The Multiple in The Art of Courtly Love by Andreas Capellanus

Detalhes bibliográficos
Autor(a) principal: Carvalho, Ligia Cristina
Data de Publicação: 2019
Tipo de documento: Artigo
Idioma: por
Título da fonte: Faces da História
Texto Completo: https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1348
Resumo: The Art of Courtly Love (2002) was written in the twelfth century by Andreas Capellanus. Composed by three books, the work became the subject of study and controversy mainly due the discrepancy between the first two books and the third. While in the first and second books one can see the praising of the practice of love called courteous and the exaltation of the feminine, in the third and last book the author takes an opposite stance, enumerating the evils caused by this profane love, while vilifying women. In this article we seek to think about the discrepancy of The Art of Courtly Love starting from the identification of the author and the voices found in the composition of the work, therefore our analysis is based on the theoretical and methodological principles of Discourse Analysis, which enabled us to find out the constitutive polyphony of the work.
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spelling The Multiple in The Art of Courtly Love by Andreas CapellanusO Múltiplo no Tratado do Amor Cortês de André CapelãoAnálise de DiscursoLiteratura MedievalAmor cortêsDiscourse AnalysisMedieval LiteratureCourteous LoveThe Art of Courtly Love (2002) was written in the twelfth century by Andreas Capellanus. Composed by three books, the work became the subject of study and controversy mainly due the discrepancy between the first two books and the third. While in the first and second books one can see the praising of the practice of love called courteous and the exaltation of the feminine, in the third and last book the author takes an opposite stance, enumerating the evils caused by this profane love, while vilifying women. In this article we seek to think about the discrepancy of The Art of Courtly Love starting from the identification of the author and the voices found in the composition of the work, therefore our analysis is based on the theoretical and methodological principles of Discourse Analysis, which enabled us to find out the constitutive polyphony of the work.O Tratado do Amor Cortês (2002) foi escrito no século XII por André Capelão. Composta por três livros, a obra tornou-se alvo de estudo e de polêmicas, principalmente, em razão da discrepância entre os dois primeiros livros e o terceiro. Enquanto no primeiro e no segundo livro vislumbramos o enaltecimento da prática do amor denominado cortês e a exaltação do feminino, no terceiro e último livro o autor assume uma postura oposta, enumerando os males ocasionados por esse amor dito profano e vilipendiando as mulheres. Neste artigo, buscamos pensar a discrepância do Tratadopartindo da identificação do autor e das vozes presentes na composição da obra, para tanto pautamos a nossa análise pelos princípios teóricos e metodológicos da Análise de Discurso que nos possibilitou averiguar a polifonia constitutiva da obra.UNESP2019-12-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/htmlhttps://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1348Faces da História; Vol. 6 Núm. 2 (2019): Os estudos de Ásia e do Oriente no Brasil: objetos, problemáticas e desafios; 349-365Faces da História; v. 6 n. 2 (2019): Os estudos de Ásia e do Oriente no Brasil: objetos, problemáticas e desafios; 349-3652358-3878reponame:Faces da Históriainstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporhttps://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1348/1296https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1348/1333Copyright (c) 2019 Ligia Cristina Carvalhoinfo:eu-repo/semantics/openAccessCarvalho, Ligia Cristina2020-01-06T11:25:15Zoai:seer.assis.unesp.br:article/1348Revistahttps://seer.assis.unesp.br/index.php/facesdahistoriaPUBhttps://seer.assis.unesp.br/index.php/facesdahistoria/oai||facesdahistoria@assis.unesp.br|| facesdahistoria@gmail.com2358-38782358-3878opendoar:2020-01-06T11:25:15Faces da História - Universidade Estadual Paulista (UNESP)false
dc.title.none.fl_str_mv The Multiple in The Art of Courtly Love by Andreas Capellanus
O Múltiplo no Tratado do Amor Cortês de André Capelão
title The Multiple in The Art of Courtly Love by Andreas Capellanus
spellingShingle The Multiple in The Art of Courtly Love by Andreas Capellanus
Carvalho, Ligia Cristina
Análise de Discurso
Literatura Medieval
Amor cortês
Discourse Analysis
Medieval Literature
Courteous Love
title_short The Multiple in The Art of Courtly Love by Andreas Capellanus
title_full The Multiple in The Art of Courtly Love by Andreas Capellanus
title_fullStr The Multiple in The Art of Courtly Love by Andreas Capellanus
title_full_unstemmed The Multiple in The Art of Courtly Love by Andreas Capellanus
title_sort The Multiple in The Art of Courtly Love by Andreas Capellanus
author Carvalho, Ligia Cristina
author_facet Carvalho, Ligia Cristina
author_role author
dc.contributor.author.fl_str_mv Carvalho, Ligia Cristina
dc.subject.por.fl_str_mv Análise de Discurso
Literatura Medieval
Amor cortês
Discourse Analysis
Medieval Literature
Courteous Love
topic Análise de Discurso
Literatura Medieval
Amor cortês
Discourse Analysis
Medieval Literature
Courteous Love
description The Art of Courtly Love (2002) was written in the twelfth century by Andreas Capellanus. Composed by three books, the work became the subject of study and controversy mainly due the discrepancy between the first two books and the third. While in the first and second books one can see the praising of the practice of love called courteous and the exaltation of the feminine, in the third and last book the author takes an opposite stance, enumerating the evils caused by this profane love, while vilifying women. In this article we seek to think about the discrepancy of The Art of Courtly Love starting from the identification of the author and the voices found in the composition of the work, therefore our analysis is based on the theoretical and methodological principles of Discourse Analysis, which enabled us to find out the constitutive polyphony of the work.
publishDate 2019
dc.date.none.fl_str_mv 2019-12-16
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1348
url https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1348
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1348/1296
https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1348/1333
dc.rights.driver.fl_str_mv Copyright (c) 2019 Ligia Cristina Carvalho
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2019 Ligia Cristina Carvalho
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
text/html
dc.publisher.none.fl_str_mv UNESP
publisher.none.fl_str_mv UNESP
dc.source.none.fl_str_mv Faces da História; Vol. 6 Núm. 2 (2019): Os estudos de Ásia e do Oriente no Brasil: objetos, problemáticas e desafios; 349-365
Faces da História; v. 6 n. 2 (2019): Os estudos de Ásia e do Oriente no Brasil: objetos, problemáticas e desafios; 349-365
2358-3878
reponame:Faces da História
instname:Universidade Estadual Paulista (UNESP)
instacron:UNESP
instname_str Universidade Estadual Paulista (UNESP)
instacron_str UNESP
institution UNESP
reponame_str Faces da História
collection Faces da História
repository.name.fl_str_mv Faces da História - Universidade Estadual Paulista (UNESP)
repository.mail.fl_str_mv ||facesdahistoria@assis.unesp.br|| facesdahistoria@gmail.com
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