Anaphora, Epistrophe and Poliptoton: identification of the figures of speech in the eletroacoustic music, in the scope of rhetoric and pronunciation, embased on meanings like "persuasion"

Detalhes bibliográficos
Autor(a) principal: Antunes, Jorge
Data de Publicação: 2008
Tipo de documento: Artigo
Idioma: por
Título da fonte: CASA: Cadernos de Semiótica Aplicada
Texto Completo: https://periodicos.fclar.unesp.br/casa/article/view/598
Resumo: This paper presents the continuation of the researches of the author in the field of electroacoustic music language. The basis of the work is a previous confirmation: " the act of hearing music is always accompanied by inconsciousness graphical sketches that mind and intellect exercise on imaginary spaces". In a first part of the research were stablished sonological basis of semantemes of strong emotion type, and of new semantic unities with graphic-space-time relationships, based on language and related to communication. Here the goal is the search of persuasion phenomenon at discourse, i.e. the study of eloquence in eletroacoustic music. Then the paper ends concluding comments on the pertinency of the study, with the identification of rhetoric figures of speech in the electroacoustic musical context. Keywords: Rethoric and persuasion. Musical semantic. Electroacoustic music.
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spelling Anaphora, Epistrophe and Poliptoton: identification of the figures of speech in the eletroacoustic music, in the scope of rhetoric and pronunciation, embased on meanings like "persuasion"Anáfora, Epístrofe e Poliptóton: identificação de figuras de linguagem na música eletroacústica, no âmbito da retórica e da eloqüência, com base em significações do tipo "persuasão"retórica e persuasãosemântica musicalmúsica eletroacústicarethoric and persuasionmusical semanticelectroacoustic music.This paper presents the continuation of the researches of the author in the field of electroacoustic music language. The basis of the work is a previous confirmation: " the act of hearing music is always accompanied by inconsciousness graphical sketches that mind and intellect exercise on imaginary spaces". In a first part of the research were stablished sonological basis of semantemes of strong emotion type, and of new semantic unities with graphic-space-time relationships, based on language and related to communication. Here the goal is the search of persuasion phenomenon at discourse, i.e. the study of eloquence in eletroacoustic music. Then the paper ends concluding comments on the pertinency of the study, with the identification of rhetoric figures of speech in the electroacoustic musical context. Keywords: Rethoric and persuasion. Musical semantic. Electroacoustic music.Este trabalho dá seguimento às pesquisas do autor no domínio da linguagem da música eletroacústica. A base do trabalho está na constatação prévia de que "o ato de ouvir música está sempre acompanhado de grafismos inconscientes que a mente e o intelecto praticam em espaços imaginários". Em uma primeira etapa da pesquisa foram estabelecidas as bases sonológicas de semantemas do tipo emoção forte e de novas unidades semânticas de conotação gráfico-espacial-temporal baseadas em recursos de linguagem voltados à comunicação. Aqui o objetivo voltou-se à busca do fenômeno da persuasão do discurso, ou seja, ao estudo da eloqüência na música eletroacústica. Concluiu-se da pertinência do estudo, através da identificação, no contexto musical eletroacústico, de figuras de linguagem próprias da Retórica. Palavras-chave: Retórica e persuasão. Semântica musical. Música eletroacústica.Laboratório Editorial FCL-UNESP | Letraria2008-03-07info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://periodicos.fclar.unesp.br/casa/article/view/59810.21709/casa.v4i1.598CASA: Cadernos de Semiótica Aplicada; v. 4 n. 1 (2006)1679-340410.21709/casa.v4i1reponame:CASA: Cadernos de Semiótica Aplicadainstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporhttps://periodicos.fclar.unesp.br/casa/article/view/598/51210.21709/casa.v4i1.598.g512Copyright (c) 2008 CASA: Cadernos de Semiótica Aplicadainfo:eu-repo/semantics/openAccessAntunes, Jorge2008-05-05T17:09:49Zoai:ojs.pkp.sfu.ca:article/598Revistahttps://periodicos.fclar.unesp.br/casa/indexPUBhttps://periodicos.fclar.unesp.br/casa/oaicasa@fclar.unesp.br1679-34041679-3404opendoar:2023-01-12T16:38:38.051800CASA: Cadernos de Semiótica Aplicada - Universidade Estadual Paulista (UNESP)false
dc.title.none.fl_str_mv Anaphora, Epistrophe and Poliptoton: identification of the figures of speech in the eletroacoustic music, in the scope of rhetoric and pronunciation, embased on meanings like "persuasion"
Anáfora, Epístrofe e Poliptóton: identificação de figuras de linguagem na música eletroacústica, no âmbito da retórica e da eloqüência, com base em significações do tipo "persuasão"
title Anaphora, Epistrophe and Poliptoton: identification of the figures of speech in the eletroacoustic music, in the scope of rhetoric and pronunciation, embased on meanings like "persuasion"
spellingShingle Anaphora, Epistrophe and Poliptoton: identification of the figures of speech in the eletroacoustic music, in the scope of rhetoric and pronunciation, embased on meanings like "persuasion"
Antunes, Jorge
retórica e persuasão
semântica musical
música eletroacústica
rethoric and persuasion
musical semantic
electroacoustic music.
