(Marvelously) terrifying Indigenous in Portuguese America in the 16th Century
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Faces da História |
Texto Completo: | https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1722 |
Resumo: | The purpose of this paper is to analyze chroniclers’ descriptions from Portuguese America of the 16th Century about the indigenous Other, more specifically the ones who, referring to terrifying and/or dangerous situations, mobilized marvelous images more or less known in the reports of medieval travelers. Therefore, we will more closely introduce the subject of the marvelous in the colonial context and analyze the available historiography on the subject. When analyzing the sources, we will articulate them with the concept of “rhetoric of otherness” by François Hartog. In the conclusion, we will approach the dynamics between continuities and ruptures of the marvelous medieval imagination, besides analyzing the chroniclers’ alterity using the considerations of Pedro Martínez García, Tzvetan Todorov and Klaas Woortmann. |
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(Marvelously) terrifying Indigenous in Portuguese America in the 16th CenturyÍndios (maravilhosamente) assombrosos na América Portuguesa do século XVIAmérica portuguesaIndígenasDiaboMaravilhosoMarvelousPortuguese AmericaIndigenousThe purpose of this paper is to analyze chroniclers’ descriptions from Portuguese America of the 16th Century about the indigenous Other, more specifically the ones who, referring to terrifying and/or dangerous situations, mobilized marvelous images more or less known in the reports of medieval travelers. Therefore, we will more closely introduce the subject of the marvelous in the colonial context and analyze the available historiography on the subject. When analyzing the sources, we will articulate them with the concept of “rhetoric of otherness” by François Hartog. In the conclusion, we will approach the dynamics between continuities and ruptures of the marvelous medieval imagination, besides analyzing the chroniclers’ alterity using the considerations of Pedro Martínez García, Tzvetan Todorov and Klaas Woortmann.O propósito deste artigo é analisar descrições de diversos cronistas da América Portuguesa dos quinhentos sobre o outro indígena, mais especificamente aquelas que, referindo-se a situações de assombro e/ou perigo, mobilizaram imagens maravilhosas mais ou menos familiares em relatos de viajantes medievais. Para tanto, introduzimos mais detidamente o tema do maravilhoso no contexto colonial e discorremos sobre a historiografia disponível sobre o tema. Ao analisar as fontes, as articulamos quando necessário com o conceito de “retórica da alteridade” de François Hartog. Na conclusão, abordamos a dinâmica entre continuidades e rupturas do imaginário maravilhoso medieval, além de analisarmos a alteridade dos cronistas utilizando-nos das reflexões de Pedro Martínez García, Tzvetan Todorov e Klaas Woortmann.UNESP2020-12-18info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdftext/htmlhttps://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1722Faces da História; Vol. 7 Núm. 2 (2020): História Cultural do Humor; 233-251Faces da História; v. 7 n. 2 (2020): História Cultural do Humor; 233-2512358-3878reponame:Faces da Históriainstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporhttps://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1722/1511https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1722/1512Copyright (c) 2020 Kelvin Oliveira da Silvainfo:eu-repo/semantics/openAccessOliveira da Silva, Kelvin2020-12-18T19:32:08Zoai:seer.assis.unesp.br:article/1722Revistahttps://seer.assis.unesp.br/index.php/facesdahistoriaPUBhttps://seer.assis.unesp.br/index.php/facesdahistoria/oai||facesdahistoria@assis.unesp.br|| facesdahistoria@gmail.com2358-38782358-3878opendoar:2020-12-18T19:32:08Faces da História - Universidade Estadual Paulista (UNESP)false |
dc.title.none.fl_str_mv |
(Marvelously) terrifying Indigenous in Portuguese America in the 16th Century Índios (maravilhosamente) assombrosos na América Portuguesa do século XVI |
title |
(Marvelously) terrifying Indigenous in Portuguese America in the 16th Century |
spellingShingle |
(Marvelously) terrifying Indigenous in Portuguese America in the 16th Century Oliveira da Silva, Kelvin América portuguesa Indígenas Diabo Maravilhoso Marvelous Portuguese America Indigenous |
title_short |
(Marvelously) terrifying Indigenous in Portuguese America in the 16th Century |
title_full |
(Marvelously) terrifying Indigenous in Portuguese America in the 16th Century |
title_fullStr |
(Marvelously) terrifying Indigenous in Portuguese America in the 16th Century |
title_full_unstemmed |
(Marvelously) terrifying Indigenous in Portuguese America in the 16th Century |
title_sort |
(Marvelously) terrifying Indigenous in Portuguese America in the 16th Century |
author |
Oliveira da Silva, Kelvin |
author_facet |
Oliveira da Silva, Kelvin |
author_role |
author |
dc.contributor.author.fl_str_mv |
Oliveira da Silva, Kelvin |
dc.subject.por.fl_str_mv |
América portuguesa Indígenas Diabo Maravilhoso Marvelous Portuguese America Indigenous |
topic |
América portuguesa Indígenas Diabo Maravilhoso Marvelous Portuguese America Indigenous |
description |
The purpose of this paper is to analyze chroniclers’ descriptions from Portuguese America of the 16th Century about the indigenous Other, more specifically the ones who, referring to terrifying and/or dangerous situations, mobilized marvelous images more or less known in the reports of medieval travelers. Therefore, we will more closely introduce the subject of the marvelous in the colonial context and analyze the available historiography on the subject. When analyzing the sources, we will articulate them with the concept of “rhetoric of otherness” by François Hartog. In the conclusion, we will approach the dynamics between continuities and ruptures of the marvelous medieval imagination, besides analyzing the chroniclers’ alterity using the considerations of Pedro Martínez García, Tzvetan Todorov and Klaas Woortmann. |
publishDate |
2020 |
dc.date.none.fl_str_mv |
2020-12-18 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1722 |
url |
https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1722 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1722/1511 https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1722/1512 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Kelvin Oliveira da Silva info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Kelvin Oliveira da Silva |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf text/html |
dc.publisher.none.fl_str_mv |
UNESP |
publisher.none.fl_str_mv |
UNESP |
dc.source.none.fl_str_mv |
Faces da História; Vol. 7 Núm. 2 (2020): História Cultural do Humor; 233-251 Faces da História; v. 7 n. 2 (2020): História Cultural do Humor; 233-251 2358-3878 reponame:Faces da História instname:Universidade Estadual Paulista (UNESP) instacron:UNESP |
instname_str |
Universidade Estadual Paulista (UNESP) |
instacron_str |
UNESP |
institution |
UNESP |
reponame_str |
Faces da História |
collection |
Faces da História |
repository.name.fl_str_mv |
Faces da História - Universidade Estadual Paulista (UNESP) |
repository.mail.fl_str_mv |
||facesdahistoria@assis.unesp.br|| facesdahistoria@gmail.com |
_version_ |
1800215832082513920 |