Dance, music and poetry in Fandango’s wheel marks
Autor(a) principal: | |
---|---|
Data de Publicação: | 2018 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Mouseion (Canoas) |
Texto Completo: | https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/4339 |
Resumo: | The marks of the fandango are dances composed by diverse choreographies, known like fashions. The waltzing fandango is danced by pairs, which rotate around the room in a counterclockwise direction and the beaten fandango is danced only by men, and consists of a tap dance performed with the aid of clogs made of wood. We must think that by owning repentistas features and letters that have variations and peculiarities in each place where it is touched, the fandango is alive and floating, the still adds dance and the very poetic language of caboclo and caiçara, and contact lyrics and melodies of brands fandango is to realize women and men dancing, intense sensitivity of those who writes the history from their experiences, of its charms and disenchantment. In this way, we try to point out some fandango melodies, that bring the experience, and to check the best-known wheel marks of the fandango and verify how this cultural event has been changing and getting influences over time. |
id |
UNILASALLE-1_7ab031029dba589086f75e02d7c1ead9 |
---|---|
oai_identifier_str |
oai:ojs.revistas.unilasalle.edu.br:article/4339 |
network_acronym_str |
UNILASALLE-1 |
network_name_str |
Mouseion (Canoas) |
repository_id_str |
|
spelling |
Dance, music and poetry in Fandango’s wheel marksDança, música e poesia nas marcas de roda do FandangoFandangoCultural heritageMusicDancePoetryFandangoPatrimônio CulturalMúsicaDançaPoesiaPatrimônio CulturalThe marks of the fandango are dances composed by diverse choreographies, known like fashions. The waltzing fandango is danced by pairs, which rotate around the room in a counterclockwise direction and the beaten fandango is danced only by men, and consists of a tap dance performed with the aid of clogs made of wood. We must think that by owning repentistas features and letters that have variations and peculiarities in each place where it is touched, the fandango is alive and floating, the still adds dance and the very poetic language of caboclo and caiçara, and contact lyrics and melodies of brands fandango is to realize women and men dancing, intense sensitivity of those who writes the history from their experiences, of its charms and disenchantment. In this way, we try to point out some fandango melodies, that bring the experience, and to check the best-known wheel marks of the fandango and verify how this cultural event has been changing and getting influences over time.As marcas do fandango são danças compostas por diversas coreografias, conhecidas como modas. O fandango valsado é dançado pelos pares, que giram pelo salão em sentido anti-horário e o batido é dançado exclusivamente pelos homens, que sapateiam com o auxílio de tamancos feitos de madeira. Devemos pensar que por possuir características repentistas e letras que apresentam variações e particularidades em cada local onde é tocado, o fandango é vivo e circulante e agrega ainda a dança e a linguagem poética própria do caboclo e do caiçara, e entrar em contato com as letras e melodias do fandango é captar a sensibilidade de homens e mulheres que escrevem a própria história a partir de suas vivências. Desta forma, procuramos analisar algumas melodias do fandango, que trazem a vivência e a convivência cotidianas como um patrimônio que se transmite pela música e pela dança, e verificar como essa manifestação cultural vem sofrendo alterações e recebendo influências com o passar do tempo.Universidade LaSalle - Unilasalle Canoas2018-07-02info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionAnálise de discursoapplication/pdfhttps://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/433910.18316/mouseion.v0i29.4339Mouseion; No. 29 (2018); p. 325-349Revista Mouseion; n. 29 (2018); p. 325-3491981-7207reponame:Mouseion (Canoas)instname:Centro Universitário La Salle (Unilasalle)instacron:UNILASALLEporhttps://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/4339/pdfCopyright (c) 2018 Mouseioninfo:eu-repo/semantics/openAccessTessaro, Andréa José GrandiniMeira, Roberta Barros2022-05-23T18:26:20Zoai:ojs.revistas.unilasalle.edu.br:article/4339Revistahttps://revistas.unilasalle.edu.br/index.php/Mouseionhttps://revistas.unilasalle.edu.br/index.php/Mouseion/oai||revista.mouseion@unilasalle.edu.br1981-72071981-7207opendoar:2022-05-23T18:26:20Mouseion (Canoas) - Centro Universitário La Salle (Unilasalle)false |
dc.title.none.fl_str_mv |
Dance, music and poetry in Fandango’s wheel marks Dança, música e poesia nas marcas de roda do Fandango |
title |
Dance, music and poetry in Fandango’s wheel marks |
spellingShingle |
Dance, music and poetry in Fandango’s wheel marks Tessaro, Andréa José Grandini Fandango Cultural heritage Music Dance Poetry Fandango Patrimônio Cultural Música Dança Poesia Patrimônio Cultural |
title_short |
Dance, music and poetry in Fandango’s wheel marks |
title_full |
Dance, music and poetry in Fandango’s wheel marks |
title_fullStr |
Dance, music and poetry in Fandango’s wheel marks |
title_full_unstemmed |
Dance, music and poetry in Fandango’s wheel marks |
title_sort |
Dance, music and poetry in Fandango’s wheel marks |
author |
Tessaro, Andréa José Grandini |
author_facet |
Tessaro, Andréa José Grandini Meira, Roberta Barros |
author_role |
author |
author2 |
Meira, Roberta Barros |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Tessaro, Andréa José Grandini Meira, Roberta Barros |
dc.subject.por.fl_str_mv |
Fandango Cultural heritage Music Dance Poetry Fandango Patrimônio Cultural Música Dança Poesia Patrimônio Cultural |
topic |
Fandango Cultural heritage Music Dance Poetry Fandango Patrimônio Cultural Música Dança Poesia Patrimônio Cultural |
description |
The marks of the fandango are dances composed by diverse choreographies, known like fashions. The waltzing fandango is danced by pairs, which rotate around the room in a counterclockwise direction and the beaten fandango is danced only by men, and consists of a tap dance performed with the aid of clogs made of wood. We must think that by owning repentistas features and letters that have variations and peculiarities in each place where it is touched, the fandango is alive and floating, the still adds dance and the very poetic language of caboclo and caiçara, and contact lyrics and melodies of brands fandango is to realize women and men dancing, intense sensitivity of those who writes the history from their experiences, of its charms and disenchantment. In this way, we try to point out some fandango melodies, that bring the experience, and to check the best-known wheel marks of the fandango and verify how this cultural event has been changing and getting influences over time. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-07-02 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Análise de discurso |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/4339 10.18316/mouseion.v0i29.4339 |
url |
https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/4339 |
identifier_str_mv |
10.18316/mouseion.v0i29.4339 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/4339/pdf |
dc.rights.driver.fl_str_mv |
Copyright (c) 2018 Mouseion info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2018 Mouseion |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade LaSalle - Unilasalle Canoas |
publisher.none.fl_str_mv |
Universidade LaSalle - Unilasalle Canoas |
dc.source.none.fl_str_mv |
Mouseion; No. 29 (2018); p. 325-349 Revista Mouseion; n. 29 (2018); p. 325-349 1981-7207 reponame:Mouseion (Canoas) instname:Centro Universitário La Salle (Unilasalle) instacron:UNILASALLE |
instname_str |
Centro Universitário La Salle (Unilasalle) |
instacron_str |
UNILASALLE |
institution |
UNILASALLE |
reponame_str |
Mouseion (Canoas) |
collection |
Mouseion (Canoas) |
repository.name.fl_str_mv |
Mouseion (Canoas) - Centro Universitário La Salle (Unilasalle) |
repository.mail.fl_str_mv |
||revista.mouseion@unilasalle.edu.br |
_version_ |
1800218181196840960 |