title_short Anaphora, Epistrophe and Poliptoton: identification of the figures of speech in the eletroacoustic music, in the scope of rhetoric and pronunciation, embased on meanings like "persuasion"
title_full Anaphora, Epistrophe and Poliptoton: identification of the figures of speech in the eletroacoustic music, in the scope of rhetoric and pronunciation, embased on meanings like "persuasion"
title_fullStr Anaphora, Epistrophe and Poliptoton: identification of the figures of speech in the eletroacoustic music, in the scope of rhetoric and pronunciation, embased on meanings like "persuasion"
title_full_unstemmed Anaphora, Epistrophe and Poliptoton: identification of the figures of speech in the eletroacoustic music, in the scope of rhetoric and pronunciation, embased on meanings like "persuasion"
title_sort Anaphora, Epistrophe and Poliptoton: identification of the figures of speech in the eletroacoustic music, in the scope of rhetoric and pronunciation, embased on meanings like "persuasion"
author Antunes, Jorge
author_facet Antunes, Jorge
author_role author
dc.contributor.author.fl_str_mv Antunes, Jorge
dc.subject.por.fl_str_mv retórica e persuasão
semântica musical
música eletroacústica
rethoric and persuasion
musical semantic
electroacoustic music.
topic retórica e persuasão
semântica musical
música eletroacústica
rethoric and persuasion
musical semantic
electroacoustic music.
description This paper presents the continuation of the researches of the author in the field of electroacoustic music language. The basis of the work is a previous confirmation: " the act of hearing music is always accompanied by inconsciousness graphical sketches that mind and intellect exercise on imaginary spaces". In a first part of the research were stablished sonological basis of semantemes of strong emotion type, and of new semantic unities with graphic-space-time relationships, based on language and related to communication. Here the goal is the search of persuasion phenomenon at discourse, i.e. the study of eloquence in eletroacoustic music. Then the paper ends concluding comments on the pertinency of the study, with the identification of rhetoric figures of speech in the electroacoustic musical context. Keywords: Rethoric and persuasion. Musical semantic. Electroacoustic music.
publishDate 2008
dc.date.none.fl_str_mv 2008-03-07
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://periodicos.fclar.unesp.br/casa/article/view/598
10.21709/casa.v4i1.598
url https://periodicos.fclar.unesp.br/casa/article/view/598
identifier_str_mv 10.21709/casa.v4i1.598
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://periodicos.fclar.unesp.br/casa/article/view/598/512
10.21709/casa.v4i1.598.g512
dc.rights.driver.fl_str_mv Copyright (c) 2008 CASA: Cadernos de Semiótica Aplicada
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2008 CASA: Cadernos de Semiótica Aplicada
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Laboratório Editorial FCL-UNESP | Letraria
publisher.none.fl_str_mv Laboratório Editorial FCL-UNESP | Letraria
dc.source.none.fl_str_mv CASA: Cadernos de Semiótica Aplicada; v. 4 n. 1 (2006)
1679-3404
10.21709/casa.v4i1
reponame:CASA: Cadernos de Semiótica Aplicada
instname:Universidade Estadual Paulista (UNESP)
instacron:UNESP
instname_str Universidade Estadual Paulista (UNESP)
instacron_str UNESP
institution UNESP
reponame_str CASA: Cadernos de Semiótica Aplicada
collection CASA: Cadernos de Semiótica Aplicada
repository.name.fl_str_mv CASA: Cadernos de Semiótica Aplicada - Universidade Estadual Paulista (UNESP)
repository.mail.fl_str_mv casa@fclar.unesp.br
_version_ 1797051218423447552

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