THE VOICE AND ITS TENSIVE CONFIGURATION IN THE STUDY OF THEATRICAL LANGUAGE

Detalhes bibliográficos
Autor(a) principal: Simonetti, Alpha Condeixa
Data de Publicação: 2012
Tipo de documento: Artigo
Idioma: por
Título da fonte: CASA: Cadernos de Semiótica Aplicada
Texto Completo: https://periodicos.fclar.unesp.br/casa/article/view/5271
Resumo: This work is an investigation on the use of the theatrical actor's voice and on its specificities as a sound-based object, where we bring together the studies of the theatrical performance language and the tensive model developed by Claude Zilberberg. Through the comparison of two different scene constructions, both conceived by Antunes Filho for the same tragedy: Euripides' Medea, the description of the selected corpus aims at the meanings produced by the vocal sounds. The analysis is done in two parts. The first one searches for the constitutive units produced in the discourses, which also makes the analysis a reflection on the descriptive criteria and on the relevance of these units in the discourses under investigation. On the second step, there is a discussion on the possible relations between the intonations of the characters in the play and the tensive categories called forth by each of these constructions.
id UNESP-26_6711fdae1dcd2894f17f6ac0553d8629
oai_identifier_str oai:ojs.pkp.sfu.ca:article/5271
network_acronym_str UNESP-26
network_name_str CASA: Cadernos de Semiótica Aplicada
repository_id_str
spelling THE VOICE AND ITS TENSIVE CONFIGURATION IN THE STUDY OF THEATRICAL LANGUAGEVOZ E TENSIVIDADE NO ESTUDO DA LINGUAGEM TEATRALVoiceactorcharacterstagingtensive model.Vozatorpersonagemencenaçãotensividade.This work is an investigation on the use of the theatrical actor's voice and on its specificities as a sound-based object, where we bring together the studies of the theatrical performance language and the tensive model developed by Claude Zilberberg. Through the comparison of two different scene constructions, both conceived by Antunes Filho for the same tragedy: Euripides' Medea, the description of the selected corpus aims at the meanings produced by the vocal sounds. The analysis is done in two parts. The first one searches for the constitutive units produced in the discourses, which also makes the analysis a reflection on the descriptive criteria and on the relevance of these units in the discourses under investigation. On the second step, there is a discussion on the possible relations between the intonations of the characters in the play and the tensive categories called forth by each of these constructions.Este trabalho se atém à investigação sobre os usos da voz do ator teatral e sobre suas especificidades enquanto objeto sonoro, trazendo uma primeira aproximação entre os estudos da linguagem da encenação teatral e o modelo tensivo desenvolvido por Claude Zilberberg. Através da comparação entre duas elaborações cênicas diferentes, ambas concebidas por Antunes Filho, sobre uma mesma obra trágica, Medeia, de Eurípedes, a descrição do corpus selecionado procura os sentidos gerados pelas sonoridades vocais. A análise segue basicamente em duas etapas. A primeira busca as unidades constituintes mobilizadas pelos discursos proferidos. Com isso, a análise torna-se também uma reflexão sobre os critérios descritivos e sobre a pertinência dessas unidades nos discursos em questão. Na segunda etapa, há uma reflexão sobre as possíveis relações entre as entoações das personagens encenadas e categorias tensivas convocadas por essas construções.Laboratório Editorial FCL-UNESP | Letraria2012-08-24info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.fclar.unesp.br/casa/article/view/527110.21709/casa.v10i1.5271CASA: Cadernos de Semiótica Aplicada; v. 10 n. 1 (2012)1679-340410.21709/casa.v10i1reponame:CASA: Cadernos de Semiótica Aplicadainstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporhttps://periodicos.fclar.unesp.br/casa/article/view/5271/427710.21709/casa.v10i1.5271.g4277Copyright (c) 2012 CASA: Cadernos de Semiótica Aplicadainfo:eu-repo/semantics/openAccessSimonetti, Alpha Condeixa2012-08-24T12:58:32Zoai:ojs.pkp.sfu.ca:article/5271Revistahttps://periodicos.fclar.unesp.br/casa/indexPUBhttps://periodicos.fclar.unesp.br/casa/oaicasa@fclar.unesp.br1679-34041679-3404opendoar:2023-01-12T16:38:45.251578CASA: Cadernos de Semiótica Aplicada - Universidade Estadual Paulista (UNESP)false
dc.title.none.fl_str_mv THE VOICE AND ITS TENSIVE CONFIGURATION IN THE STUDY OF THEATRICAL LANGUAGE
VOZ E TENSIVIDADE NO ESTUDO DA LINGUAGEM TEATRAL
title THE VOICE AND ITS TENSIVE CONFIGURATION IN THE STUDY OF THEATRICAL LANGUAGE
spellingShingle THE VOICE AND ITS TENSIVE CONFIGURATION IN THE STUDY OF THEATRICAL LANGUAGE
Simonetti, Alpha Condeixa
Voice
actor
character
staging
tensive model.
