An another flâneur: anachronism and modernity in Belém by Georges Wambach brushes
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Faces da História |
Texto Completo: | https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1137 |
Resumo: | This text tries to set up a history of the city of Belém starting from the reading of a picture produced in the decade of 1930, more specifically in the year of 1939, Avenida Independencia, by Georges Wambach. To propose such discussion and historiographical analysis, I tried to make use of a range of bibliographical information and different sources. I made use of pictures, newspaper clippings, rare works, and government reports. As a theoretical support that allowed to see and dialogue with the sources, the use of the concept of Anachronims, discussed by Jacques Ranciére and Georges Didi-Hubermann, was fundamental. This used from the perception that the starting point of our analysis is the encounter between two epochs - the period of the late nineteenth and early twentieth and the late 1930s and 1940s - in the same place, the watercolor of the Belgian artist. |
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Faces da História |
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An another flâneur: anachronism and modernity in Belém by Georges Wambach brushesUm outro flâneur: Anacronismo e modernidade em Belém pelos pincéis de Georges WambachGeorges WambachAnacronismoAvenida Independência - BelémGeorges WambachAnachronismAvenida Independência - BelémThis text tries to set up a history of the city of Belém starting from the reading of a picture produced in the decade of 1930, more specifically in the year of 1939, Avenida Independencia, by Georges Wambach. To propose such discussion and historiographical analysis, I tried to make use of a range of bibliographical information and different sources. I made use of pictures, newspaper clippings, rare works, and government reports. As a theoretical support that allowed to see and dialogue with the sources, the use of the concept of Anachronims, discussed by Jacques Ranciére and Georges Didi-Hubermann, was fundamental. This used from the perception that the starting point of our analysis is the encounter between two epochs - the period of the late nineteenth and early twentieth and the late 1930s and 1940s - in the same place, the watercolor of the Belgian artist.Este texto busca construir uma história da cidade de Belém partindo da leitura de uma pintura produzida na década de 1930, mais especificamente no ano de 1939, Avenida Independencia, de Georges Wambach. Para propor tal discussão e análise historiográfica, busquei fazer uso de um leque de informações bibliográficas e fontes diferentes. Lancei mão de quadros, recortes de jornais, obras raras e, também, de relatórios governamentais. Como suporte teórico que permitiu enxergar e dialogar com as fontes, o uso do conceito de Anacronismo, discutido por Jacques Ranciere e Georges Didi-Huberman, foi fundamental. Esse, usado a partir da percepção que o ponto de partida de nossa análise é o encontro entre duas épocas – o período de fins do século XIX e início do XX e o final da década de 1930 e 1940 – em um mesmo lugar, a aquarela do artista belgaUNESP2018-12-20info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAvaliado pelos paresapplication/pdfhttps://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1137Faces da História; Vol. 5 Núm. 2 (2018): Arte e Literatura na Amazônia Global; 148-167Faces da História; v. 5 n. 2 (2018): Arte e Literatura na Amazônia Global; 148-1672358-3878reponame:Faces da Históriainstname:Universidade Estadual Paulista (UNESP)instacron:UNESPporhttps://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1137/1146Copyright (c) 2018 Faces da Historiainfo:eu-repo/semantics/openAccessAlmeida, Tunai Rehm Costa2021-06-22T22:57:16Zoai:seer.assis.unesp.br:article/1137Revistahttps://seer.assis.unesp.br/index.php/facesdahistoriaPUBhttps://seer.assis.unesp.br/index.php/facesdahistoria/oai||facesdahistoria@assis.unesp.br|| facesdahistoria@gmail.com2358-38782358-3878opendoar:2021-06-22T22:57:16Faces da História - Universidade Estadual Paulista (UNESP)false |
dc.title.none.fl_str_mv |
An another flâneur: anachronism and modernity in Belém by Georges Wambach brushes Um outro flâneur: Anacronismo e modernidade em Belém pelos pincéis de Georges Wambach |
title |
An another flâneur: anachronism and modernity in Belém by Georges Wambach brushes |
spellingShingle |
An another flâneur: anachronism and modernity in Belém by Georges Wambach brushes Almeida, Tunai Rehm Costa Georges Wambach Anacronismo Avenida Independência - Belém Georges Wambach Anachronism Avenida Independência - Belém |
title_short |
An another flâneur: anachronism and modernity in Belém by Georges Wambach brushes |
title_full |
An another flâneur: anachronism and modernity in Belém by Georges Wambach brushes |
title_fullStr |
An another flâneur: anachronism and modernity in Belém by Georges Wambach brushes |
title_full_unstemmed |
An another flâneur: anachronism and modernity in Belém by Georges Wambach brushes |
title_sort |
An another flâneur: anachronism and modernity in Belém by Georges Wambach brushes |
author |
Almeida, Tunai Rehm Costa |
author_facet |
Almeida, Tunai Rehm Costa |
author_role |
author |
dc.contributor.author.fl_str_mv |
Almeida, Tunai Rehm Costa |
dc.subject.por.fl_str_mv |
Georges Wambach Anacronismo Avenida Independência - Belém Georges Wambach Anachronism Avenida Independência - Belém |
topic |
Georges Wambach Anacronismo Avenida Independência - Belém Georges Wambach Anachronism Avenida Independência - Belém |
description |
This text tries to set up a history of the city of Belém starting from the reading of a picture produced in the decade of 1930, more specifically in the year of 1939, Avenida Independencia, by Georges Wambach. To propose such discussion and historiographical analysis, I tried to make use of a range of bibliographical information and different sources. I made use of pictures, newspaper clippings, rare works, and government reports. As a theoretical support that allowed to see and dialogue with the sources, the use of the concept of Anachronims, discussed by Jacques Ranciére and Georges Didi-Hubermann, was fundamental. This used from the perception that the starting point of our analysis is the encounter between two epochs - the period of the late nineteenth and early twentieth and the late 1930s and 1940s - in the same place, the watercolor of the Belgian artist. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-12-20 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Avaliado pelos pares |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1137 |
url |
https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1137 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://seer.assis.unesp.br/index.php/facesdahistoria/article/view/1137/1146 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Faces da Historia info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Faces da Historia |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
UNESP |
publisher.none.fl_str_mv |
UNESP |
dc.source.none.fl_str_mv |
Faces da História; Vol. 5 Núm. 2 (2018): Arte e Literatura na Amazônia Global; 148-167 Faces da História; v. 5 n. 2 (2018): Arte e Literatura na Amazônia Global; 148-167 2358-3878 reponame:Faces da História instname:Universidade Estadual Paulista (UNESP) instacron:UNESP |
instname_str |
Universidade Estadual Paulista (UNESP) |
instacron_str |
UNESP |
institution |
UNESP |
reponame_str |
Faces da História |
collection |
Faces da História |
repository.name.fl_str_mv |
Faces da História - Universidade Estadual Paulista (UNESP) |
repository.mail.fl_str_mv |
||facesdahistoria@assis.unesp.br|| facesdahistoria@gmail.com |
_version_ |
1800215831630577664 |