Urban space and queer subversion: ethos and snenography in Linn da Quebrada's intersemiotic discursive practice

• Autor(a) principal: Pagnan, Redson
• Data de Publicação: 2019
• Tipo de documento: Artigo
• Idioma: por
• Título da fonte: Rua (Campinas. Online)
• Texto Completo: https://periodicos.sbu.unicamp.br/ojs/index.php/rua/article/view/8657759
• topic: Intersemiotic discursive practice; Gender and sexuality; Urban space; Linn da Quebrada; Queer.; Prática discursiva intersemiótica; Gênero e sexualidade; Espaço urbano; Linn da Quebrada; Queer

In this article, I aim to discuss how the applicable relations between sex, sexuality and urban space, from Linn da Quebrada's intersemiotic discursive practice. I also want to reflect on the places of resistance that depreciated bodies occupy subverting or initial value of urban space that is, re-signifying an architectural/urban status. Therefore, the escape of naturalized patterns of gender and sexuality begins to live a different experience in cities, between centers and peripheries, between places and not places, reinventing a city with characteristics that it never had or never imagined. For this analysis, use a feature of the body of my research: a song "Bomba pra Caralho" - as an example of discursive production of the canonical space of music (cf. MAINGUENEAU, 2006). In the analysis, use or theoretical and methodological framework of French Discourse Analysis, reflections on a relationship between the body and the city from philosophy, sociology and architecture, in addition to assumptions of Queer theories, to think about sex and sexuality beyond the perspective of historically and discursively constructed binaries that guide (perform) as subjects' practices, including in the field of architecture and urbanism.