14th Spring of the Museums: registering digital memories of the pandemic

Detalhes bibliográficos
Autor(a) principal: Lima, Tatiana Araújo de
Data de Publicação: 2022
Outros Autores: Mangan, Patrícia Kayser Vargas
Tipo de documento: Artigo
Idioma: por
Título da fonte: Mouseion (Canoas)
Texto Completo: https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/9234
Resumo: The COVID-19 pandemic brought different crossings to the areas of cultural management – covering artists, producers, cultural institutions and museums. From the challenges reflected in the demands for isolation and social distancing by the pandemic, different practices linked to the digital universe emerged. We used digital netnography, by Kozinets (2014), as methodology to investigate different aspects related to the nature of the digital appropriations undertaken by different museum institutions regarding the production and sharing of memories of the pandemic, focusing on the digital actions of the institutions participating in the event 14th Spring of Museums: Digital World in Transformation , promoted by the Brazilian Institute of Museums (IBRAM), from September 21 to 27, 2020. From the 14th Spring of Museums program with 520 participants, 56 participating institutions were found that made direct reference to the pandemic (46 to the word pandemic and 10 to the word COVID-19), from subgroup of 7 institutions which the results briefly contextualized in this article emerged. In discussions related to the intersections of museums with digital communication, possibilities arise for reflection on the significant role of audiences in relation to museums, and, mainly, on the role related to social participation, collaboration and co-creation; covering new ways of thinking both in museums and in relation to the possible interactions that can be experienced from this process.
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spelling 14th Spring of the Museums: registering digital memories of the pandemic14ª Primavera dos museus: registrando memórias digitais da pandemia14th Spring of Museumsdigital museumdigital memorydigital communicationCOVID-1914ª Primavera dos Museusmuseu digitalmemória digitalcomunicação digitalCOVID-19Memórias digitais na pandemia de COVID-19 e a 14ª Primavera dos MuseusThe COVID-19 pandemic brought different crossings to the areas of cultural management – covering artists, producers, cultural institutions and museums. From the challenges reflected in the demands for isolation and social distancing by the pandemic, different practices linked to the digital universe emerged. We used digital netnography, by Kozinets (2014), as methodology to investigate different aspects related to the nature of the digital appropriations undertaken by different museum institutions regarding the production and sharing of memories of the pandemic, focusing on the digital actions of the institutions participating in the event 14th Spring of Museums: Digital World in Transformation , promoted by the Brazilian Institute of Museums (IBRAM), from September 21 to 27, 2020. From the 14th Spring of Museums program with 520 participants, 56 participating institutions were found that made direct reference to the pandemic (46 to the word pandemic and 10 to the word COVID-19), from subgroup of 7 institutions which the results briefly contextualized in this article emerged. In discussions related to the intersections of museums with digital communication, possibilities arise for reflection on the significant role of audiences in relation to museums, and, mainly, on the role related to social participation, collaboration and co-creation; covering new ways of thinking both in museums and in relation to the possible interactions that can be experienced from this process.A pandemia de COVID-19 trouxe diferentes atravessamentos para as áreas de gestão cultural – abrangendo artistas, produtores, instituições culturais e museais. Dos desafios refletidos acerca das demandas por isolamento e distanciamento social por parte da pandemia, surgiram diferentes práticas vinculadas ao universo digital. Utilizando a metodologia de netnografia digital, de Kozinets (2014), este artigo investiga aspectos respectivos à natureza das apropriações digitais empreendidas pelas diferentes instituições museais referentes à produção e compartilhamento das memórias da pandemia, tendo foco nas ações digitais das instituições participantes do evento 14ª Primavera dos Museus: Mundo Digital em Transformação, promovido pelo Instituto Brasileiro de Museus (IBRAM), em 21 a 27 de setembro de 2020.  Da programação da 14ª Primavera dos Museus foram encontradas 56 instituições participantes que fizeram referência direta à pandemia (46 à palavra pandemia e 10 à palavra COVID-19), das quais surgiram os resultados brevemente contextualizados nesse artigo. Nas discussões relacionadas às intersecções dos museus com a comunicação digital, surgem possibilidades de reflexão do papel significativo dos públicos em relação aos museus, e, principalmente, acerca do papel relacionado à participação social, à colaboração e à coocriação; abrangendo novas formas de pensar tanto dos museus quanto em relação às possíveis interações que se possa vivenciar a partir desse processo. É nos processos em transformação, que tais questões se presentificam, em uma dialética instaurada pelo próprio devir; pelos processos desencadeados em vista do imbricamento de espaços e tempos, de modos de ser e viver, cada vez mais intensificados