THE "THE ONE ULTIMATELY RESPONSIBLE FOR CENSORSHIP HAS NO FACE OF ITS OWN: IT IS CALLED THE AUDIENCE": LESBIANISM, MEDIA AND PREJUDICE. A STUDY ON TORRE DE BABEL AND BABILÔNIA:
Autor(a) principal: | |
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Data de Publicação: | 2022 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | História e Cultura |
Texto Completo: | https://ojs.franca.unesp.br/index.php/historiaecultura/article/view/3464 |
Resumo: | Based on the concepts of gender and discourse, this article proposes to address how women who establish their sexuality under a logic different from heterosexuality are represented in two novels of Brazilian television, one from the 1990s, 'Tower of Babel' (1998), and another from the 2010s, by the novel 'Babilônia' (2015). From the survey and analysis of articles and comments from newspapers, we sought to relate the theoretical criticism with the production of gender stereotypes and sexuality about these characters, as well as the repercussion in the media about the novels, and consequently, the social appeal that the characters had. Thus, it was observed that although there was support from the media and popular opinion, the low audience and the various problems faced by the productions made it difficult to make the agenda of lesbian women visible in Brazilian society. |
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História e Cultura |
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THE "THE ONE ULTIMATELY RESPONSIBLE FOR CENSORSHIP HAS NO FACE OF ITS OWN: IT IS CALLED THE AUDIENCE": LESBIANISM, MEDIA AND PREJUDICE. A STUDY ON TORRE DE BABEL AND BABILÔNIA: O RESPONSÁVEL FINAL PELA CENSURA NÃO TEM CARA PRÓPRIA: CHAMA-SE AUDIÊNCIA”: LESBIANIDADES, MIDIA E PRECONCEITO. UM ESTUDO SOBRE TORRE DE BABEL E BABILÔNIA: Based on the concepts of gender and discourse, this article proposes to address how women who establish their sexuality under a logic different from heterosexuality are represented in two novels of Brazilian television, one from the 1990s, 'Tower of Babel' (1998), and another from the 2010s, by the novel 'Babilônia' (2015). From the survey and analysis of articles and comments from newspapers, we sought to relate the theoretical criticism with the production of gender stereotypes and sexuality about these characters, as well as the repercussion in the media about the novels, and consequently, the social appeal that the characters had. Thus, it was observed that although there was support from the media and popular opinion, the low audience and the various problems faced by the productions made it difficult to make the agenda of lesbian women visible in Brazilian society.Partindo dos conceitos de gênero e discurso, o presente artigo propõe abordar como mulheres que firmam sua sexualidade sob uma lógica diferente da heterossexual são representadas em duas novelas da televisão brasileira uma da década de 1990, 'Torre de Babel' (1998), e outra da década de 2010, pela novela 'Babilônia' (2015). A partir do levantamento e análise de matérias e comentários de jornais buscou-se relacionar a crítica teórica com a produção de estereótipos de gênero e de sexualidade a respeito dessas personagens, assim como, a repercussão na mídia sobre os folhetins, e consequentemente, o apelo social que as personagens possuíam. Desse modo, observou-se que embora houvesse apoio por parte da mídia e da opinião popular, a baixa audiência, e os diversos problemas enfrentados pelas produções dificultou a visibilização da pauta das mulheres lésbicas na sociedade brasileira.ABEC2022-01-03info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://ojs.franca.unesp.br/index.php/historiaecultura/article/view/346410.18223/hiscult.v10i2.3464História e Cultura (History and Culture); Vol. 10 No. 2 (2021): HISTÓRIA E MÚSICA NA AMÉRICA LATINA: INTERLOCUÇÕES HISTORIOGRÁFICAS; 380-398História e Cultura; Vol. 10 Núm. 2 (2021): HISTÓRIA E MÚSICA NA AMÉRICA LATINA: INTERLOCUÇÕES HISTORIOGRÁFICAS; 380-398História e Cultura (Histoire et Culture); Vol. 10 No. 2 (2021): HISTÓRIA E MÚSICA NA AMÉRICA LATINA: INTERLOCUÇÕES HISTORIOGRÁFICAS; 380-398História e Cultura; v. 10 n. 2 (2021): HISTÓRIA E MÚSICA NA AMÉRICA LATINA: INTERLOCUÇÕES HISTORIOGRÁFICAS; 380-3982238-62702238-627010.18223/hiscult.v10i2reponame:História e Culturainstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporhttps://ojs.franca.unesp.br/index.php/historiaecultura/article/view/3464/3077Leite, Maiara Sanchesinfo:eu-repo/semantics/openAccess2022-01-03T14:22:26Zoai:ojs.franca.unesp.br:article/3464Revistahttp://seer.franca.unesp.br/index.php/historiaecultura/indexPUBhttps://ojs.franca.unesp.br/index.php/historiaecultura/oai||revistahistoriaecultura@franca.unesp.br2238-62702238-6270opendoar:2022-01-03T14:22:26História e Cultura - Universidade Estadual Paulista (UNESP)false |
