The The “land where there was only day, night did not exist”: appropriation of an indigenous idea in the poem Martim Cererê by Cassiano Ricardo
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Faces da História |
Texto Completo: | https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1630 |
Resumo: | When we consider that the appropriation of the indigenous as a symbol of nationality in literature was articulated in two phases - the first, romantic, and the second, modernist - we will see, in this article, the ways in which Cassiano Ricardo in his poem Martim Cererê (1927) incorporated the indigenous in his poetic work through a mixture of romantic and modernist representations. In order to discuss this issue, we will use the concept of appropriation developed by Roger Chartier (2002). This concept will help us to understand the representations elaborated by Cassiano Ricardo throughout the first six editions of that poem. Using the thought of Henrique Dussel (1993) to understand the poem on screen, we will see, throughout this study, that; by appropriating the indigenous as a racial element to think about Brazilian identity, Cassiano Ricardo reproduced the process of “covering up the Other” - symbol of Modernity - pointed out by the Argentine thinker. Based on this proposal, we intend to recover the history of the ways in which the indigenous person was represented in the literary narrative found in the poem Martim Cererê. |
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The The “land where there was only day, night did not exist”: appropriation of an indigenous idea in the poem Martim Cererê by Cassiano RicardoA “terra em que só existia dia, noite não havia”: apropriação de uma ideia de indígena no poema Martim Cererê de Cassiano Ricardoliteratura, representação, indígena, apropriação, modernismoliterature, representation, indigenous, appropriation, modernismWhen we consider that the appropriation of the indigenous as a symbol of nationality in literature was articulated in two phases - the first, romantic, and the second, modernist - we will see, in this article, the ways in which Cassiano Ricardo in his poem Martim Cererê (1927) incorporated the indigenous in his poetic work through a mixture of romantic and modernist representations. In order to discuss this issue, we will use the concept of appropriation developed by Roger Chartier (2002). This concept will help us to understand the representations elaborated by Cassiano Ricardo throughout the first six editions of that poem. Using the thought of Henrique Dussel (1993) to understand the poem on screen, we will see, throughout this study, that; by appropriating the indigenous as a racial element to think about Brazilian identity, Cassiano Ricardo reproduced the process of “covering up the Other” - symbol of Modernity - pointed out by the Argentine thinker. Based on this proposal, we intend to recover the history of the ways in which the indigenous person was represented in the literary narrative found in the poem Martim Cererê.Ao considerarmos que a apropriação do indígena como símbolo da nacionalidade na literatura articulou-se em duas fases – a primeira, romântica, e a segunda, modernista – veremos, nesse artigo, as formas como Cassiano Ricardo em seu poema Martim Cererê (1927) inseriu o indígena em seu fazer poético através de uma mescla entre as representações românticas e modernistas. Para que possamos discutir essa problemática, lançaremos mão do conceito de apropriação elaborado por Roger Chartier (2002). Esse conceito nos auxiliará no entendimento das representações elaboradas por Cassiano Ricardo ao longo das seis primeiras edições do referido poema. Lançando mão do pensamento de Henrique Dussel (1993) para entender o poema em tela, veremos, ao longo desse estudo, que; ao se apropriar do indígena como elemento racial para pensar a identidade brasileira, Cassiano Ricardo reproduziu o processo de “encobrimento do Outro” – símbolo da Modernidade – apontado pelo pensador argentino. Com base nessa proposta, pretendemos recuperar a história das formas como o indígena foi representado na narrativa literária encontrada no poema Martim Cererê. UNESP2020-06-27info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdftext/htmlhttps://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1630Faces da História; Vol. 7 Núm. 1 (2020): Povos indígenas nas Américas: presenças, ocultamentos e resistências; 312-337Faces da História; v. 7 n. 1 (2020): Povos indígenas nas Américas: presenças, ocultamentos e resistências; 312-3372358-3878reponame:Faces da Históriainstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporhttps://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1630/1421https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1630/1439Copyright (c) 2020 George Leonardo Seabra Coelhoinfo:eu-repo/semantics/openAccessSeabra Coelho, George Leonardo2020-07-02T13:44:57Zoai:seer.assis.unesp.br:article/1630Revistahttps://seer.assis.unesp.br/index.php/facesdahistoriaPUBhttps://seer.assis.unesp.br/index.php/facesdahistoria/oai||facesdahistoria@assis.unesp.br|| facesdahistoria@gmail.com2358-38782358-3878opendoar:2020-07-02T13:44:57Faces da História - Universidade Estadual Paulista (UNESP)false |
