To Live in the Alhambra Women in the Nasrid and Christian Alhambra
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Tipo de documento: | Artigo |
Idioma: | spa |
Título da fonte: | Mouseion (Canoas) |
Texto Completo: | https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/4696 |
Resumo: | The female presence in the Alhambra has been usually hidden both by the potency of the monumental set itself and by the fact that traditional sources have systematically made it invisible. Step by step, the need to include gender as a fundamental element to fully understand historical processes, and also to interpret the uses of buildings, is being recognized. This article tries to contextualize the spaces of the Alhambra in a female point of view, identifying those that traditionally have been assigned but not only. The article tries to vindicate in front of the object woman, identified with the romantic image of captive princess sighing for her beloved, or dilettante wife lying between cushions, to the subject woman. Because in the Alhambra lived intelligent sultanas, cultivated musicians, statesmen queens, potters, and midwives. And because in the Alhambra there are actually women who document, restore, catalogue, take care for, disseminate, clean, guide, explain and protect the palatine city as a vital space in which, at least, half of all are women. |
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To Live in the Alhambra Women in the Nasrid and Christian AlhambraVivir la Alhambra. Mujeres en la Alhambra nazarí y cristianaViver a Alhambra Mulheres na Alhambra nazari e cristãGenderWomenArchitectureAcademic feminismAlhambraGéneroMujeresArquitecturaFeminismo académicoAlhambraGêneroMulheresArquiteturaFeminismo acadêmicoAlhambraThe female presence in the Alhambra has been usually hidden both by the potency of the monumental set itself and by the fact that traditional sources have systematically made it invisible. Step by step, the need to include gender as a fundamental element to fully understand historical processes, and also to interpret the uses of buildings, is being recognized. This article tries to contextualize the spaces of the Alhambra in a female point of view, identifying those that traditionally have been assigned but not only. The article tries to vindicate in front of the object woman, identified with the romantic image of captive princess sighing for her beloved, or dilettante wife lying between cushions, to the subject woman. Because in the Alhambra lived intelligent sultanas, cultivated musicians, statesmen queens, potters, and midwives. And because in the Alhambra there are actually women who document, restore, catalogue, take care for, disseminate, clean, guide, explain and protect the palatine city as a vital space in which, at least, half of all are women.La presencia femenina en la Alhambra ha quedado habitualmente oculta tanto por la potencia en si del propio conjunto monumental como porque las fuentes tradicionales la han invisibilizado sistemáticamente. Poco a poco se va reconociendo la necesidad de incluir el género como un elemento fundamental para entender en plenitud los procesos históricos y también, evidentemente, para interpretar los usos de los edificios. Este artículo trata de contextualizar los espacios de la Alhambra en clave femenina, identificando aquellos que tradicionalmente les han sido asignados pero no sólo. Intenta transitar de la mujer objeto, ideal romántico de princesa cautiva suspirando por su amado, o esposa diletante tumbada entre cojines, a la mujer como sujeto que habita. Porqué en la Alhambra vivieron sultanas inteligentes, músicas cultivadas, reinas estadistas, alfareras, y comadronas. Y en la Alhambra trabajan mujeres que documentan, restauran, catalogan, cuidan, difunden, limpian, guían, explican y protegen la ciudad palatina como lo que es, un espacio vital en el que, como poco, la mitad son mujeres.A presença feminina na Alhambra tem sido geralmente escondida, tanto pela potência do próprio grupo monumental, quanto pelas fontes tradicionais que, sistematicamente, tornaram-na invisível. Pouco a pouco, está se reconhecendo a necessidade de incluir o gênero como um elemento fundamental para entender completamente os processos históricos e também, obviamente, para interpretar os usos dos edifícios. Este artigo trata de contextualizar os espaços da Alhambra sob a ótica feminina, identificando aqueles que foram, tradicionalmente, designados, porém não somente esses. Objetiva-se transitar da mulher objeto, ideal romântico de princesa cativa esperando por seu amado, ou a esposa diletante deitada entre almofadas, à mulher enquanto sujeito que habita. Porque na Alhambra viveram sultanas inteligentes, musicistas inspiradas, rainhas estadistas, ceramistas, parteiras. E, na Alhambra, trabalham mulheres que documentam, restauram, catalogam, cuidam, difundem, limpam, guiam, explicam