dc.title.none.fl_str_mv |
THE "THE ONE ULTIMATELY RESPONSIBLE FOR CENSORSHIP HAS NO FACE OF ITS OWN: IT IS CALLED THE AUDIENCE": LESBIANISM, MEDIA AND PREJUDICE. A STUDY ON TORRE DE BABEL AND BABILÔNIA: O RESPONSÁVEL FINAL PELA CENSURA NÃO TEM CARA PRÓPRIA: CHAMA-SE AUDIÊNCIA”: LESBIANIDADES, MIDIA E PRECONCEITO. UM ESTUDO SOBRE TORRE DE BABEL E BABILÔNIA: |
title |
THE "THE ONE ULTIMATELY RESPONSIBLE FOR CENSORSHIP HAS NO FACE OF ITS OWN: IT IS CALLED THE AUDIENCE": LESBIANISM, MEDIA AND PREJUDICE. A STUDY ON TORRE DE BABEL AND BABILÔNIA: |
spellingShingle |
THE "THE ONE ULTIMATELY RESPONSIBLE FOR CENSORSHIP HAS NO FACE OF ITS OWN: IT IS CALLED THE AUDIENCE": LESBIANISM, MEDIA AND PREJUDICE. A STUDY ON TORRE DE BABEL AND BABILÔNIA: Leite, Maiara Sanches |
title_short |
THE "THE ONE ULTIMATELY RESPONSIBLE FOR CENSORSHIP HAS NO FACE OF ITS OWN: IT IS CALLED THE AUDIENCE": LESBIANISM, MEDIA AND PREJUDICE. A STUDY ON TORRE DE BABEL AND BABILÔNIA: |
title_full |
THE "THE ONE ULTIMATELY RESPONSIBLE FOR CENSORSHIP HAS NO FACE OF ITS OWN: IT IS CALLED THE AUDIENCE": LESBIANISM, MEDIA AND PREJUDICE. A STUDY ON TORRE DE BABEL AND BABILÔNIA: |
title_fullStr |
THE "THE ONE ULTIMATELY RESPONSIBLE FOR CENSORSHIP HAS NO FACE OF ITS OWN: IT IS CALLED THE AUDIENCE": LESBIANISM, MEDIA AND PREJUDICE. A STUDY ON TORRE DE BABEL AND BABILÔNIA: |
title_full_unstemmed |
THE "THE ONE ULTIMATELY RESPONSIBLE FOR CENSORSHIP HAS NO FACE OF ITS OWN: IT IS CALLED THE AUDIENCE": LESBIANISM, MEDIA AND PREJUDICE. A STUDY ON TORRE DE BABEL AND BABILÔNIA: |
title_sort |
THE "THE ONE ULTIMATELY RESPONSIBLE FOR CENSORSHIP HAS NO FACE OF ITS OWN: IT IS CALLED THE AUDIENCE": LESBIANISM, MEDIA AND PREJUDICE. A STUDY ON TORRE DE BABEL AND BABILÔNIA: |
author |
Leite, Maiara Sanches |
author_facet |
Leite, Maiara Sanches |
author_role |
author |
dc.contributor.author.fl_str_mv |
Leite, Maiara Sanches |
description |
Based on the concepts of gender and discourse, this article proposes to address how women who establish their sexuality under a logic different from heterosexuality are represented in two novels of Brazilian television, one from the 1990s, 'Tower of Babel' (1998), and another from the 2010s, by the novel 'Babilônia' (2015). From the survey and analysis of articles and comments from newspapers, we sought to relate the theoretical criticism with the production of gender stereotypes and sexuality about these characters, as well as the repercussion in the media about the novels, and consequently, the social appeal that the characters had. Thus, it was observed that although there was support from the media and popular opinion, the low audience and the various problems faced by the productions made it difficult to make the agenda of lesbian women visible in Brazilian society. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-01-03 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://ojs.franca.unesp.br/index.php/historiaecultura/article/view/3464 10.18223/hiscult.v10i2.3464 |
url |
https://ojs.franca.unesp.br/index.php/historiaecultura/article/view/3464 |
identifier_str_mv |
10.18223/hiscult.v10i2.3464 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://ojs.franca.unesp.br/index.php/historiaecultura/article/view/3464/3077 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
ABEC |
publisher.none.fl_str_mv |
ABEC |
dc.source.none.fl_str_mv |
História e Cultura (History and Culture); Vol. 10 No. 2 (2021): HISTÓRIA E MÚSICA NA AMÉRICA LATINA: INTERLOCUÇÕES HISTORIOGRÁFICAS; 380-398 História e Cultura; Vol. 10 Núm. 2 (2021): HISTÓRIA E MÚSICA NA AMÉRICA LATINA: INTERLOCUÇÕES HISTORIOGRÁFICAS; 380-398 História e Cultura (Histoire et Culture); Vol. 10 No. 2 (2021): HISTÓRIA E MÚSICA NA AMÉRICA LATINA: INTERLOCUÇÕES HISTORIOGRÁFICAS; 380-398 História e Cultura; v. 10 n. 2 (2021): HISTÓRIA E MÚSICA NA AMÉRICA LATINA: INTERLOCUÇÕES HISTORIOGRÁFICAS; 380-398 2238-6270 2238-6270 10.18223/hiscult.v10i2 reponame:História e Cultura instname:Universidade Estadual Paulista (UNESP) instacron:UNESP |
instname_str |
Universidade Estadual Paulista (UNESP) |
instacron_str |
UNESP |
institution |
UNESP |
reponame_str |
História e Cultura |
collection |
História e Cultura |
repository.name.fl_str_mv |
História e Cultura - Universidade Estadual Paulista (UNESP) |
repository.mail.fl_str_mv |
||revistahistoriaecultura@franca.unesp.br |
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1800215791347433472 |