The Museum of Contemporary Art of Niterói: the old form takes care of the new demands
Autor(a) principal: | |
---|---|
Data de Publicação: | 2017 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Mouseion (Canoas) |
Texto Completo: | https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/3940 |
Resumo: | Since the first criticisms done to his work, Niemeyer copes with the inconveniences of an option towards form in detriment of function. However, with the cultural and economic changes of the last decades, the old curves of his architecture fit perfectly into the “new functions” proposed for contemporary museums. Today, the success of the Museum of Contemporary Art in Niterói in attracting investments and qualifying the urbanscape through its formal impact is more relevant than the fact that its architecture relegates to a secondary role the “old function” of exhibiting works of art. |
id |
UNILASALLE-1_a56ad265137198e8de500d49f85ac638 |
---|---|
oai_identifier_str |
oai:ojs.revistas.unilasalle.edu.br:article/3940 |
network_acronym_str |
UNILASALLE-1 |
network_name_str |
Mouseion (Canoas) |
repository_id_str |
|
spelling |
The Museum of Contemporary Art of Niterói: the old form takes care of the new demandsO Museu de Arte Contemporânea de Niterói: a velha forma atende às novas funçõesNiemeyerMuseum of Contemporary Art of NiteróiFormFunctionNiemeyerMuseu de Arte Contemporânea de NiteróiFormaFunçãoSince the first criticisms done to his work, Niemeyer copes with the inconveniences of an option towards form in detriment of function. However, with the cultural and economic changes of the last decades, the old curves of his architecture fit perfectly into the “new functions” proposed for contemporary museums. Today, the success of the Museum of Contemporary Art in Niterói in attracting investments and qualifying the urbanscape through its formal impact is more relevant than the fact that its architecture relegates to a secondary role the “old function” of exhibiting works of art. Desde as primeiras críticas à sua obra, Niemeyer enfrenta as inconveniências de uma opção pela forma em detrimento da função. Entretanto, com as mudanças culturais e econômicas das últimas décadas, as velhas curvas de sua arquitetura adequaram-se perfeitamente às “novas funções” propostas para os museus contemporâneos. Hoje, o sucesso do Museu de Arte Contemporânea de Niterói em atrair investimentos e qualificar a paisagem por meio de seu impacto formal é mais relevante do que o fato de sua arquitetura relegar a segundo plano a “velha função” de expor obras de artes. Universidade LaSalle - Unilasalle Canoas2017-07-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/394010.18316/mouseion.v0i4.3940Mouseion; No. 4 (2008)Revista Mouseion; n. 4 (2008)1981-7207reponame:Mouseion (Canoas)instname:Centro Universitário La Salle (Unilasalle)instacron:UNILASALLEporhttps://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/3940/pdfCopyright (c) 2017 Mouseioninfo:eu-repo/semantics/openAccessNeiva, Simone2022-09-21T18:29:50Zoai:ojs.revistas.unilasalle.edu.br:article/3940Revistahttps://revistas.unilasalle.edu.br/index.php/Mouseionhttps://revistas.unilasalle.edu.br/index.php/Mouseion/oai||revista.mouseion@unilasalle.edu.br1981-72071981-7207opendoar:2022-09-21T18:29:50Mouseion (Canoas) - Centro Universitário La Salle (Unilasalle)false |
dc.title.none.fl_str_mv |
The Museum of Contemporary Art of Niterói: the old form takes care of the new demands O Museu de Arte Contemporânea de Niterói: a velha forma atende às novas funções |
title |
The Museum of Contemporary Art of Niterói: the old form takes care of the new demands |
spellingShingle |
The Museum of Contemporary Art of Niterói: the old form takes care of the new demands Neiva, Simone Niemeyer Museum of Contemporary Art of Niterói Form Function Niemeyer Museu de Arte Contemporânea de Niterói Forma Função |
title_short |
The Museum of Contemporary Art of Niterói: the old form takes care of the new demands |
title_full |
The Museum of Contemporary Art of Niterói: the old form takes care of the new demands |
title_fullStr |
The Museum of Contemporary Art of Niterói: the old form takes care of the new demands |
title_full_unstemmed |
The Museum of Contemporary Art of Niterói: the old form takes care of the new demands |
title_sort |
The Museum of Contemporary Art of Niterói: the old form takes care of the new demands |
author |
Neiva, Simone |
author_facet |
Neiva, Simone |
author_role |
author |
dc.contributor.author.fl_str_mv |
Neiva, Simone |
dc.subject.por.fl_str_mv |
Niemeyer Museum of Contemporary Art of Niterói Form Function Niemeyer Museu de Arte Contemporânea de Niterói Forma Função |
topic |
Niemeyer Museum of Contemporary Art of Niterói Form Function Niemeyer Museu de Arte Contemporânea de Niterói Forma Função |
description |
Since the first criticisms done to his work, Niemeyer copes with the inconveniences of an option towards form in detriment of function. However, with the cultural and economic changes of the last decades, the old curves of his architecture fit perfectly into the “new functions” proposed for contemporary museums. Today, the success of the Museum of Contemporary Art in Niterói in attracting investments and qualifying the urbanscape through its formal impact is more relevant than the fact that its architecture relegates to a secondary role the “old function” of exhibiting works of art. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-07-31 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/3940 10.18316/mouseion.v0i4.3940 |
url |
https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/3940 |
identifier_str_mv |
10.18316/mouseion.v0i4.3940 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/3940/pdf |
dc.rights.driver.fl_str_mv |
Copyright (c) 2017 Mouseion info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2017 Mouseion |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade LaSalle - Unilasalle Canoas |
publisher.none.fl_str_mv |
Universidade LaSalle - Unilasalle Canoas |
dc.source.none.fl_str_mv |
Mouseion; No. 4 (2008) Revista Mouseion; n. 4 (2008) 1981-7207 reponame:Mouseion (Canoas) instname:Centro Universitário La Salle (Unilasalle) instacron:UNILASALLE |
instname_str |
Centro Universitário La Salle (Unilasalle) |
instacron_str |
UNILASALLE |
institution |
UNILASALLE |
reponame_str |
Mouseion (Canoas) |
collection |
Mouseion (Canoas) |
repository.name.fl_str_mv |
Mouseion (Canoas) - Centro Universitário La Salle (Unilasalle) |
repository.mail.fl_str_mv |
||revista.mouseion@unilasalle.edu.br |
_version_ |
1800218180836130816 |