The modern and the obsolete in Arte Photographica
Autor(a) principal: | |
---|---|
Data de Publicação: | 2013 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Mouseion (Canoas) |
Texto Completo: | https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/1153 |
Resumo: | The magazine “A Arte Photographica” totaled 23 numbers published in the years of 1884 and 1885, in Porto, Portugal. As the name says, the theme was photography and, mainly, the photographic technique, common fact in the publication of that epoch focused on the professional and amateur photographer. It was said a magazine for amateurs and announced the photography as a modern event. The idea of the modern was shared in many regular publications in the nineteenth century and early 20th century. The text analyzes in this magazine, despite it has had brief duration, became a reference of Portuguese photography, as the statement of modern was constituted firmed in the advance of the technical and, consequently, the postulate of obsolescence. Relates the importance memorial with the subliminal function: affirm the society which refers as modern while able to be technical. Finally, notes the role of photography in the scope of this idea. |
id |
UNILASALLE-1_2a79f0685b1a7151c682363fd86d6f0c |
---|---|
oai_identifier_str |
oai:ojs.revistas.unilasalle.edu.br:article/1153 |
network_acronym_str |
UNILASALLE-1 |
network_name_str |
Mouseion (Canoas) |
repository_id_str |
|
spelling |
The modern and the obsolete in Arte PhotographicaO moderno e o obsoleto na Arte PhotographicaHistory of photographyPhotography magazineNineteenth centuryHistória da fotografiaRevista de fotografiaSéculo XIXThe magazine “A Arte Photographica” totaled 23 numbers published in the years of 1884 and 1885, in Porto, Portugal. As the name says, the theme was photography and, mainly, the photographic technique, common fact in the publication of that epoch focused on the professional and amateur photographer. It was said a magazine for amateurs and announced the photography as a modern event. The idea of the modern was shared in many regular publications in the nineteenth century and early 20th century. The text analyzes in this magazine, despite it has had brief duration, became a reference of Portuguese photography, as the statement of modern was constituted firmed in the advance of the technical and, consequently, the postulate of obsolescence. Relates the importance memorial with the subliminal function: affirm the society which refers as modern while able to be technical. Finally, notes the role of photography in the scope of this idea.A revista A Arte Photographica totalizou 23 números, publicados entre os anos de 1884 e 1885, na cidade do Porto, em Portugal. Como o título já indica, o tema era a fotografia e, sobretudo, a técnica fotográfica, fato comum às publicações da época, voltadas ao fotógrafo amador e profissional. Dizia-se uma revista para amadores e anunciava a fotografia como um evento moderno. A ideia do moderno foi compartilhada por muitas publicações periódicas do século XIX e início do XX. O presente texto analisa nessa revista que, apesar de ter tido curta duração, tornou-se uma referência para a fotografia portuguesa, como o enunciado de moderno constituiu-se firmado no avanço da técnica e, por consequência, no postulado da obsolescência. Relaciona a importância memorial da revista com essa função subliminar: afirmar a sociedade a qual se referia como moderna porquanto capaz de ser técnica. Por fim, observa o papel da fotografia no âmbito da mencionada ideia.Universidade LaSalle - Unilasalle Canoas2013-09-05info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/115310.18316/1153Mouseion; No. 15 (2013); p. 29-44Revista Mouseion; n. 15 (2013); p. 29-441981-7207reponame:Mouseion (Canoas)instname:Centro Universitário La Salle (Unilasalle)instacron:UNILASALLEporhttps://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/1153/908Michelon, Francisca Ferreirainfo:eu-repo/semantics/openAccess2017-04-27T14:02:01Zoai:ojs.revistas.unilasalle.edu.br:article/1153Revistahttps://revistas.unilasalle.edu.br/index.php/Mouseionhttps://revistas.unilasalle.edu.br/index.php/Mouseion/oai||revista.mouseion@unilasalle.edu.br1981-72071981-7207opendoar:2017-04-27T14:02:01Mouseion (Canoas) - Centro Universitário La Salle (Unilasalle)false |
dc.title.none.fl_str_mv |
The modern and the obsolete in Arte Photographica O moderno e o obsoleto na Arte Photographica |
title |
The modern and the obsolete in Arte Photographica |
spellingShingle |
The modern and the obsolete in Arte Photographica Michelon, Francisca Ferreira History of photography Photography magazine Nineteenth century História da fotografia Revista de fotografia Século XIX |
title_short |
The modern and the obsolete in Arte Photographica |
title_full |
The modern and the obsolete in Arte Photographica |
title_fullStr |
The modern and the obsolete in Arte Photographica |
title_full_unstemmed |
The modern and the obsolete in Arte Photographica |
title_sort |
The modern and the obsolete in Arte Photographica |
author |
Michelon, Francisca Ferreira |
author_facet |
Michelon, Francisca Ferreira |
author_role |
author |
dc.contributor.author.fl_str_mv |
Michelon, Francisca Ferreira |
dc.subject.por.fl_str_mv |
History of photography Photography magazine Nineteenth century História da fotografia Revista de fotografia Século XIX |
topic |
History of photography Photography magazine Nineteenth century História da fotografia Revista de fotografia Século XIX |
description |
The magazine “A Arte Photographica” totaled 23 numbers published in the years of 1884 and 1885, in Porto, Portugal. As the name says, the theme was photography and, mainly, the photographic technique, common fact in the publication of that epoch focused on the professional and amateur photographer. It was said a magazine for amateurs and announced the photography as a modern event. The idea of the modern was shared in many regular publications in the nineteenth century and early 20th century. The text analyzes in this magazine, despite it has had brief duration, became a reference of Portuguese photography, as the statement of modern was constituted firmed in the advance of the technical and, consequently, the postulate of obsolescence. Relates the importance memorial with the subliminal function: affirm the society which refers as modern while able to be technical. Finally, notes the role of photography in the scope of this idea. |
publishDate |
2013 |
dc.date.none.fl_str_mv |
2013-09-05 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/1153 10.18316/1153 |
url |
https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/1153 |
identifier_str_mv |
10.18316/1153 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/1153/908 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade LaSalle - Unilasalle Canoas |
publisher.none.fl_str_mv |
Universidade LaSalle - Unilasalle Canoas |
dc.source.none.fl_str_mv |
Mouseion; No. 15 (2013); p. 29-44 Revista Mouseion; n. 15 (2013); p. 29-44 1981-7207 reponame:Mouseion (Canoas) instname:Centro Universitário La Salle (Unilasalle) instacron:UNILASALLE |
instname_str |
Centro Universitário La Salle (Unilasalle) |
instacron_str |
UNILASALLE |
institution |
UNILASALLE |
reponame_str |
Mouseion (Canoas) |
collection |
Mouseion (Canoas) |
repository.name.fl_str_mv |
Mouseion (Canoas) - Centro Universitário La Salle (Unilasalle) |
repository.mail.fl_str_mv |
||revista.mouseion@unilasalle.edu.br |
_version_ |
1800218180208033792 |