Popular music as a critique of the brazilian political culture in the festival era
Autor(a) principal: | |
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Data de Publicação: | 2021 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Resgate (Online) |
Texto Completo: | https://periodicos.sbu.unicamp.br/ojs/index.php/resgate/article/view/8665791 |
Resumo: | This text discusses popular music as a vector of the transformation of sensibilities throughout the 1960s. It argues that the aesthetic, thematic, and behavioral renewal observed there questioned the Brazilian political culture of strong authoritarian nature. It uses audiovisual records from festivals, documentaries that explore the culture of that decade, and books that address the trajectories of artists who faced and suffered the pressures of the dictatorial system. Amid glamor and protest, many young singers, songwriters, and performers shook the established forms of musical art in Brazil, whether because of the vigor of their lyrics, the boldness of their compositions, or the force of their transgressive behavior, which would enable the critique of the national political culture. |
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Popular music as a critique of the brazilian political culture in the festival eraLa música popular como crítica de la cultura política brasileña en la era de los festivales A música popular como crítica da cultura política brasileira na era dos festivaisCulture and politicsPopular songHistory of sensibilitiesBrazil - The 1960sCultura e políticaCançãoHistória das sensibilidadesBrasil - Anos 1960Cultura y politicaCanción popularHistoria de las sensibilidadesBrasil - Años 1960This text discusses popular music as a vector of the transformation of sensibilities throughout the 1960s. It argues that the aesthetic, thematic, and behavioral renewal observed there questioned the Brazilian political culture of strong authoritarian nature. It uses audiovisual records from festivals, documentaries that explore the culture of that decade, and books that address the trajectories of artists who faced and suffered the pressures of the dictatorial system. Amid glamor and protest, many young singers, songwriters, and performers shook the established forms of musical art in Brazil, whether because of the vigor of their lyrics, the boldness of their compositions, or the force of their transgressive behavior, which would enable the critique of the national political culture.El texto discute la música popular como vector de la transformación de las sensibilidades a lo largo de la década de 1960. Defiende que la renovación estética, temática y comportamental allí observada colocaba en jaque la cultura política brasileña de fuerte cariz autoritario. Se vale de registros audiovisuales de los festivales, documentales que exploran la cultura de aquella década y de libros que tratan de las trayectorias de artistas que enfrentaron y sufrieron las presiones del sistema dictatorial. Entre éxtasis y protesta, muchos jóvenes artistas cantores, compositores e intérpretes estremecieron las formas consagradas del arte musical en Brasil, sea por el vigor de sus letras, por la osadía de sus composiciones o por la fuerza de su comportamiento transgresor, que posibilitaría la crítica a la cultura política nacional.O texto discute a música popular como vetor da transformação das sensibilidades ao longo da década de 1960. Defende que a renovação estética, temática e comportamental ali observada colocava em xeque a cultura política brasileira de forte cariz autoritário. Vale-se de registros audiovisuais dos festivais, documentários que exploram a cultura daquela década e de livros que tratam das trajetórias de artistas que enfrentaram e sofreram as pressões do sistema ditatorial. Entre desbunde e protesto, muitos jovens artistas cantores, compositores e intérpretes abalaram as formas consagradas da arte musical no Brasil, seja pelo vigor de suas letras, pela ousadia de suas composições ou pela força do seu comportamento transgressor, que possibilitaria a crítica à cultura política nacional.Universidade Estadual de Campinas2021-12-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionTexto Textoinfo:eu-repo/semantics/otherapplication/pdfhttps://periodicos.sbu.unicamp.br/ojs/index.php/resgate/article/view/866579110.20396/resgate.v29i00.8665791Resgate: Revista Interdisciplinar de Cultura; Vol. 29 (2021): Continuous publishing; e021028Resgate: Revista Interdisciplinar de Cultura; Vol. 29 (2021): Publicación continua; e021028Resgate: Revista Interdisciplinar de Cultura; v. 29 (2021): Publicação Contínua; e0210282178-3284reponame:Resgate (Online)instname:Universidade Estadual de Campinas (UNICAMP)instacron:UNICAMPporhttps://periodicos.sbu.unicamp.br/ojs/index.php/resgate/article/view/8665791/28388Brazil; ContemporaryBrasil; ContemporáneoBrasil; ContemporâneoCopyright (c) 2022 Resgate: Revista Interdisciplinar de Culturahttps://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessOliveira, Marcus Aurélio Taborda de 2022-04-29T12:41:35Zoai:ojs.periodicos.sbu.unicamp.br:article/8665791Revistahttps://periodicos.sbu.unicamp.br/ojs/index.php/resgate/indexPUBhttps://periodicos.sbu.unicamp.br/ojs/index.php/resgate/oai||resgate@unicamp.br2178-32842178-3284opendoar:2022-04-29T12:41:35Resgate (Online) - Universidade Estadual de Campinas (UNICAMP)false |
