A palavra poética de Arnaldo Antunes
Autor(a) principal: | |
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Data de Publicação: | 2010 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Repositório Institucional da UNESP |
Texto Completo: | http://seer.fclar.unesp.br/casa/article/view/2953 http://hdl.handle.net/11449/125120 |
Resumo: | This article reflects on Arnaldo Antunes‟ (AA) poetics. For this purpose, both the contributions of Fontanille and Zilberberg regarding tensivity, as well as some ideas of Tatit regarding song semiotics. The aim is to think about how the dance between enunciation and enunciate is structured in AA within poetical architecture as exemplified here based on the analysis of the poem “Palavra”. The hypothesis is that the tension between the two central nuclei of the poem, metalanguage and erotism, are the essential compositional marc of AA poetical stylistics. The results lead to the reflection that the musical tension is the game that guarantees the movement between the density of the word and the erotic fluidity of the authorial (metalinguistic) act of production. |
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A palavra poética de Arnaldo AntunesArnaldo Antunes poetics palavraPoeticsSemioticsArnaldo AntunesMetalanguageErotismPoéticaSemióticaArnaldo AntunesMetalinguagemErotismoThis article reflects on Arnaldo Antunes‟ (AA) poetics. For this purpose, both the contributions of Fontanille and Zilberberg regarding tensivity, as well as some ideas of Tatit regarding song semiotics. The aim is to think about how the dance between enunciation and enunciate is structured in AA within poetical architecture as exemplified here based on the analysis of the poem “Palavra”. The hypothesis is that the tension between the two central nuclei of the poem, metalanguage and erotism, are the essential compositional marc of AA poetical stylistics. The results lead to the reflection that the musical tension is the game that guarantees the movement between the density of the word and the erotic fluidity of the authorial (metalinguistic) act of production.Este artigo reflete sobre a poética de Arnaldo Antunes (AA). Para isso, pauta-se, tanto nas contribuições de Fontanille e Zilberberg, no que concerne à tensividade, quanto nas ideias de Tatit, no que se refere ao estudo da semiótica da canção. O objetivo é pensar em como se estrutura a dança entre enunciação e enunciado na arquitetônica poética de AA, exemplificada aqui pela análise do poema “Palavra”. A hipótese é a de que a tensão entre os dois núcleos centrais do poema analisado, metalinguagem e erotismo, seja o traço composicional essencial da estilística poética de AA. Os resultados levam à reflexão de que a tensão musical é o jogo que garante a movimentação entre a densidade da palavra e a fluidez erótica do ato de produção (metalinguístico) autoral.Universidade Estadual Paulista Júlio de Mesquita Filho, Faculdade de Ciências e Letras de Assis, Assis, Av. Dom Antonio, 2100, Parque Universitário, CEP 19806900, SP, BrasilUniversidade Estadual Paulista Júlio de Mesquita Filho, Faculdade de Ciências e Letras de Assis, Assis, Av. Dom Antonio, 2100, Parque Universitário, CEP 19806900, SP, BrasilUniversidade Estadual Paulista (Unesp)Paula, Luciane de [UNESP]2015-07-15T18:28:28Z2015-07-15T18:28:28Z2010info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/article1-14application/pdfhttp://seer.fclar.unesp.br/casa/article/view/2953CASA, v. 8, n. 1, p. 01-14, 2010.1679-3404http://hdl.handle.net/11449/125120ISSN1679-3404-2010-08-01-01-14.pdf9546185363173636Currículo Lattesreponame:Repositório Institucional da UNESPinstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporCASAinfo:eu-repo/semantics/openAccess2024-06-14T14:47:57Zoai:repositorio.unesp.br:11449/125120Repositório InstitucionalPUBhttp://repositorio.unesp.br/oai/requestopendoar:29462024-08-06T00:08:24.790326Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP)false |
dc.title.none.fl_str_mv |
A palavra poética de Arnaldo Antunes Arnaldo Antunes poetics palavra |
title |
A palavra poética de Arnaldo Antunes |
spellingShingle |
A palavra poética de Arnaldo Antunes Paula, Luciane de [UNESP] Poetics Semiotics Arnaldo Antunes Metalanguage Erotism Poética Semiótica Arnaldo Antunes Metalinguagem Erotismo |
title_short |
A palavra poética de Arnaldo Antunes |
title_full |
A palavra poética de Arnaldo Antunes |
title_fullStr |
A palavra poética de Arnaldo Antunes |
title_full_unstemmed |
A palavra poética de Arnaldo Antunes |
title_sort |
A palavra poética de Arnaldo Antunes |
author |
Paula, Luciane de [UNESP] |
author_facet |
Paula, Luciane de [UNESP] |
author_role |
author |
dc.contributor.none.fl_str_mv |
Universidade Estadual Paulista (Unesp) |
dc.contributor.author.fl_str_mv |
Paula, Luciane de [UNESP] |
dc.subject.por.fl_str_mv |
Poetics Semiotics Arnaldo Antunes Metalanguage Erotism Poética Semiótica Arnaldo Antunes Metalinguagem Erotismo |
topic |
Poetics Semiotics Arnaldo Antunes Metalanguage Erotism Poética Semiótica Arnaldo Antunes Metalinguagem Erotismo |
description |
This article reflects on Arnaldo Antunes‟ (AA) poetics. For this purpose, both the contributions of Fontanille and Zilberberg regarding tensivity, as well as some ideas of Tatit regarding song semiotics. The aim is to think about how the dance between enunciation and enunciate is structured in AA within poetical architecture as exemplified here based on the analysis of the poem “Palavra”. The hypothesis is that the tension between the two central nuclei of the poem, metalanguage and erotism, are the essential compositional marc of AA poetical stylistics. The results lead to the reflection that the musical tension is the game that guarantees the movement between the density of the word and the erotic fluidity of the authorial (metalinguistic) act of production. |
publishDate |
2010 |
dc.date.none.fl_str_mv |
2010 2015-07-15T18:28:28Z 2015-07-15T18:28:28Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://seer.fclar.unesp.br/casa/article/view/2953 CASA, v. 8, n. 1, p. 01-14, 2010. 1679-3404 http://hdl.handle.net/11449/125120 ISSN1679-3404-2010-08-01-01-14.pdf 9546185363173636 |
url |
http://seer.fclar.unesp.br/casa/article/view/2953 http://hdl.handle.net/11449/125120 |
identifier_str_mv |
CASA, v. 8, n. 1, p. 01-14, 2010. 1679-3404 ISSN1679-3404-2010-08-01-01-14.pdf 9546185363173636 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
CASA |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
1-14 application/pdf |
dc.source.none.fl_str_mv |
Currículo Lattes reponame:Repositório Institucional da UNESP instname:Universidade Estadual Paulista (UNESP) instacron:UNESP |
instname_str |
Universidade Estadual Paulista (UNESP) |
instacron_str |
UNESP |
institution |
UNESP |
reponame_str |
Repositório Institucional da UNESP |
collection |
Repositório Institucional da UNESP |
repository.name.fl_str_mv |
Repositório Institucional da UNESP - Universidade Estadual Paulista (UNESP) |
repository.mail.fl_str_mv |
|
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1808129589163065344 |