Max Weber and Adorno on the concept of progress: contrasts of technical rationalization in music and painting

Detalhes bibliográficos
Autor(a) principal: Roselino, Luis Felipe Martins de Salles
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: Trans/Form/Ação (Online)
Texto Completo: https://revistas.marilia.unesp.br/index.php/transformacao/article/view/9394
Resumo: Abstract: This review will develop a theme from the theoretical contrast between Max Weber and Adorno approach of the concept of “progress”, read by their discussions on, respectively, “The Meaning of Wertfreiheit in Sociology and Economics” (1917) and “Fortschritt”, (Progress, 1962). After establishing a comparison between both writings and their theoretical tools, we shall identify the differences in resources by the critical and traditional theory elements. The opposition shall become more distinctly as the comparison reach the historical examples from their readings on Art History. Weber has employed a general bias to equate musical productions and painting, as Adorno, on the other hand, forecast something quite different as he followed the same guideline, the technical progress.     Keywords: Adorno; Max Weber; Progress; Aesthetic; Music.
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spelling Max Weber and Adorno on the concept of progress: contrasts of technical rationalization in music and paintingMax Weber e Adorno sobre o conceito de progresso: Contrastes da racionalização técnica na música e na pinturaAdornoMax WeberProgressMusicAestheticsAdornoMax WeberProgressoEstéticaMúsicaAbstract: This review will develop a theme from the theoretical contrast between Max Weber and Adorno approach of the concept of “progress”, read by their discussions on, respectively, “The Meaning of Wertfreiheit in Sociology and Economics” (1917) and “Fortschritt”, (Progress, 1962). After establishing a comparison between both writings and their theoretical tools, we shall identify the differences in resources by the critical and traditional theory elements. The opposition shall become more distinctly as the comparison reach the historical examples from their readings on Art History. Weber has employed a general bias to equate musical productions and painting, as Adorno, on the other hand, forecast something quite different as he followed the same guideline, the technical progress.     Keywords: Adorno; Max Weber; Progress; Aesthetic; Music.Resumo: A revisão que será desenvolvida a seguir foi identificada diante do contraste teórico no tratamento do conceito de “progresso” nos escritos de Adorno e Max Weber, respectivamente, no texto de 1962 “Fortschritt” (Progresso) e no texto de 1917, “Sobre o sentido da Wertfreiheit nas ciências econômicas e sociológicas”. Pretende-se comparar as abordagens destacando os diferentes recursos teóricos empregados, identificando diferenças nos usos conceituais da teoria tradicional e da teoria crítica. O contraste teórico ficará mais nítido quando comparados os exemplos da história da arte tomados pelos dois autores. Weber utilizava um critério geral para equiparar as obras musicais às pinturas, Adorno pressupunha algo distinto seguindo o mesmo referencial, o progresso técnico. Palavras-chave: Adorno; Max Weber; Progresso; Estética; Música.Faculdade de Filosofia e Ciências2022-07-18info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/htmlapplication/x-mobipocket-ebookapplication/epub+ziphttps://revistas.marilia.unesp.br/index.php/transformacao/article/view/9394TRANS/FORM/AÇÃO: Revista de Filosofia da Unesp; v. 43 n. Special Issue: Filosofia(s) no(do) Século XX; 317-340TRANS/FORM/AÇÃO: Revista de Filosofia; Vol. 43 No. Special Issue: Philosophy(s) in(of) the 20th Century/2020; 317-340TRANS/FORM/AÇÃO: Revista de Filosofia; Vol. 43 Núm. Special Issue: Filosofia(s) no(do) Século XX; 317-340TRANS/FORM/AÇÃO: Revista de Filosofia; Vol. 43 No. Special Issue: Filosofia(s) no(do) Século XX; 317-340TRANS/FORM/AÇÃO: Revista de Filosofia; V. 43 N. Special Issue: Filosofia(s) no(do) Século XX; 317-3401980-539X0101-3173reponame:Trans/Form/Ação (Online)instname:Universidade Estadual Paulista (UNESP)instacron:UNESPporhttps://revistas.marilia.unesp.br/index.php/transformacao/article/view/9394/9633https://revistas.marilia.unesp.br/index.php/transformacao/article/view/9394/9634https://revistas.marilia.unesp.br/index.php/transformacao/article/view/9394/14538https://revistas.marilia.unesp.br/index.php/transformacao/article/view/9394/14543Copyright (c) 2020 TRANS/FORM/AÇÃO: Revista de Filosofiahttp://creativecommons.org/licenses/by/4.0info:eu-repo/semantics/openAccessRoselino, Luis Felipe Martins de Salles2023-05-30T22:54:15Zoai:ojs.revistas.marilia.unesp.br:article/9394Revistahttps://revistas.marilia.unesp.br/index.php/transformacao/PUBhttps://old.scielo.br/oai/scielo-oai.phptransformacao@marilia.unesp.br1980-539X0101-3173opendoar:2023-05-30T22:54:15Trans/Form/Ação (Online) - Universidade Estadual Paulista (UNESP)false