Voz
ator
personagem
encenação
tensividade.
title_short THE VOICE AND ITS TENSIVE CONFIGURATION IN THE STUDY OF THEATRICAL LANGUAGE
title_full THE VOICE AND ITS TENSIVE CONFIGURATION IN THE STUDY OF THEATRICAL LANGUAGE
title_fullStr THE VOICE AND ITS TENSIVE CONFIGURATION IN THE STUDY OF THEATRICAL LANGUAGE
title_full_unstemmed THE VOICE AND ITS TENSIVE CONFIGURATION IN THE STUDY OF THEATRICAL LANGUAGE
title_sort THE VOICE AND ITS TENSIVE CONFIGURATION IN THE STUDY OF THEATRICAL LANGUAGE
author Simonetti, Alpha Condeixa
author_facet Simonetti, Alpha Condeixa
author_role author
dc.contributor.author.fl_str_mv Simonetti, Alpha Condeixa
dc.subject.por.fl_str_mv Voice
actor
character
staging
tensive model.
Voz
ator
personagem
encenação
tensividade.
topic Voice
actor
character
staging
tensive model.
Voz
ator
personagem
encenação
tensividade.
description This work is an investigation on the use of the theatrical actor's voice and on its specificities as a sound-based object, where we bring together the studies of the theatrical performance language and the tensive model developed by Claude Zilberberg. Through the comparison of two different scene constructions, both conceived by Antunes Filho for the same tragedy: Euripides' Medea, the description of the selected corpus aims at the meanings produced by the vocal sounds. The analysis is done in two parts. The first one searches for the constitutive units produced in the discourses, which also makes the analysis a reflection on the descriptive criteria and on the relevance of these units in the discourses under investigation. On the second step, there is a discussion on the possible relations between the intonations of the characters in the play and the tensive categories called forth by each of these constructions.
publishDate 2012
dc.date.none.fl_str_mv 2012-08-24
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.fclar.unesp.br/casa/article/view/5271
10.21709/casa.v10i1.5271
url https://periodicos.fclar.unesp.br/casa/article/view/5271
identifier_str_mv 10.21709/casa.v10i1.5271
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.fclar.unesp.br/casa/article/view/5271/4277
10.21709/casa.v10i1.5271.g4277
dc.rights.driver.fl_str_mv Copyright (c) 2012 CASA: Cadernos de Semiótica Aplicada
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2012 CASA: Cadernos de Semiótica Aplicada
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Laboratório Editorial FCL-UNESP | Letraria
publisher.none.fl_str_mv Laboratório Editorial FCL-UNESP | Letraria
dc.source.none.fl_str_mv CASA: Cadernos de Semiótica Aplicada; v. 10 n. 1 (2012)
1679-3404
10.21709/casa.v10i1
reponame:CASA: Cadernos de Semiótica Aplicada
instname:Universidade Estadual Paulista (UNESP)
instacron:UNESP
instname_str Universidade Estadual Paulista (UNESP)
instacron_str UNESP
institution UNESP
reponame_str CASA: Cadernos de Semiótica Aplicada
collection CASA: Cadernos de Semiótica Aplicada
repository.name.fl_str_mv CASA: Cadernos de Semiótica Aplicada - Universidade Estadual Paulista (UNESP)
repository.mail.fl_str_mv casa@fclar.unesp.br
_version_ 1797051219226656768