Alhambra Heritage: The light, architecture and composition

Detalhes bibliográficos
Autor(a) principal: Vilchez, Bernardino Líndez
Data de Publicação: 2018
Tipo de documento: Artigo
Idioma: spa
Título da fonte: Mouseion (Canoas)
Texto Completo: https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/4705
Resumo: In the Nazari Sultanate under the governments of Muhammad III, Ismail, Yusuf I and Muhammad V, culture reached levels of sophistication through architecture, which evidence the deep spirituality of society. Cubic-style structures  that draw towers harmonically articulated with canvases of the wall embracing the landscape.  Large volumes interspersed with patios, the result of processes of extraction of earth replaced by light and sheets of water“. The final effect is a sensory universe that has light as its protagonist. The light, made matter, acts as the main agent of the architectural space and authentic argument of the project. Shade and light are made for the sensory delight and aesthetic consumption of beauty. The contemporary look “re-builds” the monument and updates its patrimonial value through readings without prejudice that connect past and present. It gives identical quality to each of the stratum that have precipitated that succession of layers that now draw the place and form the Alhambra Heritage.
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spelling Alhambra Heritage: The light, architecture and compositionPatrimonio Alhambra: La luz, arquitectura y composición.Patrimônio Alhambra: A luz, arquitetura e composiçãoAlhambraLightArchitectureCompositionAlhambraLuzArquitecturaComposiciónAlhambraLuzArquiteturaComposiçãoIn the Nazari Sultanate under the governments of Muhammad III, Ismail, Yusuf I and Muhammad V, culture reached levels of sophistication through architecture, which evidence the deep spirituality of society. Cubic-style structures  that draw towers harmonically articulated with canvases of the wall embracing the landscape.  Large volumes interspersed with patios, the result of processes of extraction of earth replaced by light and sheets of water“. The final effect is a sensory universe that has light as its protagonist. The light, made matter, acts as the main agent of the architectural space and authentic argument of the project. Shade and light are made for the sensory delight and aesthetic consumption of beauty. The contemporary look “re-builds” the monument and updates its patrimonial value through readings without prejudice that connect past and present. It gives identical quality to each of the stratum that have precipitated that succession of layers that now draw the place and form the Alhambra Heritage.La cultura en el sultanato nazarí bajo los gobiernos de Muhammad III, Ismail, Yusuf I y Muhammad V, alcanzó niveles altísimos de sofisticación a través de la arquitectura, que evidencian la profunda espiritualización de la sociedad. Estructuras cúbicas que dibujan torres armónicamente articuladas con lienzos de muralla abrazando el paisaje. Volúmenes rotundos salpicados de patios, “fruto de procesos de extracción de tierra sustituida por luz y láminas de agua”. El resultado es un universo sensorial que tiene la luz como protagonista. La luz, hecha materia, se reivindica como principal agente cualificador del espacio arquitectónico y auténtico argumento del proyecto. Sombra y luz para el deleite sensorial y el consumo estético de la belleza. La mirada contemporánea “re-construye” el monumento y actualiza su valor patrimonial a través de relecturas desprejuiciadas que conectan pasado y presente, otorgando idéntica cualidad a cada uno de los estratos que han precipitado esa sucesión de capas que ahora dibujan el lugar y que conforman el Patrimonio Alhambra.A cultura no sultanato nazarí sob os governos de Muhammad III, Ismail, Yusuf I e Muhammad V, obteve elevados índices de sofisticação por meio de sua arquitetura, onde se evidencia uma profunda espiritualização da sociedade. Estruturas cúbicas que desenham torres articuladas harmoniosamente com telas de muralha envolvendo a paisagem. Volumes salientes pontilhados com detalhes, “frutos de processos de extração de terra substituída por luz e lâminas de água”. Como resultado, obtém-se um universo sensorial em que a luz é a protagonista. A luz, feita matéria, configura-se como o principal agente qualificador do espaço arquitetônico, bem como argumento autêntico do projeto. Sombra e luz para deleite sensorial e prazer estético da beleza. O olhar contemporâneo “re-constrói” o monumento e atualiza seu valor patrimonial através de releituras sem preconceitos que conectam o passado com o presente, atribuindo qualidades idênticas a cada uma das camadas que representam o lugar e perfazem o patrimônio da Alhambra.Universidade LaSalle - Unilasalle Canoas2018-07-02info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/470510.18316/mouseion.v0i29.4705Mouseion; No. 29 (2018); p. 15-38Revista Mouseion; n. 29 (2018); p. 15-381981-7207reponame:Mouseion (Canoas)instname:Centro Universitário La Salle (Unilasalle)instacron:UNILASALLEspahttps://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/4705/pdfCopyright (c) 2018 Mouseioninfo:eu-repo/semantics/openAccessVilchez, Bernardino Líndez2022-05-23T14:41:44Zoai:ojs.revistas.unilasalle.edu.br:article/4705Revistahttps://revistas.unilasalle.edu.br/index.php/Mouseionhttps://revistas.unilasalle.edu.br/index.php/Mouseion/oai||revista.mouseion@unilasalle.edu.br1981-72071981-7207opendoar:2022-05-23T14:41:44Mouseion (Canoas) - Centro Universitário La Salle (Unilasalle)false
dc.title.none.fl_str_mv Alhambra Heritage: The light, architecture and composition
Patrimonio Alhambra: La luz, arquitectura y composición.
