NATURE AND CULTURE IN TIAGO SANTANA’S PHOTOGRAPHY
Autor(a) principal: | |
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Data de Publicação: | 2015 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | CASA: Cadernos de Semiótica Aplicada |
Texto Completo: | https://periodicos.fclar.unesp.br/casa/article/view/7690 |
Resumo: | Our article results of a recent research in visual semiotics and intends to investigate the process of sense in images from the photographer Tiago Santana from Ceará. Semiotics, as a relationship theory, puts elements together that can be significant units of any magnitude, from the point of view of meaning. So, the visual components of a picture can be understood as terms of a sense being in a relationship dimension. These relationships work in different levels of analysis as we know from the model of the Greimasian semiotics, revealing a process which involves from the construction of a narrative programming in a global trajectory (able to simulate the generation of meaning from the deep structure to the superficial one) until the opening, recently, of a field to the tensive semiotics used in our analysis. Using as theoretical framework also the studies by Floch (1985), Pietroforte (2007) and Dondero (2008, 2011), we have found clarifying results of the opposition human/culture vs. animal/nature, observed in the construction of a country field in five photographs from our base corpus. |
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NATURE AND CULTURE IN TIAGO SANTANA’S PHOTOGRAPHYNATUREZA E CULTURA NA FOTOGRAFIA DE TIAGO SANTANASemioticsPhotographyTiago SantanaSemióticaFotografiaTiago SantanaOur article results of a recent research in visual semiotics and intends to investigate the process of sense in images from the photographer Tiago Santana from Ceará. Semiotics, as a relationship theory, puts elements together that can be significant units of any magnitude, from the point of view of meaning. So, the visual components of a picture can be understood as terms of a sense being in a relationship dimension. These relationships work in different levels of analysis as we know from the model of the Greimasian semiotics, revealing a process which involves from the construction of a narrative programming in a global trajectory (able to simulate the generation of meaning from the deep structure to the superficial one) until the opening, recently, of a field to the tensive semiotics used in our analysis. Using as theoretical framework also the studies by Floch (1985), Pietroforte (2007) and Dondero (2008, 2011), we have found clarifying results of the opposition human/culture vs. animal/nature, observed in the construction of a country field in five photographs from our base corpus.Nosso artigo, resultado de uma recente pesquisa em semiótica visual, pretende investigar a construção do sentido em imagens de autoria do fotógrafo cearense Tiago Santana. A semiótica, como teoria da relação, une termos – que podem ser unidades significantes de qualquer grandeza – do ponto de vista da significação. Assim, os componentes visuais de uma foto podem ser entendidos como termos constituintes de um sentido, na medida em que se põem numa dimensão relacional. Tais relações se articulam em diferentes níveis de análise, conforme sabemos pelo modelo da semiótica greimasiana, que indica procedimentos que vão desde a construção de um programa narrativo num percurso global (capaz de simular a geração de sentido da estrutura profunda à estrutura de superfície) até abrir espaço, mais recentemente, para as aplicações da semiótica tensiva, utilizada em nossa análise. Com fundamentação teórica também respaldada pelos estudos de Floch (1985), Pietroforte (2007) e Dondero (2008 e 2011), obtivemos resultados esclarecedores em torno da oposição fundamental humano/cultura vs. animal/natureza, observada na construção de um universo sertanejo em cinco fotografias de nosso corpus de base.Laboratório Editorial FCL-UNESP | Letraria2015-08-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.fclar.unesp.br/casa/article/view/769010.21709/casa.v13i1.7690CASA: Cadernos de Semiótica Aplicada; v. 13 n. 1 (2015); 227-2481679-340410.21709/casa.v13i1reponame:CASA: Cadernos de Semiótica Aplicadainstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporhttps://periodicos.fclar.unesp.br/casa/article/view/7690/544210.21709/casa.v13i1.7690.g5442Copyright (c) 2015 CASA: Cadernos de Semiótica Aplicadainfo:eu-repo/semantics/openAccessLemos, Tércia Montenegro2015-08-27T14:53:15Zoai:ojs.pkp.sfu.ca:article/7690Revistahttps://periodicos.fclar.unesp.br/casa/indexPUBhttps://periodicos.fclar.unesp.br/casa/oaicasa@fclar.unesp.br1679-34041679-3404opendoar:2023-01-12T16:38:49.890413CASA: Cadernos de Semiótica Aplicada - Universidade Estadual Paulista (UNESP)false |