dc.title.none.fl_str_mv Max Weber and Adorno on the concept of progress: contrasts of technical rationalization in music and painting
Max Weber e Adorno sobre o conceito de progresso: Contrastes da racionalização técnica na música e na pintura
title Max Weber and Adorno on the concept of progress: contrasts of technical rationalization in music and painting
spellingShingle Max Weber and Adorno on the concept of progress: contrasts of technical rationalization in music and painting
Roselino, Luis Felipe Martins de Salles
Adorno
Max Weber
Progress
Music
Aesthetics
Adorno
Max Weber
Progresso
Estética
Música
title_short Max Weber and Adorno on the concept of progress: contrasts of technical rationalization in music and painting
title_full Max Weber and Adorno on the concept of progress: contrasts of technical rationalization in music and painting
title_fullStr Max Weber and Adorno on the concept of progress: contrasts of technical rationalization in music and painting
title_full_unstemmed Max Weber and Adorno on the concept of progress: contrasts of technical rationalization in music and painting
title_sort Max Weber and Adorno on the concept of progress: contrasts of technical rationalization in music and painting
author Roselino, Luis Felipe Martins de Salles
author_facet Roselino, Luis Felipe Martins de Salles
author_role author
dc.contributor.author.fl_str_mv Roselino, Luis Felipe Martins de Salles
dc.subject.por.fl_str_mv Adorno
Max Weber
Progress
Music
Aesthetics
Adorno
Max Weber
Progresso
Estética
Música
topic Adorno
Max Weber
Progress
Music
Aesthetics
Adorno
Max Weber
Progresso
Estética
Música
description Abstract: This review will develop a theme from the theoretical contrast between Max Weber and Adorno approach of the concept of “progress”, read by their discussions on, respectively, “The Meaning of Wertfreiheit in Sociology and Economics” (1917) and “Fortschritt”, (Progress, 1962). After establishing a comparison between both writings and their theoretical tools, we shall identify the differences in resources by the critical and traditional theory elements. The opposition shall become more distinctly as the comparison reach the historical examples from their readings on Art History. Weber has employed a general bias to equate musical productions and painting, as Adorno, on the other hand, forecast something quite different as he followed the same guideline, the technical progress.     Keywords: Adorno; Max Weber; Progress; Aesthetic; Music.
publishDate 2022
dc.date.none.fl_str_mv 2022-07-18
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.marilia.unesp.br/index.php/transformacao/article/view/9394
url https://revistas.marilia.unesp.br/index.php/transformacao/article/view/9394
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.marilia.unesp.br/index.php/transformacao/article/view/9394/9633
https://revistas.marilia.unesp.br/index.php/transformacao/article/view/9394/9634
https://revistas.marilia.unesp.br/index.php/transformacao/article/view/9394/14538
https://revistas.marilia.unesp.br/index.php/transformacao/article/view/9394/14543
dc.rights.driver.fl_str_mv Copyright (c) 2020 TRANS/FORM/AÇÃO: Revista de Filosofia
http://creativecommons.org/licenses/by/4.0
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 TRANS/FORM/AÇÃO: Revista de Filosofia
http://creativecommons.org/licenses/by/4.0
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
text/html
application/x-mobipocket-ebook
application/epub+zip
dc.publisher.none.fl_str_mv Faculdade de Filosofia e Ciências
publisher.none.fl_str_mv Faculdade de Filosofia e Ciências
dc.source.none.fl_str_mv TRANS/FORM/AÇÃO: Revista de Filosofia da Unesp; v. 43 n. Special Issue: Filosofia(s) no(do) Século XX; 317-340
TRANS/FORM/AÇÃO: Revista de Filosofia; Vol. 43 No. Special Issue: Philosophy(s) in(of) the 20th Century/2020; 317-340
TRANS/FORM/AÇÃO: Revista de Filosofia; Vol. 43 Núm. Special Issue: Filosofia(s) no(do) Século XX; 317-340
TRANS/FORM/AÇÃO: Revista de Filosofia; Vol. 43 No. Special Issue: Filosofia(s) no(do) Século XX; 317-340
TRANS/FORM/AÇÃO: Revista de Filosofia; V. 43 N. Special Issue: Filosofia(s) no(do) Século XX; 317-340
1980-539X
0101-3173
reponame:Trans/Form/Ação (Online)
instname:Universidade Estadual Paulista (UNESP)
instacron:UNESP
instname_str Universidade Estadual Paulista (UNESP)
instacron_str UNESP
institution UNESP
reponame_str Trans/Form/Ação (Online)
collection Trans/Form/Ação (Online)
repository.name.fl_str_mv Trans/Form/Ação (Online) - Universidade Estadual Paulista (UNESP)
repository.mail.fl_str_mv transformacao@marilia.unesp.br
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