dc.title.none.fl_str_mv |
The The “land where there was only day, night did not exist”: appropriation of an indigenous idea in the poem Martim Cererê by Cassiano Ricardo A “terra em que só existia dia, noite não havia”: apropriação de uma ideia de indígena no poema Martim Cererê de Cassiano Ricardo |
title |
The The “land where there was only day, night did not exist”: appropriation of an indigenous idea in the poem Martim Cererê by Cassiano Ricardo |
spellingShingle |
The The “land where there was only day, night did not exist”: appropriation of an indigenous idea in the poem Martim Cererê by Cassiano Ricardo Seabra Coelho, George Leonardo literatura, representação, indígena, apropriação, modernismo literature, representation, indigenous, appropriation, modernism |
title_short |
The The “land where there was only day, night did not exist”: appropriation of an indigenous idea in the poem Martim Cererê by Cassiano Ricardo |
title_full |
The The “land where there was only day, night did not exist”: appropriation of an indigenous idea in the poem Martim Cererê by Cassiano Ricardo |
title_fullStr |
The The “land where there was only day, night did not exist”: appropriation of an indigenous idea in the poem Martim Cererê by Cassiano Ricardo |
title_full_unstemmed |
The The “land where there was only day, night did not exist”: appropriation of an indigenous idea in the poem Martim Cererê by Cassiano Ricardo |
title_sort |
The The “land where there was only day, night did not exist”: appropriation of an indigenous idea in the poem Martim Cererê by Cassiano Ricardo |
author |
Seabra Coelho, George Leonardo |
author_facet |
Seabra Coelho, George Leonardo |
author_role |
author |
dc.contributor.author.fl_str_mv |
Seabra Coelho, George Leonardo |
dc.subject.por.fl_str_mv |
literatura, representação, indígena, apropriação, modernismo literature, representation, indigenous, appropriation, modernism |
topic |
literatura, representação, indígena, apropriação, modernismo literature, representation, indigenous, appropriation, modernism |
description |
When we consider that the appropriation of the indigenous as a symbol of nationality in literature was articulated in two phases - the first, romantic, and the second, modernist - we will see, in this article, the ways in which Cassiano Ricardo in his poem Martim Cererê (1927) incorporated the indigenous in his poetic work through a mixture of romantic and modernist representations. In order to discuss this issue, we will use the concept of appropriation developed by Roger Chartier (2002). This concept will help us to understand the representations elaborated by Cassiano Ricardo throughout the first six editions of that poem. Using the thought of Henrique Dussel (1993) to understand the poem on screen, we will see, throughout this study, that; by appropriating the indigenous as a racial element to think about Brazilian identity, Cassiano Ricardo reproduced the process of “covering up the Other” - symbol of Modernity - pointed out by the Argentine thinker. Based on this proposal, we intend to recover the history of the ways in which the indigenous person was represented in the literary narrative found in the poem Martim Cererê. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-06-27 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1630 |
url |
https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1630 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1630/1421 https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1630/1439 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 George Leonardo Seabra Coelho info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 George Leonardo Seabra Coelho |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf text/html |
dc.publisher.none.fl_str_mv |
UNESP |
publisher.none.fl_str_mv |
UNESP |
dc.source.none.fl_str_mv |
Faces da História; Vol. 7 Núm. 1 (2020): Povos indígenas nas Américas: presenças, ocultamentos e resistências; 312-337 Faces da História; v. 7 n. 1 (2020): Povos indígenas nas Américas: presenças, ocultamentos e resistências; 312-337 2358-3878 reponame:Faces da História instname:Universidade Estadual Paulista (UNESP) instacron:UNESP |
instname_str |
Universidade Estadual Paulista (UNESP) |
instacron_str |
UNESP |
institution |
UNESP |
reponame_str |
Faces da História |
collection |
Faces da História |
repository.name.fl_str_mv |
Faces da História - Universidade Estadual Paulista (UNESP) |
repository.mail.fl_str_mv |
||facesdahistoria@assis.unesp.br|| facesdahistoria@gmail.com |
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1800215832070979584 |