The interdisciplinarity of rhetoric and its influence in colonial Brazilian music

Detalhes bibliográficos
Autor(a) principal: Soares, Eliel Almeida
Data de Publicação: 2022
Outros Autores: Ricciardi, Rubens Russomanno
Tipo de documento: Artigo
Idioma: por
Título da fonte: Trans/Form/Ação (Online)
Texto Completo: https://revistas.marilia.unesp.br/index.php/transformacao/article/view/8866
Resumo: Essential to the production of certain music of the late sixteenth century to early nineteenth century, rhetoric is an fundamental component for its use, related with grammar, as well as its their suitability in the musical structures of the time, to be understood and clarified in the musical discourse. This process went through a systematization and theorization improved by several writers of musical rhetoric, whose postulate was based on the eminent masters of Classical Rhetoric, Aristotle, Cicero and Quintilian, thus establishing a nomenclature known as Musica Poetica. Resulting from this methodology, several treatises highlighted the means by which music could be elaborated in a discourse organized and ordered by rhetorical elements so as to moving the affections of the listener. In this regard, both the field of musicology, performance and theory/analysis in the last fifty years, has been showing interest in the subject developing countless researches through rhetorical-musical analysis, aimed at clarifying the relationship between music and affection namely, music, philosophy and hermeneutics, for example, besides its influence and its use in the Brazilian colonial music by some composers.  
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spelling The interdisciplinarity of rhetoric and its influence in colonial Brazilian musicA interdisciplinaridade da retórica e sua influência na música colonial BrasileiraRhetoricPhilosophy and hermeneuticBrazilian colonial musicBrazilian composersRetóricaFilosofia e HermenêuticaMúsica Colonial BrasileiraCompositores BrasileirosEssential to the production of certain music of the late sixteenth century to early nineteenth century, rhetoric is an fundamental component for its use, related with grammar, as well as its their suitability in the musical structures of the time, to be understood and clarified in the musical discourse. This process went through a systematization and theorization improved by several writers of musical rhetoric, whose postulate was based on the eminent masters of Classical Rhetoric, Aristotle, Cicero and Quintilian, thus establishing a nomenclature known as Musica Poetica. Resulting from this methodology, several treatises highlighted the means by which music could be elaborated in a discourse organized and ordered by rhetorical elements so as to moving the affections of the listener. In this regard, both the field of musicology, performance and theory/analysis in the last fifty years, has been showing interest in the subject developing countless researches through rhetorical-musical analysis, aimed at clarifying the relationship between music and affection namely, music, philosophy and hermeneutics, for example, besides its influence and its use in the Brazilian colonial music by some composers.  Essencial para a produção de determinadas músicas do final do século XVI ao começo do século XIX, a retórica se mostra como componente fundamental para que sua utilização, relacionado à gramatica, bem como sua adequação nas estruturas musicais, fosse compreendida e clarificada no discurso musical. Tal processo ocorreu através de uma sistematização e teorização aprimorada por diversos tratadistas da retórica musical, cujo postulado se embasava nos eminentes mestres da Retórica Clássica, Aristóteles, Cícero e Quintiliano, estabelecendo, assim, uma nomenclatura conhecida como Musica Poetica. Resultante dessa metodização, vários tratados destacavam os meios pelos quais a música pudesse ser elaborada num discurso organizado e ordenado por elementos retóricos de modo a mover os afetos do ouvinte. Nesse sentido, tanto a área da musicologia, performance e teoria/análise nos últimos 50 anos, vem demostrando interesse sobre o tema, desenvolvendo inúmeras pesquisas mediante análise retórico-musical, objetivadas em esclarecer a relação entre música e afeto. Por esse motivo, esse artigo apresenta o diálogo da retórica com as outras áreas do conhecimento humano, a saber, música, filosofia e hermenêutica, por exemplo, além da sua influência e emprego na música colonial brasileira por alguns compositores.Faculdade de Filosofia e Ciências2022-07-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/htmlapplication/x-mobipocket-ebookapplication/epub+ziphttps://revistas.marilia.unesp.br/index.php/transformacao/article/view/8866TRANS/FORM/AÇÃO: Revista de Filosofia da Unesp; v. 44 n. 4: Outubro-Dezembro/2021; 157-192TRANS/FORM/AÇÃO: Revista de Filosofia; Vol. 44 No. 4: October-December/2021; 157-192TRANS/FORM/AÇÃO: Revista de Filosofia; Vol. 44 Núm. 4: Outubro-Dezembro/2021; 157-192TRANS/FORM/AÇÃO: Revista de Filosofia; Vol. 44 No. 4: Outubro-Dezembro/2021; 157-192TRANS/FORM/AÇÃO: Revista de Filosofia; V. 44 N. 4: Outubro-Dezembro/2021; 157-1921980-539X0101-3173reponame:Trans/Form/Ação (Online)instname:Universidade Estadual Paulista (UNESP)instacron:UNESPporhttps://revistas.marilia.unesp.br/index.php/transformacao/article/view/8866/9256https://revistas.marilia.unesp.br/index.php/transformacao/article/view/8866/9257https://revistas.marilia.unesp.br/index.php/transformacao/article/view/8866/12300https://revistas.marilia.unesp.br/index.php/transformacao/article/view/8866/12301Copyright (c) 2021 TRANS/FORM/AÇÃO: Revista de Filosofiahttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessSoares, Eliel AlmeidaRicciardi, Rubens Russomanno2023-04-27T17:54:59Zoai:ojs.revistas.marilia.unesp.br:article/8866Revistahttps://revistas.marilia.unesp.br/index.php/transformacao/PUBhttps://old.scielo.br/oai/scielo-oai.phptransformacao@marilia.unesp.br1980-539X0101-3173opendoar:2023-04-27T17:54:59Trans/Form/Ação (Online) - Universidade Estadual Paulista (UNESP)false
