Rosemary's baby: Witchcraft, sects and sorcery in the 1960’s

Detalhes bibliográficos
Autor(a) principal: de Andrade, Solange Ramos
Data de Publicação: 2014
Tipo de documento: Artigo
Idioma: por
Título da fonte: Mouseion (Canoas)
Texto Completo: https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/1592
Resumo: Our objective is to analyze the movie Rosemary's Baby (1968) directed by Roman Polanski, based on three themes: witchcraft, sects and sorcery. Our approach is supported by the analysis of the film as a historical document (NAPOLITANO, 2006) and analyze the importance of collective representations (CHARTIER, 2002a) as forms of appropriation of social reality as well as to relate the themes present in this film, while translations of worldviews, laden with moral and ethic values that reflect the society of the period. For a better organization of the textual body, we divided the text into three parts: the biography of Director Roman Polanski, the film and the context of its production and consequent relationship to history and, finally, from bibliography regarding to the chosen themes, to draw parallels with the film.
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spelling Rosemary's baby: Witchcraft, sects and sorcery in the 1960’sO bebê de Rosemary: Bruxaria, seitas e feitiçaria nos anos 1960WitchcraftHorror movieCollective representationBruxariaFilme de terrorRepresentação coletivaOur objective is to analyze the movie Rosemary's Baby (1968) directed by Roman Polanski, based on three themes: witchcraft, sects and sorcery. Our approach is supported by the analysis of the film as a historical document (NAPOLITANO, 2006) and analyze the importance of collective representations (CHARTIER, 2002a) as forms of appropriation of social reality as well as to relate the themes present in this film, while translations of worldviews, laden with moral and ethic values that reflect the society of the period. For a better organization of the textual body, we divided the text into three parts: the biography of Director Roman Polanski, the film and the context of its production and consequent relationship to history and, finally, from bibliography regarding to the chosen themes, to draw parallels with the film.Nosso objetivo consiste em analisar o filme O bebê de Rosemary (1968) dirigido por Roman Polanski, baseado em três temáticas: bruxaria, seitas e feitiçaria. Nossa abordagem está amparada na análise do filme enquanto documento histórico (NAPOLITANO, 2006) bem como na importância de analisarmos as representações coletivas (CHARTIER, 2002a) como formas de apropriação da realidade social. Também, relacionamos as temáticas presentes no referido filme, enquanto traduções de visões de mundo, carregadas de valores morais e éticos que traduzem a sociedade do período.  Para uma melhor organização do corpo textual, dividimos o mesmo em três partes: a biografia do diretor Roman Polanski, o filme e o contexto de sua produção e consequente relação com a história e, finalmente, a partir de bibliografia atinente às temáticas escolhidas, traçamos paralelos com o filme.Universidade LaSalle - Unilasalle Canoas2014-04-30info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/159210.18316/1592Mouseion; No. 17 (2014); p. 25-40Revista Mouseion; n. 17 (2014); p. 25-401981-7207reponame:Mouseion (Canoas)instname:Centro Universitário La Salle (Unilasalle)instacron:UNILASALLEporhttps://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/1592/1056de Andrade, Solange Ramosinfo:eu-repo/semantics/openAccess2022-05-30T21:19:56Zoai:ojs.revistas.unilasalle.edu.br:article/1592Revistahttps://revistas.unilasalle.edu.br/index.php/Mouseionhttps://revistas.unilasalle.edu.br/index.php/Mouseion/oai||revista.mouseion@unilasalle.edu.br1981-72071981-7207opendoar:2022-05-30T21:19:56Mouseion (Canoas) - Centro Universitário La Salle (Unilasalle)false
dc.title.none.fl_str_mv Rosemary's baby: Witchcraft, sects and sorcery in the 1960’s
O bebê de Rosemary: Bruxaria, seitas e feitiçaria nos anos 1960
title Rosemary's baby: Witchcraft, sects and sorcery in the 1960’s
spellingShingle Rosemary's baby: Witchcraft, sects and sorcery in the 1960’s
de Andrade, Solange Ramos
Witchcraft
Horror movie
Collective representation
Bruxaria
Filme de terror
Representação coletiva
title_short Rosemary's baby: Witchcraft, sects and sorcery in the 1960’s
title_full Rosemary's baby: Witchcraft, sects and sorcery in the 1960’s
title_fullStr Rosemary's baby: Witchcraft, sects and sorcery in the 1960’s
title_full_unstemmed Rosemary's baby: Witchcraft, sects and sorcery in the 1960’s
title_sort Rosemary's baby: Witchcraft, sects and sorcery in the 1960’s
author de Andrade, Solange Ramos
author_facet de Andrade, Solange Ramos
author_role author
dc.contributor.author.fl_str_mv de Andrade, Solange Ramos
dc.subject.por.fl_str_mv Witchcraft
Horror movie
Collective representation
Bruxaria
Filme de terror
Representação coletiva
topic Witchcraft
Horror movie
Collective representation
Bruxaria
Filme de terror
Representação coletiva
description Our objective is to analyze the movie Rosemary's Baby (1968) directed by Roman Polanski, based on three themes: witchcraft, sects and sorcery. Our approach is supported by the analysis of the film as a historical document (NAPOLITANO, 2006) and analyze the importance of collective representations (CHARTIER, 2002a) as forms of appropriation of social reality as well as to relate the themes present in this film, while translations of worldviews, laden with moral and ethic values that reflect the society of the period. For a better organization of the textual body, we divided the text into three parts: the biography of Director Roman Polanski, the film and the context of its production and consequent relationship to history and, finally, from bibliography regarding to the chosen themes, to draw parallels with the film.
publishDate 2014
dc.date.none.fl_str_mv 2014-04-30
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/1592
10.18316/1592
url https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/1592
identifier_str_mv 10.18316/1592
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://revistas.unilasalle.edu.br/index.php/Mouseion/article/view/1592/1056
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Universidade LaSalle - Unilasalle Canoas
publisher.none.fl_str_mv Universidade LaSalle - Unilasalle Canoas
dc.source.none.fl_str_mv Mouseion; No. 17 (2014); p. 25-40
Revista Mouseion; n. 17 (2014); p. 25-40
1981-7207
reponame:Mouseion (Canoas)
instname:Centro Universitário La Salle (Unilasalle)
instacron:UNILASALLE
instname_str Centro Universitário La Salle (Unilasalle)
instacron_str UNILASALLE
institution UNILASALLE
reponame_str Mouseion (Canoas)
collection Mouseion (Canoas)
repository.name.fl_str_mv Mouseion (Canoas) - Centro Universitário La Salle (Unilasalle)
repository.mail.fl_str_mv ||revista.mouseion@unilasalle.edu.br
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