After, miserably after, just laughing: João de Minas’ comic satire in 1930s

Detalhes bibliográficos
Autor(a) principal: de Almeida, Leandro Antonio
Data de Publicação: 2020
Tipo de documento: Artigo
Idioma: por
Título da fonte: Faces da História
Texto Completo: https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/0000-0001-8354-9514
Resumo: The main goal of this paper is to analyze the comic satire of the author João de Minas in his works of fiction published in middle 1930s. In the 1920s, the satire of his texts is directed against the opponents of Washington Luís’s government, to whom João de Minas aligns politically. In the next decade, after the movement of October 1930 and the rise of Getúlio Vargas, it was directed against the new ruling politicians. However, the writer expands the satire's target to the entire Brazilian society. In wilderness texts and in the urban novels published in 1934, we notice the representation of a fictional world in which the protagonists and a few kind characters are surrounded by corrupt, ambitious, self-interested and perverted people. We take as a guiding thread the fictional treatment of the country’s recent historical events in the 1930s, through which we show how the author João de Minas dissents, by satire, from the legitimation euphoric speeches of the new policy and the new society, in line with a Brazilian humorous tradition that comes from the early days of the Brazilian Republic.
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spelling After, miserably after, just laughing: João de Minas’ comic satire in 1930sDepois, miseravelmente depois, só rindo: a sátira cômica de João de Minas nos anos 1930Golpe de 1930João de MinasSátiraRomance sexualRomance sertanistaJoão de MinasSatireSexual NovelWilderness roman1930s CoupThe main goal of this paper is to analyze the comic satire of the author João de Minas in his works of fiction published in middle 1930s. In the 1920s, the satire of his texts is directed against the opponents of Washington Luís’s government, to whom João de Minas aligns politically. In the next decade, after the movement of October 1930 and the rise of Getúlio Vargas, it was directed against the new ruling politicians. However, the writer expands the satire's target to the entire Brazilian society. In wilderness texts and in the urban novels published in 1934, we notice the representation of a fictional world in which the protagonists and a few kind characters are surrounded by corrupt, ambitious, self-interested and perverted people. We take as a guiding thread the fictional treatment of the country’s recent historical events in the 1930s, through which we show how the author João de Minas dissents, by satire, from the legitimation euphoric speeches of the new policy and the new society, in line with a Brazilian humorous tradition that comes from the early days of the Brazilian Republic.O objetivo deste trabalho é analisar a sátira cômica do autor João de Minas em suas obras de ficção publicadas em meados dos anos 1930. Nos anos 1920, a sátira de seus textos está direcionada contra os adversários do governo Washigton Luís, ao qual o escritor se alinha politicamente. Na década seguinte, após o movimento de outubro de 1930 e a ascensão de Getúlio Vargas, se direciona aos novos donos do poder. Porém, o autor amplia o alvo da sátira para toda a sociedade brasileira. Nos textos sertanistas e nos romances urbanos publicados em 1934 notamos a representação de um mundo ficcional no qual as protagonistas e poucos personagens bondosos são rodeados por pessoas corruptas, ambiciosas, interesseiras e taradas. Tomamos como fio condutor o tratamento ficcional de eventos da história recente do pais nos anos 1930, através dos quais mostramos como o autor João de Minas se distancia, pela sátira, dos discursos eufóricos de legitimação da nova política e da nova sociedade, alinhando-se a uma tradição humorística brasileira que vem dos primeiros tempos da República.UNESP2020-12-18info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdftext/htmlhttps://seer.assis.unesp.br/index.php/facesdahistoria/article/view/0000-0001-8354-9514Faces da História; Vol. 7 Núm. 2 (2020): História Cultural do Humor; 52-76Faces da História; v. 7 n. 2 (2020): História Cultural do Humor; 52-762358-3878reponame:Faces da Históriainstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporhttps://seer.assis.unesp.br/index.php/facesdahistoria/article/view/0000-0001-8354-9514/1493https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/0000-0001-8354-9514/1494Copyright (c) 2020 Leandro Antonio de Almeidainfo:eu-repo/semantics/openAccessde Almeida, Leandro Antonio2020-12-18T19:32:08Zoai:seer.assis.unesp.br:article/1736Revistahttps://seer.assis.unesp.br/index.php/facesdahistoriaPUBhttps://seer.assis.unesp.br/index.php/facesdahistoria/oai||facesdahistoria@assis.unesp.br|| facesdahistoria@gmail.com2358-38782358-3878opendoar:2020-12-18T19:32:08Faces da História - Universidade Estadual Paulista (UNESP)false