dc.title.none.fl_str_mv The interdisciplinarity of rhetoric and its influence in colonial Brazilian music
A interdisciplinaridade da retórica e sua influência na música colonial Brasileira
title The interdisciplinarity of rhetoric and its influence in colonial Brazilian music
spellingShingle The interdisciplinarity of rhetoric and its influence in colonial Brazilian music
Soares, Eliel Almeida
Rhetoric
Philosophy and hermeneutic
Brazilian colonial music
Brazilian composers
Retórica
Filosofia e Hermenêutica
Música Colonial Brasileira
Compositores Brasileiros
title_short The interdisciplinarity of rhetoric and its influence in colonial Brazilian music
title_full The interdisciplinarity of rhetoric and its influence in colonial Brazilian music
title_fullStr The interdisciplinarity of rhetoric and its influence in colonial Brazilian music
title_full_unstemmed The interdisciplinarity of rhetoric and its influence in colonial Brazilian music
title_sort The interdisciplinarity of rhetoric and its influence in colonial Brazilian music
author Soares, Eliel Almeida
author_facet Soares, Eliel Almeida
Ricciardi, Rubens Russomanno
author_role author
author2 Ricciardi, Rubens Russomanno
author2_role author
dc.contributor.author.fl_str_mv Soares, Eliel Almeida
Ricciardi, Rubens Russomanno
dc.subject.por.fl_str_mv Rhetoric
Philosophy and hermeneutic
Brazilian colonial music
Brazilian composers
Retórica
Filosofia e Hermenêutica
Música Colonial Brasileira
Compositores Brasileiros
topic Rhetoric
Philosophy and hermeneutic
Brazilian colonial music
Brazilian composers
Retórica
Filosofia e Hermenêutica
Música Colonial Brasileira
Compositores Brasileiros
description Essential to the production of certain music of the late sixteenth century to early nineteenth century, rhetoric is an fundamental component for its use, related with grammar, as well as its their suitability in the musical structures of the time, to be understood and clarified in the musical discourse. This process went through a systematization and theorization improved by several writers of musical rhetoric, whose postulate was based on the eminent masters of Classical Rhetoric, Aristotle, Cicero and Quintilian, thus establishing a nomenclature known as Musica Poetica. Resulting from this methodology, several treatises highlighted the means by which music could be elaborated in a discourse organized and ordered by rhetorical elements so as to moving the affections of the listener. In this regard, both the field of musicology, performance and theory/analysis in the last fifty years, has been showing interest in the subject developing countless researches through rhetorical-musical analysis, aimed at clarifying the relationship between music and affection namely, music, philosophy and hermeneutics, for example, besides its influence and its use in the Brazilian colonial music by some composers.  
publishDate 2022
dc.date.none.fl_str_mv 2022-07-04
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dc.identifier.uri.fl_str_mv https://revistas.marilia.unesp.br/index.php/transformacao/article/view/8866
url https://revistas.marilia.unesp.br/index.php/transformacao/article/view/8866
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.marilia.unesp.br/index.php/transformacao/article/view/8866/9256
https://revistas.marilia.unesp.br/index.php/transformacao/article/view/8866/9257
https://revistas.marilia.unesp.br/index.php/transformacao/article/view/8866/12300
https://revistas.marilia.unesp.br/index.php/transformacao/article/view/8866/12301
dc.rights.driver.fl_str_mv Copyright (c) 2021 TRANS/FORM/AÇÃO: Revista de Filosofia
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2021 TRANS/FORM/AÇÃO: Revista de Filosofia
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
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application/x-mobipocket-ebook
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dc.publisher.none.fl_str_mv Faculdade de Filosofia e Ciências
publisher.none.fl_str_mv Faculdade de Filosofia e Ciências
dc.source.none.fl_str_mv TRANS/FORM/AÇÃO: Revista de Filosofia da Unesp; v. 44 n. 4: Outubro-Dezembro/2021; 157-192
TRANS/FORM/AÇÃO: Revista de Filosofia; Vol. 44 No. 4: October-December/2021; 157-192
TRANS/FORM/AÇÃO: Revista de Filosofia; Vol. 44 Núm. 4: Outubro-Dezembro/2021; 157-192
TRANS/FORM/AÇÃO: Revista de Filosofia; Vol. 44 No. 4: Outubro-Dezembro/2021; 157-192
TRANS/FORM/AÇÃO: Revista de Filosofia; V. 44 N. 4: Outubro-Dezembro/2021; 157-192
1980-539X
0101-3173
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