pelos meios digitais.Universidade LaSalle - Unilasalle Canoas2022-05-17info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionMetodologia: netnografia digitalapplication/pdfhttps://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/923410.18316/mouseion.v0i41.9234Mouseion; No. 41 (2022)Revista Mouseion; n. 41 (2022)1981-7207reponame:Mouseion (Canoas)instname:Centro Universitário La Salle (Unilasalle)instacron:UNILASALLEporhttps://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/9234/pdfCopyright (c) 2022 Mouseioninfo:eu-repo/semantics/openAccessLima, Tatiana Araújo deMangan, Patrícia Kayser Vargas2023-01-06T19:09:32Zoai:ojs.revistas.unilasalle.edu.br:article/9234Revistahttps://revistas.unilasalle.edu.br/index.php/Mouseionhttps://revistas.unilasalle.edu.br/index.php/Mouseion/oai||revista.mouseion@unilasalle.edu.br1981-72071981-7207opendoar:2023-01-06T19:09:32Mouseion (Canoas) - Centro Universitário La Salle (Unilasalle)false
dc.title.none.fl_str_mv 14th Spring of the Museums: registering digital memories of the pandemic
14ª Primavera dos museus: registrando memórias digitais da pandemia
title 14th Spring of the Museums: registering digital memories of the pandemic
spellingShingle 14th Spring of the Museums: registering digital memories of the pandemic
Lima, Tatiana Araújo de
14th Spring of Museums
digital museum
digital memory
digital communication
COVID-19
14ª Primavera dos Museus
museu digital
memória digital
comunicação digital
COVID-19
Memórias digitais na pandemia de COVID-19 e a 14ª Primavera dos Museus
title_short 14th Spring of the Museums: registering digital memories of the pandemic
title_full 14th Spring of the Museums: registering digital memories of the pandemic
title_fullStr 14th Spring of the Museums: registering digital memories of the pandemic
title_full_unstemmed 14th Spring of the Museums: registering digital memories of the pandemic
title_sort 14th Spring of the Museums: registering digital memories of the pandemic
author Lima, Tatiana Araújo de
author_facet Lima, Tatiana Araújo de
Mangan, Patrícia Kayser Vargas
author_role author
author2 Mangan, Patrícia Kayser Vargas
author2_role author
dc.contributor.author.fl_str_mv Lima, Tatiana Araújo de
Mangan, Patrícia Kayser Vargas
dc.subject.por.fl_str_mv 14th Spring of Museums
digital museum
digital memory
digital communication
COVID-19
14ª Primavera dos Museus
museu digital
memória digital
comunicação digital
COVID-19
Memórias digitais na pandemia de COVID-19 e a 14ª Primavera dos Museus
topic 14th Spring of Museums
digital museum
digital memory
digital communication
COVID-19
14ª Primavera dos Museus
museu digital
memória digital
comunicação digital
COVID-19
Memórias digitais na pandemia de COVID-19 e a 14ª Primavera dos Museus
description The COVID-19 pandemic brought different crossings to the areas of cultural management – covering artists, producers, cultural institutions and museums. From the challenges reflected in the demands for isolation and social distancing by the pandemic, different practices linked to the digital universe emerged. We used digital netnography, by Kozinets (2014), as methodology to investigate different aspects related to the nature of the digital appropriations undertaken by different museum institutions regarding the production and sharing of memories of the pandemic, focusing on the digital actions of the institutions participating in the event 14th Spring of Museums: Digital World in Transformation , promoted by the Brazilian Institute of Museums (IBRAM), from September 21 to 27, 2020. From the 14th Spring of Museums program with 520 participants, 56 participating institutions were found that made direct reference to the pandemic (46 to the word pandemic and 10 to the word COVID-19), from subgroup of 7 institutions which the results briefly contextualized in this article emerged. In discussions related to the intersections of museums with digital communication, possibilities arise for reflection on the significant role of audiences in relation to museums, and, mainly, on the role related to social participation, collaboration and co-creation; covering new ways of thinking both in museums and in relation to the possible interactions that can be experienced from this process.
publishDate 2022
dc.date.none.fl_str_mv 2022-05-17
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Metodologia: netnografia digital
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/9234
10.18316/mouseion.v0i41.9234
url https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/9234
identifier_str_mv 10.18316/mouseion.v0i41.9234
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/9234/pdf
dc.rights.driver.fl_str_mv Copyright (c) 2022 Mouseion
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2022 Mouseion
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade LaSalle - Unilasalle Canoas
publisher.none.fl_str_mv Universidade LaSalle - Unilasalle Canoas
dc.source.none.fl_str_mv Mouseion; No. 41 (2022)
Revista Mouseion; n. 41 (2022)
1981-7207
reponame:Mouseion (Canoas)
instname:Centro Universitário La Salle (Unilasalle)
instacron:UNILASALLE
instname_str Centro Universitário La Salle (Unilasalle)
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institution UNILASALLE
reponame_str Mouseion (Canoas)
collection Mouseion (Canoas)
repository.name.fl_str_mv Mouseion (Canoas) - Centro Universitário La Salle (Unilasalle)
repository.mail.fl_str_mv ||revista.mouseion@unilasalle.edu.br
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