ARNALDO ANTUNES’ POETICS “PALAVRA”
Autor(a) principal: | |
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Data de Publicação: | 2010 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | CASA: Cadernos de Semiótica Aplicada |
Texto Completo: | https://periodicos.fclar.unesp.br/casa/article/view/2953 |
Resumo: | This article reflects on Arnaldo Antunes‟ (AA) poetics. For this purpose, both the contributions of Fontanille and Zilberberg regarding tensivity, as well as some ideas of Tatit regarding song semiotics. The aim is to think about how the dance between enunciation and enunciate is structured in AA within poetical architecture as exemplified here based on the analysis of the poem “Palavra”. The hypothesis is that the tension between the two central nuclei of the poem, metalanguage and erotism, are the essential compositional marc of AA poetical stylistics. The results lead to the reflection that the musical tension is the game that guarantees the movement between the density of the word and the erotic fluidity of the authorial (metalinguistic) act of production. |
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ARNALDO ANTUNES’ POETICS “PALAVRA”A “PALAVRA” POÉTICA DE ARNALDO ANTUNESpoeticssemioticsArnaldo AntunesmetalanguageerotismpoéticasemióticaArnaldo AntunesmetalinguagemerotismoThis article reflects on Arnaldo Antunes‟ (AA) poetics. For this purpose, both the contributions of Fontanille and Zilberberg regarding tensivity, as well as some ideas of Tatit regarding song semiotics. The aim is to think about how the dance between enunciation and enunciate is structured in AA within poetical architecture as exemplified here based on the analysis of the poem “Palavra”. The hypothesis is that the tension between the two central nuclei of the poem, metalanguage and erotism, are the essential compositional marc of AA poetical stylistics. The results lead to the reflection that the musical tension is the game that guarantees the movement between the density of the word and the erotic fluidity of the authorial (metalinguistic) act of production.Este artigo reflete sobre a poética de Arnaldo Antunes (AA). Para isso, pauta-se, tanto nas contribuições de Fontanille e Zilberberg, no que concerne à tensividade, quanto nas ideias de Tatit, no que se refere ao estudo da semiótica da canção. O objetivo é pensar em como se estrutura a dança entre enunciação e enunciado na arquitetônica poética de AA, exemplificada aqui pela análise do poema “Palavra”. A hipótese é a de que a tensão entre os dois núcleos centrais do poema analisado, metalinguagem e erotismo, seja o traço composicional essencial da estilística poética de AA. Os resultados levam à reflexão de que a tensão musical é o jogo que garante a movimentação entre a densidade da palavra e a fluidez erótica do ato de produção (metalinguístico) autoral.Laboratório Editorial FCL-UNESP | Letraria2010-09-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.fclar.unesp.br/casa/article/view/295310.21709/casa.v8i1.2953CASA: Cadernos de Semiótica Aplicada; v. 8 n. 1 (2010)1679-340410.21709/casa.v8i1reponame:CASA: Cadernos de Semiótica Aplicadainstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporhttps://periodicos.fclar.unesp.br/casa/article/view/2953/270910.21709/casa.v8i1.2953.g2709Copyright (c) 2010 CASA: Cadernos de Semiótica Aplicadainfo:eu-repo/semantics/openAccessde Paula, Luciane2010-09-14T21:58:00Zoai:ojs.pkp.sfu.ca:article/2953Revistahttps://periodicos.fclar.unesp.br/casa/indexPUBhttps://periodicos.fclar.unesp.br/casa/oaicasa@fclar.unesp.br1679-34041679-3404opendoar:2023-01-12T16:38:43.125637CASA: Cadernos de Semiótica Aplicada - Universidade Estadual Paulista (UNESP)false |
dc.title.none.fl_str_mv |
ARNALDO ANTUNES’ POETICS “PALAVRA” A “PALAVRA” POÉTICA DE ARNALDO ANTUNES |
title |
ARNALDO ANTUNES’ POETICS “PALAVRA” |
spellingShingle |
ARNALDO ANTUNES’ POETICS “PALAVRA” de Paula, Luciane poetics semiotics Arnaldo Antunes metalanguage erotism poética semiótica Arnaldo Antunes metalinguagem erotismo |
title_short |
ARNALDO ANTUNES’ POETICS “PALAVRA” |
title_full |
ARNALDO ANTUNES’ POETICS “PALAVRA” |
title_fullStr |
ARNALDO ANTUNES’ POETICS “PALAVRA” |
title_full_unstemmed |
ARNALDO ANTUNES’ POETICS “PALAVRA” |
title_sort |
ARNALDO ANTUNES’ POETICS “PALAVRA” |
author |
de Paula, Luciane |
author_facet |
de Paula, Luciane |
author_role |
author |
dc.contributor.author.fl_str_mv |
de Paula, Luciane |
dc.subject.por.fl_str_mv |
poetics semiotics Arnaldo Antunes metalanguage erotism poética semiótica Arnaldo Antunes metalinguagem erotismo |
topic |
poetics semiotics Arnaldo Antunes metalanguage erotism poética semiótica Arnaldo Antunes metalinguagem erotismo |
description |
This article reflects on Arnaldo Antunes‟ (AA) poetics. For this purpose, both the contributions of Fontanille and Zilberberg regarding tensivity, as well as some ideas of Tatit regarding song semiotics. The aim is to think about how the dance between enunciation and enunciate is structured in AA within poetical architecture as exemplified here based on the analysis of the poem “Palavra”. The hypothesis is that the tension between the two central nuclei of the poem, metalanguage and erotism, are the essential compositional marc of AA poetical stylistics. The results lead to the reflection that the musical tension is the game that guarantees the movement between the density of the word and the erotic fluidity of the authorial (metalinguistic) act of production. |
publishDate |
2010 |
dc.date.none.fl_str_mv |
2010-09-13 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.fclar.unesp.br/casa/article/view/2953 10.21709/casa.v8i1.2953 |
url |
https://periodicos.fclar.unesp.br/casa/article/view/2953 |
identifier_str_mv |
10.21709/casa.v8i1.2953 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.fclar.unesp.br/casa/article/view/2953/2709 10.21709/casa.v8i1.2953.g2709 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2010 CASA: Cadernos de Semiótica Aplicada info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2010 CASA: Cadernos de Semiótica Aplicada |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Laboratório Editorial FCL-UNESP | Letraria |
publisher.none.fl_str_mv |
Laboratório Editorial FCL-UNESP | Letraria |
dc.source.none.fl_str_mv |
CASA: Cadernos de Semiótica Aplicada; v. 8 n. 1 (2010) 1679-3404 10.21709/casa.v8i1 reponame:CASA: Cadernos de Semiótica Aplicada instname:Universidade Estadual Paulista (UNESP) instacron:UNESP |
instname_str |
Universidade Estadual Paulista (UNESP) |
instacron_str |
UNESP |
institution |
UNESP |
reponame_str |
CASA: Cadernos de Semiótica Aplicada |
collection |
CASA: Cadernos de Semiótica Aplicada |
repository.name.fl_str_mv |
CASA: Cadernos de Semiótica Aplicada - Universidade Estadual Paulista (UNESP) |
repository.mail.fl_str_mv |
casa@fclar.unesp.br |
_version_ |
1797051218863849472 |