Patrimônio Alhambra: A luz, arquitetura e composição
title Alhambra Heritage: The light, architecture and composition
spellingShingle Alhambra Heritage: The light, architecture and composition
Vilchez, Bernardino Líndez
Alhambra
Light
Architecture
Composition
Alhambra
Luz
Arquitectura
Composición
Alhambra
Luz
Arquitetura
Composição
title_short Alhambra Heritage: The light, architecture and composition
title_full Alhambra Heritage: The light, architecture and composition
title_fullStr Alhambra Heritage: The light, architecture and composition
title_full_unstemmed Alhambra Heritage: The light, architecture and composition
title_sort Alhambra Heritage: The light, architecture and composition
author Vilchez, Bernardino Líndez
author_facet Vilchez, Bernardino Líndez
author_role author
dc.contributor.author.fl_str_mv Vilchez, Bernardino Líndez
dc.subject.por.fl_str_mv Alhambra
Light
Architecture
Composition
Alhambra
Luz
Arquitectura
Composición
Alhambra
Luz
Arquitetura
Composição
topic Alhambra
Light
Architecture
Composition
Alhambra
Luz
Arquitectura
Composición
Alhambra
Luz
Arquitetura
Composição
description In the Nazari Sultanate under the governments of Muhammad III, Ismail, Yusuf I and Muhammad V, culture reached levels of sophistication through architecture, which evidence the deep spirituality of society. Cubic-style structures  that draw towers harmonically articulated with canvases of the wall embracing the landscape.  Large volumes interspersed with patios, the result of processes of extraction of earth replaced by light and sheets of water“. The final effect is a sensory universe that has light as its protagonist. The light, made matter, acts as the main agent of the architectural space and authentic argument of the project. Shade and light are made for the sensory delight and aesthetic consumption of beauty. The contemporary look “re-builds” the monument and updates its patrimonial value through readings without prejudice that connect past and present. It gives identical quality to each of the stratum that have precipitated that succession of layers that now draw the place and form the Alhambra Heritage.
publishDate 2018
dc.date.none.fl_str_mv 2018-07-02
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/4705
10.18316/mouseion.v0i29.4705
url https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/4705
identifier_str_mv 10.18316/mouseion.v0i29.4705
dc.language.iso.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/4705/pdf
dc.rights.driver.fl_str_mv Copyright (c) 2018 Mouseion
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Mouseion
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade LaSalle - Unilasalle Canoas
publisher.none.fl_str_mv Universidade LaSalle - Unilasalle Canoas
dc.source.none.fl_str_mv Mouseion; No. 29 (2018); p. 15-38
Revista Mouseion; n. 29 (2018); p. 15-38
1981-7207
reponame:Mouseion (Canoas)
instname:Centro Universitário La Salle (Unilasalle)
instacron:UNILASALLE
instname_str Centro Universitário La Salle (Unilasalle)
instacron_str UNILASALLE
institution UNILASALLE
reponame_str Mouseion (Canoas)
collection Mouseion (Canoas)
repository.name.fl_str_mv Mouseion (Canoas) - Centro Universitário La Salle (Unilasalle)
repository.mail.fl_str_mv ||revista.mouseion@unilasalle.edu.br
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