Conservative as curator
Autor(a) principal: | |
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Data de Publicação: | 2016 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Mouseion (Canoas) |
Texto Completo: | https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/1981-7207.16.29 |
Resumo: | This paper aims to debate the relations between the work of curators and conservators during an exhibit's montage in a museum. In order to do this, it starts by giving an account of the author's experience as an intern at the Museo Nacional Centro de Arte Reina Sofía, in Madrid. Latter on, it relates this experience to the debates about conservation and curatorial studies, that took place during the advanced course in curatorial studies offered by the Escola de Artes Visuais do Parque Lage, in Rio de Janeiro. In light of the common practice of conservators and curators of working isolated from each other, even within one and the same institution, the author proposes the transdisciplinarity as an alternative strategy to improve the intrainstitutional relations and to foster the dialogue between these two spheres engaged in the process of an exhibition montage. |
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Conservative as curatorO conservador como curadorInternship in MuseumsTransdisciplinarityCuratorial StudiesConservationResidência em MuseusTransdisciplinaridadeCuradoriaConservaçãoMuseologiaArteCuradoriaThis paper aims to debate the relations between the work of curators and conservators during an exhibit's montage in a museum. In order to do this, it starts by giving an account of the author's experience as an intern at the Museo Nacional Centro de Arte Reina Sofía, in Madrid. Latter on, it relates this experience to the debates about conservation and curatorial studies, that took place during the advanced course in curatorial studies offered by the Escola de Artes Visuais do Parque Lage, in Rio de Janeiro. In light of the common practice of conservators and curators of working isolated from each other, even within one and the same institution, the author proposes the transdisciplinarity as an alternative strategy to improve the intrainstitutional relations and to foster the dialogue between these two spheres engaged in the process of an exhibition montage.Este artigo tem como objetivo discutir a natureza das relações de trabalho entre curadores e conservadores de instituições de arte, quando estes estão envolvidos no processo de realização de uma exposição em um museu. Para isso, parto do relato da minha experiência de residência no Museo Nacional Centro de Arte Reina Sofía, em Madri; para, em seguida, inserir essa experiência no contexto dos debates de que participei, a respeito do tema "conservação e curadoria", no curso "Aprofundamento em Curadoria", da Escola de Artes Visuais Parque Lage, no Rio de Janeiro. Partindo da constatação de que conservadores e curadores tendem a trabalhar em campos isolados, ainda que dentro de uma mesma instituição, proponho a transdisciplinaridade como estratégia alternativa para o compartilhamento de experiências e como forma de contribuir para a melhoria das relações intrainstitucionais, estimulando o diálogo entre esses dois campos, que são necessariamente mobilizados durante o processo de montagem de uma exibição em um museu.Universidade LaSalle - Unilasalle Canoas2016-08-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/1981-7207.16.2910.18316/1981-7207.16.29Mouseion; No. 24 (2016); p. 59-71Revista Mouseion; n. 24 (2016); p. 59-711981-7207reponame:Mouseion (Canoas)instname:Centro Universitário La Salle (Unilasalle)instacron:UNILASALLEporhttps://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/1981-7207.16.29/pdfde Carvalho, Humberto Fariasinfo:eu-repo/semantics/openAccess2022-05-25T20:29:13Zoai:ojs.revistas.unilasalle.edu.br:article/3105Revistahttps://revistas.unilasalle.edu.br/index.php/Mouseionhttps://revistas.unilasalle.edu.br/index.php/Mouseion/oai||revista.mouseion@unilasalle.edu.br1981-72071981-7207opendoar:2022-05-25T20:29:13Mouseion (Canoas) - Centro Universitário La Salle (Unilasalle)false |
dc.title.none.fl_str_mv |
Conservative as curator O conservador como curador |
title |
Conservative as curator |
spellingShingle |
Conservative as curator de Carvalho, Humberto Farias Internship in Museums Transdisciplinarity Curatorial Studies Conservation Residência em Museus Transdisciplinaridade Curadoria Conservação Museologia Arte Curadoria |
title_short |
Conservative as curator |
title_full |
Conservative as curator |
title_fullStr |
Conservative as curator |
title_full_unstemmed |
Conservative as curator |
title_sort |
Conservative as curator |
author |
de Carvalho, Humberto Farias |
author_facet |
de Carvalho, Humberto Farias |
author_role |
author |
dc.contributor.author.fl_str_mv |
de Carvalho, Humberto Farias |
dc.subject.por.fl_str_mv |
Internship in Museums Transdisciplinarity Curatorial Studies Conservation Residência em Museus Transdisciplinaridade Curadoria Conservação Museologia Arte Curadoria |
topic |
Internship in Museums Transdisciplinarity Curatorial Studies Conservation Residência em Museus Transdisciplinaridade Curadoria Conservação Museologia Arte Curadoria |
description |
This paper aims to debate the relations between the work of curators and conservators during an exhibit's montage in a museum. In order to do this, it starts by giving an account of the author's experience as an intern at the Museo Nacional Centro de Arte Reina Sofía, in Madrid. Latter on, it relates this experience to the debates about conservation and curatorial studies, that took place during the advanced course in curatorial studies offered by the Escola de Artes Visuais do Parque Lage, in Rio de Janeiro. In light of the common practice of conservators and curators of working isolated from each other, even within one and the same institution, the author proposes the transdisciplinarity as an alternative strategy to improve the intrainstitutional relations and to foster the dialogue between these two spheres engaged in the process of an exhibition montage. |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016-08-31 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/1981-7207.16.29 10.18316/1981-7207.16.29 |
url |
https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/1981-7207.16.29 |
identifier_str_mv |
10.18316/1981-7207.16.29 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/1981-7207.16.29/pdf |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade LaSalle - Unilasalle Canoas |
publisher.none.fl_str_mv |
Universidade LaSalle - Unilasalle Canoas |
dc.source.none.fl_str_mv |
Mouseion; No. 24 (2016); p. 59-71 Revista Mouseion; n. 24 (2016); p. 59-71 1981-7207 reponame:Mouseion (Canoas) instname:Centro Universitário La Salle (Unilasalle) instacron:UNILASALLE |
instname_str |
Centro Universitário La Salle (Unilasalle) |
instacron_str |
UNILASALLE |
institution |
UNILASALLE |
reponame_str |
Mouseion (Canoas) |
collection |
Mouseion (Canoas) |
repository.name.fl_str_mv |
Mouseion (Canoas) - Centro Universitário La Salle (Unilasalle) |
repository.mail.fl_str_mv |
||revista.mouseion@unilasalle.edu.br |
_version_ |
1800218180778459136 |