Iracema: Representations and Allegories of a Brazilian Screw

Detalhes bibliográficos
Autor(a) principal: Sardinha de Medeiros, Carlos Gabriel
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: por
Título da fonte: Faces da História
Texto Completo: https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1139
Resumo: This article analyzes the film Iracema, an Amazonian screw (1974), directed by Jorge Bodanzky and Orlando Senna, presenting a reading of the representations and allegories present in the work. The historical context of construction of the Transamazon Highway, the narrative approach to reality – there are elements of fiction and documentary presents in the film - and the denunciation, by the filmmakers, about the way of life of the population of the Amazon that lived on the side of the road is highlighted, taking as reference the life of Iracema and Tião. Analyzing the aesthetic elements of Brazilian cinematographic production, the movie is understood as a criticism of the narratives of national identity formation, the artistic production linked to national-popular since the 1960s and especially the role attributed to the indigenous in the project of modernization of the Brazilian society proposed by the military, which justifies the years of censorship until its launch in 1981.
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spelling Iracema: Representations and Allegories of a Brazilian ScrewIracema: representações e alegorias de uma transa brasileiraRodovia TransamazônicaIdentidade NacionalCinema NovoDitadura Civil-militarNacional-popularIracemaTransamazonic Highwaynational identityCinema Novocivil-military dictatorshipnational-popular;IracemaThis article analyzes the film Iracema, an Amazonian screw (1974), directed by Jorge Bodanzky and Orlando Senna, presenting a reading of the representations and allegories present in the work. The historical context of construction of the Transamazon Highway, the narrative approach to reality – there are elements of fiction and documentary presents in the film - and the denunciation, by the filmmakers, about the way of life of the population of the Amazon that lived on the side of the road is highlighted, taking as reference the life of Iracema and Tião. Analyzing the aesthetic elements of Brazilian cinematographic production, the movie is understood as a criticism of the narratives of national identity formation, the artistic production linked to national-popular since the 1960s and especially the role attributed to the indigenous in the project of modernization of the Brazilian society proposed by the military, which justifies the years of censorship until its launch in 1981.Este artigo analisa as representações e alegorias presentes no filme Iracema, uma transa amazônica, dirigido por Jorge Bodanzky e Orlando Senna. Gravado em 1974, durante a construção da Rodovia Transamazônica, símbolo de progresso e desenvolvimento na propaganda governamental do regime civil-militar, os cineastas propõem a aproximação com a realidade, mesclando elementos de ficção e documentário para denunciar o modo de vida da população da Amazônia que vivia à margem da estrada, ironizando as narrativas sobre o nacional-popular e os romances nacionais, especialmente à obra Iracema, considerada como fundacional da identidade nacional. Também fazem uma crítica aberta ao papel atribuído à população indígena, principalmente durante o processo de modernização e industrialização da sociedade brasileira operada pelo regime, o que lhes rendeu anos de censura até seu lançamento, em 1981. Esse filme nos permite analisar os principais elementos estéticos da produção cinematográfica nacional, inaugurada com o movimento Cinema Novo.UNESP2018-12-20info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1139Faces da História; Vol. 5 Núm. 2 (2018): Arte e Literatura na Amazônia Global; 209-225Faces da História; v. 5 n. 2 (2018): Arte e Literatura na Amazônia Global; 209-2252358-3878reponame:Faces da Históriainstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporhttps://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1139/1149Copyright (c) 2018 Faces da Historiainfo:eu-repo/semantics/openAccessSardinha de Medeiros, Carlos Gabriel2021-06-23T12:48:54Zoai:seer.assis.unesp.br:article/1139Revistahttps://seer.assis.unesp.br/index.php/facesdahistoriaPUBhttps://seer.assis.unesp.br/index.php/facesdahistoria/oai||facesdahistoria@assis.unesp.br|| facesdahistoria@gmail.com2358-38782358-3878opendoar:2021-06-23T12:48:54Faces da História - Universidade Estadual Paulista (UNESP)false
dc.title.none.fl_str_mv Iracema: Representations and Allegories of a Brazilian Screw
Iracema: representações e alegorias de uma transa brasileira
title Iracema: Representations and Allegories of a Brazilian Screw
spellingShingle Iracema: Representations and Allegories of a Brazilian Screw
Sardinha de Medeiros, Carlos Gabriel
Rodovia Transamazônica
Identidade Nacional
Cinema Novo
Ditadura Civil-militar
Nacional-popular
Iracema
Transamazonic Highway
national identity
Cinema Novo
civil-military dictatorship
national-popular;
Iracema
title_short Iracema: Representations and Allegories of a Brazilian Screw
title_full Iracema: Representations and Allegories of a Brazilian Screw
title_fullStr Iracema: Representations and Allegories of a Brazilian Screw
title_full_unstemmed Iracema: Representations and Allegories of a Brazilian Screw
title_sort Iracema: Representations and Allegories of a Brazilian Screw
author Sardinha de Medeiros, Carlos Gabriel
author_facet Sardinha de Medeiros, Carlos Gabriel
author_role author
dc.contributor.author.fl_str_mv Sardinha de Medeiros, Carlos Gabriel
dc.subject.por.fl_str_mv Rodovia Transamazônica
Identidade Nacional
Cinema Novo
Ditadura Civil-militar
Nacional-popular
Iracema
Transamazonic Highway
national identity
Cinema Novo
civil-military dictatorship
national-popular;
Iracema
topic Rodovia Transamazônica
Identidade Nacional
Cinema Novo
Ditadura Civil-militar
Nacional-popular
Iracema
Transamazonic Highway
national identity
Cinema Novo
civil-military dictatorship
national-popular;
Iracema
description This article analyzes the film Iracema, an Amazonian screw (1974), directed by Jorge Bodanzky and Orlando Senna, presenting a reading of the representations and allegories present in the work. The historical context of construction of the Transamazon Highway, the narrative approach to reality – there are elements of fiction and documentary presents in the film - and the denunciation, by the filmmakers, about the way of life of the population of the Amazon that lived on the side of the road is highlighted, taking as reference the life of Iracema and Tião. Analyzing the aesthetic elements of Brazilian cinematographic production, the movie is understood as a criticism of the narratives of national identity formation, the artistic production linked to national-popular since the 1960s and especially the role attributed to the indigenous in the project of modernization of the Brazilian society proposed by the military, which justifies the years of censorship until its launch in 1981.
publishDate 2018
dc.date.none.fl_str_mv 2018-12-20
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Avaliado pelos pares
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1139
url https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1139
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1139/1149
dc.rights.driver.fl_str_mv Copyright (c) 2018 Faces da Historia
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Faces da Historia
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv UNESP
publisher.none.fl_str_mv UNESP
dc.source.none.fl_str_mv Faces da História; Vol. 5 Núm. 2 (2018): Arte e Literatura na Amazônia Global; 209-225
Faces da História; v. 5 n. 2 (2018): Arte e Literatura na Amazônia Global; 209-225
2358-3878
reponame:Faces da História
instname:Universidade Estadual Paulista (UNESP)
instacron:UNESP
instname_str Universidade Estadual Paulista (UNESP)
instacron_str UNESP
institution UNESP
reponame_str Faces da História
collection Faces da História
repository.name.fl_str_mv Faces da História - Universidade Estadual Paulista (UNESP)
repository.mail.fl_str_mv ||facesdahistoria@assis.unesp.br|| facesdahistoria@gmail.com
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