Estado da Bahia (UNEB)false
dc.title.none.fl_str_mv “The yellow wallpaper”: representation as struggle
title “The yellow wallpaper”: representation as struggle
spellingShingle “The yellow wallpaper”: representation as struggle
CRUZ, Tarso do Amaral de Souza
Representation
Realism
Subversion
title_short “The yellow wallpaper”: representation as struggle
title_full “The yellow wallpaper”: representation as struggle
title_fullStr “The yellow wallpaper”: representation as struggle
title_full_unstemmed “The yellow wallpaper”: representation as struggle
title_sort “The yellow wallpaper”: representation as struggle
author CRUZ, Tarso do Amaral de Souza
author_facet CRUZ, Tarso do Amaral de Souza
author_role author
dc.contributor.author.fl_str_mv CRUZ, Tarso do Amaral de Souza
dc.subject.por.fl_str_mv Representation
Realism
Subversion
topic Representation
Realism
Subversion
description The article discusses the narrative strategies employed by American writer Charlotte Perkins Gilman which aimed at subverting literary conventions that could have prevented her from representing a woman’s inner struggles. The article also aims at discussing how such subversion may be related not only to the literary realm but also to the social restraints with which women were forced to deal during the second half of the nineteenth century in The United States of America.
publishDate 2016
dc.date.none.fl_str_mv 2016-04-11
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Artigo avaliado pelos Pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.uneb.br/index.php/grauzero/article/view/2248
10.30620/gz.v1n1.p367
url https://revistas.uneb.br/index.php/grauzero/article/view/2248
identifier_str_mv 10.30620/gz.v1n1.p367
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv https://revistas.uneb.br/index.php/grauzero/article/view/2248/1563
dc.rights.driver.fl_str_mv Copyright (c) 2013 Grau Zero – Revista de Crítica Cultural
https://creativecommons.org/licenses/by-sa/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2013 Grau Zero – Revista de Crítica Cultural
https://creativecommons.org/licenses/by-sa/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Fábrica de Letras do Pós-Crítica/UNEB
publisher.none.fl_str_mv Fábrica de Letras do Pós-Crítica/UNEB
dc.source.none.fl_str_mv Grau Zero – Revista de Crítica Cultural; v. 1 n. 1 (2013): Configurações da crítica cultural; 367-379
2318-7085
reponame:Grau Zero
instname:Universidade do Estado da Bahia (UNEB)
instacron:UNEB
instname_str Universidade do Estado da Bahia (UNEB)
instacron_str UNEB
institution UNEB
reponame_str Grau Zero
collection Grau Zero
repository.name.fl_str_mv Grau Zero - Universidade do Estado da Bahia (UNEB)
repository.mail.fl_str_mv jfelix@uneb.br || grauzero.uneb@gmail.com || fabricadeletras.uneb@gmail.com
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