THE EPIPHANY IN WILSON BUENO’ TANKAS

Detalhes bibliográficos
Autor(a) principal: Grácia-Rodrigues, Kelcilene
Data de Publicação: 2011
Outros Autores: Rodrigues, Rauer Ribeiro, Segredo Yamamoto, Cícera Rosa
Tipo de documento: Artigo
Idioma: por
Título da fonte: CASA: Cadernos de Semiótica Aplicada
Texto Completo: https://periodicos.fclar.unesp.br/casa/article/view/4723
Resumo: The objective of this work is to study the epiphany in Wilson Bueno’s tankas. The poetic composition of tanka appeared in Japan, around the year 710, and it is constituted by 31 syllables distributed into five verses with 5-7-5-7-7. Its origin is in the waka, poetic form that sang historical and legendary excerpts of the Japanese people’s lives. Wilson Bueno searched in the tankas the inspiration to compose the poems of two of his books: Pequeno tratado de brinquedos (1996) and Pincel de Kyoto (2008). The present article has the objective of showing the configuration of the tanka’s millennial tradition and the rescue of this traditional poetry, transfigured and personalized in a modern way in Wilson Bueno’s literary production, because the writer incorporates in his tankas literary strategies of the twentieth century western authors, especially the epiphany, concept proposed by James Joyce in Stephen Hero, romance written in the first years of the twentieth century
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spelling THE EPIPHANY IN WILSON BUENO’ TANKASA EPIFANIA NOS TANKAS DE WILSON BUENOepiphanyoccidenteastBrazilian poetry.epifaniaocidenteorientepoesia brasileiraThe objective of this work is to study the epiphany in Wilson Bueno’s tankas. The poetic composition of tanka appeared in Japan, around the year 710, and it is constituted by 31 syllables distributed into five verses with 5-7-5-7-7. Its origin is in the waka, poetic form that sang historical and legendary excerpts of the Japanese people’s lives. Wilson Bueno searched in the tankas the inspiration to compose the poems of two of his books: Pequeno tratado de brinquedos (1996) and Pincel de Kyoto (2008). The present article has the objective of showing the configuration of the tanka’s millennial tradition and the rescue of this traditional poetry, transfigured and personalized in a modern way in Wilson Bueno’s literary production, because the writer incorporates in his tankas literary strategies of the twentieth century western authors, especially the epiphany, concept proposed by James Joyce in Stephen Hero, romance written in the first years of the twentieth centuryO objetivo deste trabalho é estudar a epifania nos tankas de Wilson Bueno. A composição poética tanka surgiu no Japão, por volta do ano 710 e é constituída por 31 sílabas distribuídas em cinco versos com 5-7-5-7-7 sílabas. Sua origem está no waka, forma poética que “cantava” trechos históricos e legendários da vida do povo nipônico. Wilson Bueno buscou, nos tankas, a inspiração para compor os poemas de dois de seus livros: Pequeno tratado de brinquedos (1996) e Pincel de Kyoto (2008). O presente artigo tem como objetivo mostrar a configuração da tradição milenar do tanka e o resgate dessa poesia tradicional, transfigurada e personalizada de forma moderna, na produção literária de Wilson Bueno, pois o escritor incorpora, em seus tankas, estratégias literárias de autores ocidentais do século XX, em especial a epifania, conceito proposto por James Joyce em Stephen Hero, romance escrito nos primeiros anos do século XX.Laboratório Editorial FCL-UNESP | Letraria2011-11-21info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.fclar.unesp.br/casa/article/view/472310.21709/casa.v9i2.4723CASA: Cadernos de Semiótica Aplicada; v. 9 n. 2 (2011)1679-340410.21709/casa.v9i2reponame:CASA: Cadernos de Semiótica Aplicadainstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporhttps://periodicos.fclar.unesp.br/casa/article/view/4723/402610.21709/casa.v9i2.4723.g4026Copyright (c) 2011 CASA: Cadernos de Semiótica Aplicadainfo:eu-repo/semantics/openAccessGrácia-Rodrigues, KelcileneRodrigues, Rauer RibeiroSegredo Yamamoto, Cícera Rosa2012-06-12T14:13:12Zoai:ojs.pkp.sfu.ca:article/4723Revistahttps://periodicos.fclar.unesp.br/casa/indexPUBhttps://periodicos.fclar.unesp.br/casa/oaicasa@fclar.unesp.br1679-34041679-3404opendoar:2023-01-12T16:38:44.922777CASA: Cadernos de Semiótica Aplicada - Universidade Estadual Paulista (UNESP)false
dc.title.none.fl_str_mv THE EPIPHANY IN WILSON BUENO’ TANKAS
A EPIFANIA NOS TANKAS DE WILSON BUENO
title THE EPIPHANY IN WILSON BUENO’ TANKAS
spellingShingle THE EPIPHANY IN WILSON BUENO’ TANKAS
Grácia-Rodrigues, Kelcilene
epiphany
occident
east
Brazilian poetry.
