THE "THE ONE ULTIMATELY RESPONSIBLE FOR CENSORSHIP HAS NO FACE OF ITS OWN: IT IS CALLED THE AUDIENCE": LESBIANISM, MEDIA AND PREJUDICE. A STUDY ON TORRE DE BABEL AND BABILÔNIA:

Detalhes bibliográficos
Autor(a) principal: Leite, Maiara Sanches
Data de Publicação: 2022
Tipo de documento: Artigo
Idioma: por
Título da fonte: História e Cultura
Texto Completo: https://ojs.franca.unesp.br/index.php/historiaecultura/article/view/3464
Resumo: Based on the concepts of gender and discourse, this article proposes to address how women who establish their sexuality under a logic different from heterosexuality are represented in two novels of Brazilian television, one from the 1990s, 'Tower of Babel' (1998), and another from the 2010s, by the novel 'Babilônia' (2015). From the survey and analysis of articles and comments from newspapers, we sought to relate the theoretical criticism with the production of gender stereotypes and sexuality about these characters, as well as the repercussion in the media about the novels, and consequently, the social appeal that the characters had. Thus, it was observed that although there was support from the media and popular opinion, the low audience and the various problems faced by the productions made it difficult to make the agenda of lesbian women visible in Brazilian society.
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spelling THE "THE ONE ULTIMATELY RESPONSIBLE FOR CENSORSHIP HAS NO FACE OF ITS OWN: IT IS CALLED THE AUDIENCE": LESBIANISM, MEDIA AND PREJUDICE. A STUDY ON TORRE DE BABEL AND BABILÔNIA: O RESPONSÁVEL FINAL PELA CENSURA NÃO TEM CARA PRÓPRIA: CHAMA-SE AUDIÊNCIA”: LESBIANIDADES, MIDIA E PRECONCEITO. UM ESTUDO SOBRE TORRE DE BABEL E BABILÔNIA: Based on the concepts of gender and discourse, this article proposes to address how women who establish their sexuality under a logic different from heterosexuality are represented in two novels of Brazilian television, one from the 1990s, 'Tower of Babel' (1998), and another from the 2010s, by the novel 'Babilônia' (2015). From the survey and analysis of articles and comments from newspapers, we sought to relate the theoretical criticism with the production of gender stereotypes and sexuality about these characters, as well as the repercussion in the media about the novels, and consequently, the social appeal that the characters had. Thus, it was observed that although there was support from the media and popular opinion, the low audience and the various problems faced by the productions made it difficult to make the agenda of lesbian women visible in Brazilian society.Partindo dos conceitos de gênero e discurso, o presente artigo propõe abordar como mulheres que firmam sua sexualidade sob uma lógica diferente da heterossexual são representadas em duas novelas da televisão brasileira uma da década de 1990, 'Torre de Babel' (1998), e outra da década de 2010, pela novela 'Babilônia' (2015). A partir do levantamento e análise de matérias e comentários de jornais buscou-se relacionar a crítica teórica com a produção de estereótipos de gênero e de sexualidade a respeito dessas personagens, assim como, a repercussão na mídia sobre os folhetins, e consequentemente, o apelo social que as personagens possuíam. Desse modo, observou-se que embora houvesse apoio por parte da mídia e da opinião popular, a baixa audiência, e os diversos problemas enfrentados pelas produções dificultou a visibilização da pauta das mulheres lésbicas na sociedade brasileira.ABEC2022-01-03info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://ojs.franca.unesp.br/index.php/historiaecultura/article/view/346410.18223/hiscult.v10i2.3464História e Cultura (History and Culture); Vol. 10 No. 2 (2021): HISTÓRIA E MÚSICA NA AMÉRICA LATINA: INTERLOCUÇÕES HISTORIOGRÁFICAS; 380-398História e Cultura; Vol. 10 Núm. 2 (2021): HISTÓRIA E MÚSICA NA AMÉRICA LATINA: INTERLOCUÇÕES HISTORIOGRÁFICAS; 380-398História e Cultura (Histoire et Culture); Vol. 10 No. 2 (2021): HISTÓRIA E MÚSICA NA AMÉRICA LATINA: INTERLOCUÇÕES HISTORIOGRÁFICAS; 380-398História e Cultura; v. 10 n. 2 (2021): HISTÓRIA E MÚSICA NA AMÉRICA LATINA: INTERLOCUÇÕES HISTORIOGRÁFICAS; 380-3982238-62702238-627010.18223/hiscult.v10i2reponame:História e Culturainstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporhttps://ojs.franca.unesp.br/index.php/historiaecultura/article/view/3464/3077Leite, Maiara Sanchesinfo:eu-repo/semantics/openAccess2022-01-03T14:22:26Zoai:ojs.franca.unesp.br:article/3464Revistahttp://seer.franca.unesp.br/index.php/historiaecultura/indexPUBhttps://ojs.franca.unesp.br/index.php/historiaecultura/oai||revistahistoriaecultura@franca.unesp.br2238-62702238-6270opendoar:2022-01-03T14:22:26História e Cultura - Universidade Estadual Paulista (UNESP)false
