Dance, music and poetry in Fandango’s wheel marks

Detalhes bibliográficos
Autor(a) principal: Tessaro, Andréa José Grandini
Data de Publicação: 2018
Outros Autores: Meira, Roberta Barros
Tipo de documento: Artigo
Idioma: por
Título da fonte: Mouseion (Canoas)
Texto Completo: https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/4339
Resumo: The marks of the fandango are dances composed by diverse choreographies, known like fashions. The waltzing fandango is danced by pairs, which rotate around the room in a counterclockwise direction and the beaten fandango is danced only by men, and consists of a tap dance performed with the aid of clogs made of wood. We must think that by owning repentistas features and letters that have variations and peculiarities in each place where it is touched, the fandango is alive and floating, the still adds dance and the very poetic language of caboclo and caiçara, and contact lyrics and melodies of brands fandango is to realize women and men dancing, intense sensitivity of those who writes the history from their experiences, of its charms and disenchantment. In this way, we try to point out some fandango melodies, that bring the experience, and to check the best-known wheel marks of the fandango and verify how this cultural event has been changing and getting influences over time.
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spelling Dance, music and poetry in Fandango’s wheel marksDança, música e poesia nas marcas de roda do FandangoFandangoCultural heritageMusicDancePoetryFandangoPatrimônio CulturalMúsicaDançaPoesiaPatrimônio CulturalThe marks of the fandango are dances composed by diverse choreographies, known like fashions. The waltzing fandango is danced by pairs, which rotate around the room in a counterclockwise direction and the beaten fandango is danced only by men, and consists of a tap dance performed with the aid of clogs made of wood. We must think that by owning repentistas features and letters that have variations and peculiarities in each place where it is touched, the fandango is alive and floating, the still adds dance and the very poetic language of caboclo and caiçara, and contact lyrics and melodies of brands fandango is to realize women and men dancing, intense sensitivity of those who writes the history from their experiences, of its charms and disenchantment. In this way, we try to point out some fandango melodies, that bring the experience, and to check the best-known wheel marks of the fandango and verify how this cultural event has been changing and getting influences over time.As marcas do fandango são danças compostas por diversas coreografias, conhecidas como modas. O fandango valsado é dançado pelos pares, que giram pelo salão em sentido anti-horário e o batido é dançado exclusivamente pelos homens, que sapateiam com o auxílio de tamancos feitos de madeira. Devemos pensar que por possuir características repentistas e letras que apresentam variações e particularidades em cada local onde é tocado, o fandango é vivo e circulante e agrega ainda a dança e a linguagem poética própria do caboclo e do caiçara, e entrar em contato com as letras e melodias do fandango é captar a sensibilidade de homens e mulheres que escrevem a própria história a partir de suas vivências. Desta forma, procuramos analisar algumas melodias do fandango, que trazem a vivência e a convivência cotidianas como um patrimônio que se transmite pela música e pela dança, e verificar como essa manifestação cultural vem sofrendo alterações e recebendo influências com o passar do tempo.Universidade LaSalle - Unilasalle Canoas2018-07-02info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAnálise de discursoapplication/pdfhttps://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/433910.18316/mouseion.v0i29.4339Mouseion; No. 29 (2018); p. 325-349Revista Mouseion; n. 29 (2018); p. 325-3491981-7207reponame:Mouseion (Canoas)instname:Centro Universitário La Salle (Unilasalle)instacron:UNILASALLEporhttps://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/4339/pdfCopyright (c) 2018 Mouseioninfo:eu-repo/semantics/openAccessTessaro, Andréa José GrandiniMeira, Roberta Barros2022-05-23T18:26:20Zoai:ojs.revistas.unilasalle.edu.br:article/4339Revistahttps://revistas.unilasalle.edu.br/index.php/Mouseionhttps://revistas.unilasalle.edu.br/index.php/Mouseion/oai||revista.mouseion@unilasalle.edu.br1981-72071981-7207opendoar:2022-05-23T18:26:20Mouseion (Canoas) - Centro Universitário La Salle (Unilasalle)false
dc.title.none.fl_str_mv Dance, music and poetry in Fandango’s wheel marks
Dança, música e poesia nas marcas de roda do Fandango
title Dance, music and poetry in Fandango’s wheel marks
spellingShingle Dance, music and poetry in Fandango’s wheel marks
Tessaro, Andréa José Grandini
Fandango
Cultural heritage
Music
Dance
Poetry
Fandango
Patrimônio Cultural
Música
Dança
Poesia
Patrimônio Cultural
title_short Dance, music and poetry in Fandango’s wheel marks
title_full Dance, music and poetry in Fandango’s wheel marks
title_fullStr Dance, music and poetry in Fandango’s wheel marks
title_full_unstemmed Dance, music and poetry in Fandango’s wheel marks
title_sort Dance, music and poetry in Fandango’s wheel marks
author Tessaro, Andréa José Grandini
author_facet Tessaro, Andréa José Grandini
Meira, Roberta Barros
author_role author
author2 Meira, Roberta Barros
author2_role author
dc.contributor.author.fl_str_mv Tessaro, Andréa José Grandini
Meira, Roberta Barros
dc.subject.por.fl_str_mv Fandango
Cultural heritage
Music
Dance
Poetry
Fandango
Patrimônio Cultural
Música
Dança
Poesia
Patrimônio Cultural
topic Fandango
Cultural heritage
Music
Dance
Poetry
Fandango
Patrimônio Cultural
Música
Dança
Poesia
Patrimônio Cultural
description The marks of the fandango are dances composed by diverse choreographies, known like fashions. The waltzing fandango is danced by pairs, which rotate around the room in a counterclockwise direction and the beaten fandango is danced only by men, and consists of a tap dance performed with the aid of clogs made of wood. We must think that by owning repentistas features and letters that have variations and peculiarities in each place where it is touched, the fandango is alive and floating, the still adds dance and the very poetic language of caboclo and caiçara, and contact lyrics and melodies of brands fandango is to realize women and men dancing, intense sensitivity of those who writes the history from their experiences, of its charms and disenchantment. In this way, we try to point out some fandango melodies, that bring the experience, and to check the best-known wheel marks of the fandango and verify how this cultural event has been changing and getting influences over time.
publishDate 2018
dc.date.none.fl_str_mv 2018-07-02
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Análise de discurso
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/4339
10.18316/mouseion.v0i29.4339
url https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/4339
identifier_str_mv 10.18316/mouseion.v0i29.4339
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/4339/pdf
dc.rights.driver.fl_str_mv Copyright (c) 2018 Mouseion
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2018 Mouseion
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade LaSalle - Unilasalle Canoas
publisher.none.fl_str_mv Universidade LaSalle - Unilasalle Canoas
dc.source.none.fl_str_mv Mouseion; No. 29 (2018); p. 325-349
Revista Mouseion; n. 29 (2018); p. 325-349
1981-7207
reponame:Mouseion (Canoas)
instname:Centro Universitário La Salle (Unilasalle)
instacron:UNILASALLE
instname_str Centro Universitário La Salle (Unilasalle)
instacron_str UNILASALLE
institution UNILASALLE
reponame_str Mouseion (Canoas)
collection Mouseion (Canoas)
repository.name.fl_str_mv Mouseion (Canoas) - Centro Universitário La Salle (Unilasalle)
repository.mail.fl_str_mv ||revista.mouseion@unilasalle.edu.br
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