dc.title.none.fl_str_mv |
NATURE AND CULTURE IN TIAGO SANTANA’S PHOTOGRAPHY NATUREZA E CULTURA NA FOTOGRAFIA DE TIAGO SANTANA |
title |
NATURE AND CULTURE IN TIAGO SANTANA’S PHOTOGRAPHY |
spellingShingle |
NATURE AND CULTURE IN TIAGO SANTANA’S PHOTOGRAPHY Lemos, Tércia Montenegro Semiotics Photography Tiago Santana Semiótica Fotografia Tiago Santana |
title_short |
NATURE AND CULTURE IN TIAGO SANTANA’S PHOTOGRAPHY |
title_full |
NATURE AND CULTURE IN TIAGO SANTANA’S PHOTOGRAPHY |
title_fullStr |
NATURE AND CULTURE IN TIAGO SANTANA’S PHOTOGRAPHY |
title_full_unstemmed |
NATURE AND CULTURE IN TIAGO SANTANA’S PHOTOGRAPHY |
title_sort |
NATURE AND CULTURE IN TIAGO SANTANA’S PHOTOGRAPHY |
author |
Lemos, Tércia Montenegro |
author_facet |
Lemos, Tércia Montenegro |
author_role |
author |
dc.contributor.author.fl_str_mv |
Lemos, Tércia Montenegro |
dc.subject.por.fl_str_mv |
Semiotics Photography Tiago Santana Semiótica Fotografia Tiago Santana |
topic |
Semiotics Photography Tiago Santana Semiótica Fotografia Tiago Santana |
description |
Our article results of a recent research in visual semiotics and intends to investigate the process of sense in images from the photographer Tiago Santana from Ceará. Semiotics, as a relationship theory, puts elements together that can be significant units of any magnitude, from the point of view of meaning. So, the visual components of a picture can be understood as terms of a sense being in a relationship dimension. These relationships work in different levels of analysis as we know from the model of the Greimasian semiotics, revealing a process which involves from the construction of a narrative programming in a global trajectory (able to simulate the generation of meaning from the deep structure to the superficial one) until the opening, recently, of a field to the tensive semiotics used in our analysis. Using as theoretical framework also the studies by Floch (1985), Pietroforte (2007) and Dondero (2008, 2011), we have found clarifying results of the opposition human/culture vs. animal/nature, observed in the construction of a country field in five photographs from our base corpus. |
publishDate |
2015 |
dc.date.none.fl_str_mv |
2015-08-26 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.fclar.unesp.br/casa/article/view/7690 10.21709/casa.v13i1.7690 |
url |
https://periodicos.fclar.unesp.br/casa/article/view/7690 |
identifier_str_mv |
10.21709/casa.v13i1.7690 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.fclar.unesp.br/casa/article/view/7690/5442 10.21709/casa.v13i1.7690.g5442 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2015 CASA: Cadernos de Semiótica Aplicada info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2015 CASA: Cadernos de Semiótica Aplicada |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Laboratório Editorial FCL-UNESP | Letraria |
publisher.none.fl_str_mv |
Laboratório Editorial FCL-UNESP | Letraria |
dc.source.none.fl_str_mv |
CASA: Cadernos de Semiótica Aplicada; v. 13 n. 1 (2015); 227-248 1679-3404 10.21709/casa.v13i1 reponame:CASA: Cadernos de Semiótica Aplicada instname:Universidade Estadual Paulista (UNESP) instacron:UNESP |
instname_str |
Universidade Estadual Paulista (UNESP) |
instacron_str |
UNESP |
institution |
UNESP |
reponame_str |
CASA: Cadernos de Semiótica Aplicada |
collection |
CASA: Cadernos de Semiótica Aplicada |
repository.name.fl_str_mv |
CASA: Cadernos de Semiótica Aplicada - Universidade Estadual Paulista (UNESP) |
repository.mail.fl_str_mv |
casa@fclar.unesp.br |
_version_ |
1797051219694321664 |