dc.title.none.fl_str_mv |
Popular music as a critique of the brazilian political culture in the festival era La música popular como crítica de la cultura política brasileña en la era de los festivales A música popular como crítica da cultura política brasileira na era dos festivais |
title |
Popular music as a critique of the brazilian political culture in the festival era |
spellingShingle |
Popular music as a critique of the brazilian political culture in the festival era Oliveira, Marcus Aurélio Taborda de Culture and politics Popular song History of sensibilities Brazil - The 1960s Cultura e política Canção História das sensibilidades Brasil - Anos 1960 Cultura y politica Canción popular Historia de las sensibilidades Brasil - Años 1960 |
title_short |
Popular music as a critique of the brazilian political culture in the festival era |
title_full |
Popular music as a critique of the brazilian political culture in the festival era |
title_fullStr |
Popular music as a critique of the brazilian political culture in the festival era |
title_full_unstemmed |
Popular music as a critique of the brazilian political culture in the festival era |
title_sort |
Popular music as a critique of the brazilian political culture in the festival era |
author |
Oliveira, Marcus Aurélio Taborda de |
author_facet |
Oliveira, Marcus Aurélio Taborda de |
author_role |
author |
dc.contributor.author.fl_str_mv |
Oliveira, Marcus Aurélio Taborda de |
dc.subject.por.fl_str_mv |
Culture and politics Popular song History of sensibilities Brazil - The 1960s Cultura e política Canção História das sensibilidades Brasil - Anos 1960 Cultura y politica Canción popular Historia de las sensibilidades Brasil - Años 1960 |
topic |
Culture and politics Popular song History of sensibilities Brazil - The 1960s Cultura e política Canção História das sensibilidades Brasil - Anos 1960 Cultura y politica Canción popular Historia de las sensibilidades Brasil - Años 1960 |
description |
This text discusses popular music as a vector of the transformation of sensibilities throughout the 1960s. It argues that the aesthetic, thematic, and behavioral renewal observed there questioned the Brazilian political culture of strong authoritarian nature. It uses audiovisual records from festivals, documentaries that explore the culture of that decade, and books that address the trajectories of artists who faced and suffered the pressures of the dictatorial system. Amid glamor and protest, many young singers, songwriters, and performers shook the established forms of musical art in Brazil, whether because of the vigor of their lyrics, the boldness of their compositions, or the force of their transgressive behavior, which would enable the critique of the national political culture. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-12-30 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Texto Texto info:eu-repo/semantics/other |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://periodicos.sbu.unicamp.br/ojs/index.php/resgate/article/view/8665791 10.20396/resgate.v29i00.8665791 |
url |
https://periodicos.sbu.unicamp.br/ojs/index.php/resgate/article/view/8665791 |
identifier_str_mv |
10.20396/resgate.v29i00.8665791 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://periodicos.sbu.unicamp.br/ojs/index.php/resgate/article/view/8665791/28388 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Resgate: Revista Interdisciplinar de Cultura https://creativecommons.org/licenses/by-nc-nd/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Resgate: Revista Interdisciplinar de Cultura https://creativecommons.org/licenses/by-nc-nd/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.coverage.none.fl_str_mv |
Brazil; Contemporary Brasil; Contemporáneo Brasil; Contemporâneo |
dc.publisher.none.fl_str_mv |
Universidade Estadual de Campinas |
publisher.none.fl_str_mv |
Universidade Estadual de Campinas |
dc.source.none.fl_str_mv |
Resgate: Revista Interdisciplinar de Cultura; Vol. 29 (2021): Continuous publishing; e021028 Resgate: Revista Interdisciplinar de Cultura; Vol. 29 (2021): Publicación continua; e021028 Resgate: Revista Interdisciplinar de Cultura; v. 29 (2021): Publicação Contínua; e021028 2178-3284 reponame:Resgate (Online) instname:Universidade Estadual de Campinas (UNICAMP) instacron:UNICAMP |
instname_str |
Universidade Estadual de Campinas (UNICAMP) |
instacron_str |
UNICAMP |
institution |
UNICAMP |
reponame_str |
Resgate (Online) |
collection |
Resgate (Online) |
repository.name.fl_str_mv |
Resgate (Online) - Universidade Estadual de Campinas (UNICAMP) |
repository.mail.fl_str_mv |
||resgate@unicamp.br |
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1800216871330381824 |