e protegem a cidade palaciana como esta é, um espaço vital onde, como poucos, a metade são mulheres.Universidade LaSalle - Unilasalle Canoas2018-07-02info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/469610.18316/mouseion.v0i29.4696Mouseion; No. 29 (2018); p. 201-215Revista Mouseion; n. 29 (2018); p. 201-2151981-7207reponame:Mouseion (Canoas)instname:Centro Universitário La Salle (Unilasalle)instacron:UNILASALLEspahttps://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/4696/pdfCopyright (c) 2018 Mouseioninfo:eu-repo/semantics/openAccessGonzález, Montserrat Bosch2022-05-23T17:47:04Zoai:ojs.revistas.unilasalle.edu.br:article/4696Revistahttps://revistas.unilasalle.edu.br/index.php/Mouseionhttps://revistas.unilasalle.edu.br/index.php/Mouseion/oai||revista.mouseion@unilasalle.edu.br1981-72071981-7207opendoar:2022-05-23T17:47:04Mouseion (Canoas) - Centro Universitário La Salle (Unilasalle)false |
dc.title.none.fl_str_mv |
To Live in the Alhambra Women in the Nasrid and Christian Alhambra Vivir la Alhambra. Mujeres en la Alhambra nazarí y cristiana Viver a Alhambra Mulheres na Alhambra nazari e cristã |
title |
To Live in the Alhambra Women in the Nasrid and Christian Alhambra |
spellingShingle |
To Live in the Alhambra Women in the Nasrid and Christian Alhambra González, Montserrat Bosch Gender Women Architecture Academic feminism Alhambra Género Mujeres Arquitectura Feminismo académico Alhambra Gênero Mulheres Arquitetura Feminismo acadêmico Alhambra |
title_short |
To Live in the Alhambra Women in the Nasrid and Christian Alhambra |
title_full |
To Live in the Alhambra Women in the Nasrid and Christian Alhambra |
title_fullStr |
To Live in the Alhambra Women in the Nasrid and Christian Alhambra |
title_full_unstemmed |
To Live in the Alhambra Women in the Nasrid and Christian Alhambra |
title_sort |
To Live in the Alhambra Women in the Nasrid and Christian Alhambra |
author |
González, Montserrat Bosch |
author_facet |
González, Montserrat Bosch |
author_role |
author |
dc.contributor.author.fl_str_mv |
González, Montserrat Bosch |
dc.subject.por.fl_str_mv |
Gender Women Architecture Academic feminism Alhambra Género Mujeres Arquitectura Feminismo académico Alhambra Gênero Mulheres Arquitetura Feminismo acadêmico Alhambra |
topic |
Gender Women Architecture Academic feminism Alhambra Género Mujeres Arquitectura Feminismo académico Alhambra Gênero Mulheres Arquitetura Feminismo acadêmico Alhambra |
description |
The female presence in the Alhambra has been usually hidden both by the potency of the monumental set itself and by the fact that traditional sources have systematically made it invisible. Step by step, the need to include gender as a fundamental element to fully understand historical processes, and also to interpret the uses of buildings, is being recognized. This article tries to contextualize the spaces of the Alhambra in a female point of view, identifying those that traditionally have been assigned but not only. The article tries to vindicate in front of the object woman, identified with the romantic image of captive princess sighing for her beloved, or dilettante wife lying between cushions, to the subject woman. Because in the Alhambra lived intelligent sultanas, cultivated musicians, statesmen queens, potters, and midwives. And because in the Alhambra there are actually women who document, restore, catalogue, take care for, disseminate, clean, guide, explain and protect the palatine city as a vital space in which, at least, half of all are women. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-07-02 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/4696 10.18316/mouseion.v0i29.4696 |
url |
https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/4696 |
identifier_str_mv |
10.18316/mouseion.v0i29.4696 |
dc.language.iso.fl_str_mv |
spa |
language |
spa |
dc.relation.none.fl_str_mv |
https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/4696/pdf |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Mouseion info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Mouseion |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade LaSalle - Unilasalle Canoas |
publisher.none.fl_str_mv |
Universidade LaSalle - Unilasalle Canoas |
dc.source.none.fl_str_mv |
Mouseion; No. 29 (2018); p. 201-215 Revista Mouseion; n. 29 (2018); p. 201-215 1981-7207 reponame:Mouseion (Canoas) instname:Centro Universitário La Salle (Unilasalle) instacron:UNILASALLE |
instname_str |
Centro Universitário La Salle (Unilasalle) |
instacron_str |
UNILASALLE |
institution |
UNILASALLE |
reponame_str |
Mouseion (Canoas) |
collection |
Mouseion (Canoas) |
repository.name.fl_str_mv |
Mouseion (Canoas) - Centro Universitário La Salle (Unilasalle) |
repository.mail.fl_str_mv |
||revista.mouseion@unilasalle.edu.br |
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1800218181215715328 |