dc.title.none.fl_str_mv THE "THE ONE ULTIMATELY RESPONSIBLE FOR CENSORSHIP HAS NO FACE OF ITS OWN: IT IS CALLED THE AUDIENCE": LESBIANISM, MEDIA AND PREJUDICE. A STUDY ON TORRE DE BABEL AND BABILÔNIA:
O RESPONSÁVEL FINAL PELA CENSURA NÃO TEM CARA PRÓPRIA: CHAMA-SE AUDIÊNCIA”: LESBIANIDADES, MIDIA E PRECONCEITO. UM ESTUDO SOBRE TORRE DE BABEL E BABILÔNIA:
title THE "THE ONE ULTIMATELY RESPONSIBLE FOR CENSORSHIP HAS NO FACE OF ITS OWN: IT IS CALLED THE AUDIENCE": LESBIANISM, MEDIA AND PREJUDICE. A STUDY ON TORRE DE BABEL AND BABILÔNIA:
spellingShingle THE "THE ONE ULTIMATELY RESPONSIBLE FOR CENSORSHIP HAS NO FACE OF ITS OWN: IT IS CALLED THE AUDIENCE": LESBIANISM, MEDIA AND PREJUDICE. A STUDY ON TORRE DE BABEL AND BABILÔNIA:
Leite, Maiara Sanches
title_short THE "THE ONE ULTIMATELY RESPONSIBLE FOR CENSORSHIP HAS NO FACE OF ITS OWN: IT IS CALLED THE AUDIENCE": LESBIANISM, MEDIA AND PREJUDICE. A STUDY ON TORRE DE BABEL AND BABILÔNIA:
title_full THE "THE ONE ULTIMATELY RESPONSIBLE FOR CENSORSHIP HAS NO FACE OF ITS OWN: IT IS CALLED THE AUDIENCE": LESBIANISM, MEDIA AND PREJUDICE. A STUDY ON TORRE DE BABEL AND BABILÔNIA:
title_fullStr THE "THE ONE ULTIMATELY RESPONSIBLE FOR CENSORSHIP HAS NO FACE OF ITS OWN: IT IS CALLED THE AUDIENCE": LESBIANISM, MEDIA AND PREJUDICE. A STUDY ON TORRE DE BABEL AND BABILÔNIA:
title_full_unstemmed THE "THE ONE ULTIMATELY RESPONSIBLE FOR CENSORSHIP HAS NO FACE OF ITS OWN: IT IS CALLED THE AUDIENCE": LESBIANISM, MEDIA AND PREJUDICE. A STUDY ON TORRE DE BABEL AND BABILÔNIA:
title_sort THE "THE ONE ULTIMATELY RESPONSIBLE FOR CENSORSHIP HAS NO FACE OF ITS OWN: IT IS CALLED THE AUDIENCE": LESBIANISM, MEDIA AND PREJUDICE. A STUDY ON TORRE DE BABEL AND BABILÔNIA:
author Leite, Maiara Sanches
author_facet Leite, Maiara Sanches
author_role author
dc.contributor.author.fl_str_mv Leite, Maiara Sanches
description Based on the concepts of gender and discourse, this article proposes to address how women who establish their sexuality under a logic different from heterosexuality are represented in two novels of Brazilian television, one from the 1990s, 'Tower of Babel' (1998), and another from the 2010s, by the novel 'Babilônia' (2015). From the survey and analysis of articles and comments from newspapers, we sought to relate the theoretical criticism with the production of gender stereotypes and sexuality about these characters, as well as the repercussion in the media about the novels, and consequently, the social appeal that the characters had. Thus, it was observed that although there was support from the media and popular opinion, the low audience and the various problems faced by the productions made it difficult to make the agenda of lesbian women visible in Brazilian society.
publishDate 2022
dc.date.none.fl_str_mv 2022-01-03
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://ojs.franca.unesp.br/index.php/historiaecultura/article/view/3464
10.18223/hiscult.v10i2.3464
url https://ojs.franca.unesp.br/index.php/historiaecultura/article/view/3464
identifier_str_mv 10.18223/hiscult.v10i2.3464
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://ojs.franca.unesp.br/index.php/historiaecultura/article/view/3464/3077
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv ABEC
publisher.none.fl_str_mv ABEC
dc.source.none.fl_str_mv História e Cultura (History and Culture); Vol. 10 No. 2 (2021): HISTÓRIA E MÚSICA NA AMÉRICA LATINA: INTERLOCUÇÕES HISTORIOGRÁFICAS; 380-398
História e Cultura; Vol. 10 Núm. 2 (2021): HISTÓRIA E MÚSICA NA AMÉRICA LATINA: INTERLOCUÇÕES HISTORIOGRÁFICAS; 380-398
História e Cultura (Histoire et Culture); Vol. 10 No. 2 (2021): HISTÓRIA E MÚSICA NA AMÉRICA LATINA: INTERLOCUÇÕES HISTORIOGRÁFICAS; 380-398
História e Cultura; v. 10 n. 2 (2021): HISTÓRIA E MÚSICA NA AMÉRICA LATINA: INTERLOCUÇÕES HISTORIOGRÁFICAS; 380-398
2238-6270
2238-6270
10.18223/hiscult.v10i2
reponame:História e Cultura
instname:Universidade Estadual Paulista (UNESP)
instacron:UNESP
instname_str Universidade Estadual Paulista (UNESP)
instacron_str UNESP
institution UNESP
reponame_str História e Cultura
collection História e Cultura
repository.name.fl_str_mv História e Cultura - Universidade Estadual Paulista (UNESP)
repository.mail.fl_str_mv ||revistahistoriaecultura@franca.unesp.br
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