The Multiple in The Art of Courtly Love by Andreas Capellanus
Autor(a) principal: | |
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Data de Publicação: | 2019 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Faces da História |
Texto Completo: | https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1348 |
Resumo: | The Art of Courtly Love (2002) was written in the twelfth century by Andreas Capellanus. Composed by three books, the work became the subject of study and controversy mainly due the discrepancy between the first two books and the third. While in the first and second books one can see the praising of the practice of love called courteous and the exaltation of the feminine, in the third and last book the author takes an opposite stance, enumerating the evils caused by this profane love, while vilifying women. In this article we seek to think about the discrepancy of The Art of Courtly Love starting from the identification of the author and the voices found in the composition of the work, therefore our analysis is based on the theoretical and methodological principles of Discourse Analysis, which enabled us to find out the constitutive polyphony of the work. |
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Faces da História |
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The Multiple in The Art of Courtly Love by Andreas CapellanusO Múltiplo no Tratado do Amor Cortês de André CapelãoAnálise de DiscursoLiteratura MedievalAmor cortêsDiscourse AnalysisMedieval LiteratureCourteous LoveThe Art of Courtly Love (2002) was written in the twelfth century by Andreas Capellanus. Composed by three books, the work became the subject of study and controversy mainly due the discrepancy between the first two books and the third. While in the first and second books one can see the praising of the practice of love called courteous and the exaltation of the feminine, in the third and last book the author takes an opposite stance, enumerating the evils caused by this profane love, while vilifying women. In this article we seek to think about the discrepancy of The Art of Courtly Love starting from the identification of the author and the voices found in the composition of the work, therefore our analysis is based on the theoretical and methodological principles of Discourse Analysis, which enabled us to find out the constitutive polyphony of the work.O Tratado do Amor Cortês (2002) foi escrito no século XII por André Capelão. Composta por três livros, a obra tornou-se alvo de estudo e de polêmicas, principalmente, em razão da discrepância entre os dois primeiros livros e o terceiro. Enquanto no primeiro e no segundo livro vislumbramos o enaltecimento da prática do amor denominado cortês e a exaltação do feminino, no terceiro e último livro o autor assume uma postura oposta, enumerando os males ocasionados por esse amor dito profano e vilipendiando as mulheres. Neste artigo, buscamos pensar a discrepância do Tratadopartindo da identificação do autor e das vozes presentes na composição da obra, para tanto pautamos a nossa análise pelos princípios teóricos e metodológicos da Análise de Discurso que nos possibilitou averiguar a polifonia constitutiva da obra.UNESP2019-12-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/htmlhttps://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1348Faces da História; Vol. 6 Núm. 2 (2019): Os estudos de Ásia e do Oriente no Brasil: objetos, problemáticas e desafios; 349-365Faces da História; v. 6 n. 2 (2019): Os estudos de Ásia e do Oriente no Brasil: objetos, problemáticas e desafios; 349-3652358-3878reponame:Faces da Históriainstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporhttps://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1348/1296https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1348/1333Copyright (c) 2019 Ligia Cristina Carvalhoinfo:eu-repo/semantics/openAccessCarvalho, Ligia Cristina2020-01-06T11:25:15Zoai:seer.assis.unesp.br:article/1348Revistahttps://seer.assis.unesp.br/index.php/facesdahistoriaPUBhttps://seer.assis.unesp.br/index.php/facesdahistoria/oai||facesdahistoria@assis.unesp.br|| facesdahistoria@gmail.com2358-38782358-3878opendoar:2020-01-06T11:25:15Faces da História - Universidade Estadual Paulista (UNESP)false |
dc.title.none.fl_str_mv |
The Multiple in The Art of Courtly Love by Andreas Capellanus O Múltiplo no Tratado do Amor Cortês de André Capelão |
title |
The Multiple in The Art of Courtly Love by Andreas Capellanus |
spellingShingle |
The Multiple in The Art of Courtly Love by Andreas Capellanus Carvalho, Ligia Cristina Análise de Discurso Literatura Medieval Amor cortês Discourse Analysis Medieval Literature Courteous Love |
title_short |
The Multiple in The Art of Courtly Love by Andreas Capellanus |
title_full |
The Multiple in The Art of Courtly Love by Andreas Capellanus |
title_fullStr |
The Multiple in The Art of Courtly Love by Andreas Capellanus |
title_full_unstemmed |
The Multiple in The Art of Courtly Love by Andreas Capellanus |
title_sort |
The Multiple in The Art of Courtly Love by Andreas Capellanus |
author |
Carvalho, Ligia Cristina |
author_facet |
Carvalho, Ligia Cristina |
author_role |
author |
dc.contributor.author.fl_str_mv |
Carvalho, Ligia Cristina |
dc.subject.por.fl_str_mv |
Análise de Discurso Literatura Medieval Amor cortês Discourse Analysis Medieval Literature Courteous Love |
topic |
Análise de Discurso Literatura Medieval Amor cortês Discourse Analysis Medieval Literature Courteous Love |
description |
The Art of Courtly Love (2002) was written in the twelfth century by Andreas Capellanus. Composed by three books, the work became the subject of study and controversy mainly due the discrepancy between the first two books and the third. While in the first and second books one can see the praising of the practice of love called courteous and the exaltation of the feminine, in the third and last book the author takes an opposite stance, enumerating the evils caused by this profane love, while vilifying women. In this article we seek to think about the discrepancy of The Art of Courtly Love starting from the identification of the author and the voices found in the composition of the work, therefore our analysis is based on the theoretical and methodological principles of Discourse Analysis, which enabled us to find out the constitutive polyphony of the work. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019-12-16 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1348 |
url |
https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1348 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1348/1296 https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1348/1333 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2019 Ligia Cristina Carvalho info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2019 Ligia Cristina Carvalho |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf text/html |
dc.publisher.none.fl_str_mv |
UNESP |
publisher.none.fl_str_mv |
UNESP |
dc.source.none.fl_str_mv |
Faces da História; Vol. 6 Núm. 2 (2019): Os estudos de Ásia e do Oriente no Brasil: objetos, problemáticas e desafios; 349-365 Faces da História; v. 6 n. 2 (2019): Os estudos de Ásia e do Oriente no Brasil: objetos, problemáticas e desafios; 349-365 2358-3878 reponame:Faces da História instname:Universidade Estadual Paulista (UNESP) instacron:UNESP |
instname_str |
Universidade Estadual Paulista (UNESP) |
instacron_str |
UNESP |
institution |
UNESP |
reponame_str |
Faces da História |
collection |
Faces da História |
repository.name.fl_str_mv |
Faces da História - Universidade Estadual Paulista (UNESP) |
repository.mail.fl_str_mv |
||facesdahistoria@assis.unesp.br|| facesdahistoria@gmail.com |
_version_ |
1800215831964024832 |