epifania
ocidente
oriente
poesia brasileira
title_short THE EPIPHANY IN WILSON BUENO’ TANKAS
title_full THE EPIPHANY IN WILSON BUENO’ TANKAS
title_fullStr THE EPIPHANY IN WILSON BUENO’ TANKAS
title_full_unstemmed THE EPIPHANY IN WILSON BUENO’ TANKAS
title_sort THE EPIPHANY IN WILSON BUENO’ TANKAS
author Grácia-Rodrigues, Kelcilene
author_facet Grácia-Rodrigues, Kelcilene
Rodrigues, Rauer Ribeiro
Segredo Yamamoto, Cícera Rosa
author_role author
author2 Rodrigues, Rauer Ribeiro
Segredo Yamamoto, Cícera Rosa
author2_role author
author
dc.contributor.author.fl_str_mv Grácia-Rodrigues, Kelcilene
Rodrigues, Rauer Ribeiro
Segredo Yamamoto, Cícera Rosa
dc.subject.por.fl_str_mv epiphany
occident
east
Brazilian poetry.
epifania
ocidente
oriente
poesia brasileira
topic epiphany
occident
east
Brazilian poetry.
epifania
ocidente
oriente
poesia brasileira
description The objective of this work is to study the epiphany in Wilson Bueno’s tankas. The poetic composition of tanka appeared in Japan, around the year 710, and it is constituted by 31 syllables distributed into five verses with 5-7-5-7-7. Its origin is in the waka, poetic form that sang historical and legendary excerpts of the Japanese people’s lives. Wilson Bueno searched in the tankas the inspiration to compose the poems of two of his books: Pequeno tratado de brinquedos (1996) and Pincel de Kyoto (2008). The present article has the objective of showing the configuration of the tanka’s millennial tradition and the rescue of this traditional poetry, transfigured and personalized in a modern way in Wilson Bueno’s literary production, because the writer incorporates in his tankas literary strategies of the twentieth century western authors, especially the epiphany, concept proposed by James Joyce in Stephen Hero, romance written in the first years of the twentieth century
publishDate 2011
dc.date.none.fl_str_mv 2011-11-21
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.fclar.unesp.br/casa/article/view/4723
10.21709/casa.v9i2.4723
url https://periodicos.fclar.unesp.br/casa/article/view/4723
identifier_str_mv 10.21709/casa.v9i2.4723
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.fclar.unesp.br/casa/article/view/4723/4026
10.21709/casa.v9i2.4723.g4026
dc.rights.driver.fl_str_mv Copyright (c) 2011 CASA: Cadernos de Semiótica Aplicada
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2011 CASA: Cadernos de Semiótica Aplicada
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Laboratório Editorial FCL-UNESP | Letraria
publisher.none.fl_str_mv Laboratório Editorial FCL-UNESP | Letraria
dc.source.none.fl_str_mv CASA: Cadernos de Semiótica Aplicada; v. 9 n. 2 (2011)
1679-3404
10.21709/casa.v9i2
reponame:CASA: Cadernos de Semiótica Aplicada
instname:Universidade Estadual Paulista (UNESP)
instacron:UNESP
instname_str Universidade Estadual Paulista (UNESP)
instacron_str UNESP
institution UNESP
reponame_str CASA: Cadernos de Semiótica Aplicada
collection CASA: Cadernos de Semiótica Aplicada
repository.name.fl_str_mv CASA: Cadernos de Semiótica Aplicada - Universidade Estadual Paulista (UNESP)
repository.mail.fl_str_mv casa@fclar.unesp.br
_version_ 1797051219215122432

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