dc.title.none.fl_str_mv After, miserably after, just laughing: João de Minas’ comic satire in 1930s
Depois, miseravelmente depois, só rindo: a sátira cômica de João de Minas nos anos 1930
title After, miserably after, just laughing: João de Minas’ comic satire in 1930s
spellingShingle After, miserably after, just laughing: João de Minas’ comic satire in 1930s
de Almeida, Leandro Antonio
Golpe de 1930
João de Minas
Sátira
Romance sexual
Romance sertanista
João de Minas
Satire
Sexual Novel
Wilderness roman
1930s Coup
title_short After, miserably after, just laughing: João de Minas’ comic satire in 1930s
title_full After, miserably after, just laughing: João de Minas’ comic satire in 1930s
title_fullStr After, miserably after, just laughing: João de Minas’ comic satire in 1930s
title_full_unstemmed After, miserably after, just laughing: João de Minas’ comic satire in 1930s
title_sort After, miserably after, just laughing: João de Minas’ comic satire in 1930s
author de Almeida, Leandro Antonio
author_facet de Almeida, Leandro Antonio
author_role author
dc.contributor.author.fl_str_mv de Almeida, Leandro Antonio
dc.subject.por.fl_str_mv Golpe de 1930
João de Minas
Sátira
Romance sexual
Romance sertanista
João de Minas
Satire
Sexual Novel
Wilderness roman
1930s Coup
topic Golpe de 1930
João de Minas
Sátira
Romance sexual
Romance sertanista
João de Minas
Satire
Sexual Novel
Wilderness roman
1930s Coup
description The main goal of this paper is to analyze the comic satire of the author João de Minas in his works of fiction published in middle 1930s. In the 1920s, the satire of his texts is directed against the opponents of Washington Luís’s government, to whom João de Minas aligns politically. In the next decade, after the movement of October 1930 and the rise of Getúlio Vargas, it was directed against the new ruling politicians. However, the writer expands the satire's target to the entire Brazilian society. In wilderness texts and in the urban novels published in 1934, we notice the representation of a fictional world in which the protagonists and a few kind characters are surrounded by corrupt, ambitious, self-interested and perverted people. We take as a guiding thread the fictional treatment of the country’s recent historical events in the 1930s, through which we show how the author João de Minas dissents, by satire, from the legitimation euphoric speeches of the new policy and the new society, in line with a Brazilian humorous tradition that comes from the early days of the Brazilian Republic.
publishDate 2020
dc.date.none.fl_str_mv 2020-12-18
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelos pares
format article
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dc.identifier.uri.fl_str_mv https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/0000-0001-8354-9514
url https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/0000-0001-8354-9514
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/0000-0001-8354-9514/1493
https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/0000-0001-8354-9514/1494
dc.rights.driver.fl_str_mv Copyright (c) 2020 Leandro Antonio de Almeida
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2020 Leandro Antonio de Almeida
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
text/html
dc.publisher.none.fl_str_mv UNESP
publisher.none.fl_str_mv UNESP
dc.source.none.fl_str_mv Faces da História; Vol. 7 Núm. 2 (2020): História Cultural do Humor; 52-76
Faces da História; v. 7 n. 2 (2020): História Cultural do Humor; 52-76
2358-3878
reponame:Faces da História
instname:Universidade Estadual Paulista (UNESP)
instacron:UNESP
instname_str Universidade Estadual Paulista (UNESP)
instacron_str UNESP
institution UNESP
reponame_str Faces da História
collection Faces da História
repository.name.fl_str_mv Faces da História - Universidade Estadual Paulista (UNESP)
repository.mail.fl_str_mv ||facesdahistoria@assis.unesp.br|| facesdahistoria@gmail.com
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