THE VARIOUS WAYS OF ART IN TEACHER TRAINING.
Autor(a) principal: | |
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Data de Publicação: | 2012 |
Outros Autores: | |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Revista Educação Ciência e Cultura |
Texto Completo: | https://revistas.unilasalle.edu.br/index.php/Educacao/article/view/459 |
Resumo: | This study aims to develop analysis and arguments about the value of art in undergraduate education with special attention to teacher training. The art embodies creation and imagination as sources and ways to broaden the perspectives of academic and social production of knowledge. The adopted methodology is the essay, with theoretical and conceptual foundations that support the result of analyzis. The argument is constructed in order to emphasize in art and imagination the possibilities to sharpen the observations that are potencialized by the look with interest and motivation and emotion. The elements of the natural and social environment, which are objects of learning and researching are revealed more widely and deeply in the light of artistic vision and imagery inspiration. Through art, imagination and creativity can reconstruct the real and, in it, the beliefs, ideas, and expectations. Thus, the relationship between art, imagination, sensitivity and awareness implies a concept of art and its symbols and expressions imaginary as vectors of significant discoveries, approaching the subject and object of knowledge, through aesthetic experiences and sensitive. The emergence of the being poetic and sensitive conscience is not, a priori, preceding the aesthetic experience; both - being and consciousness - are part of this experience which combines strangeness and questions, sensitive perceptions and creative imagination, reality and transcendence. |
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THE VARIOUS WAYS OF ART IN TEACHER TRAINING.Os vários sentidos da arte na formação docente.Teacher Training; Undergraduate Education; Art; CreationEducaçãoFormação Docente; Ensino Superior; Arte; CriaçãoThis study aims to develop analysis and arguments about the value of art in undergraduate education with special attention to teacher training. The art embodies creation and imagination as sources and ways to broaden the perspectives of academic and social production of knowledge. The adopted methodology is the essay, with theoretical and conceptual foundations that support the result of analyzis. The argument is constructed in order to emphasize in art and imagination the possibilities to sharpen the observations that are potencialized by the look with interest and motivation and emotion. The elements of the natural and social environment, which are objects of learning and researching are revealed more widely and deeply in the light of artistic vision and imagery inspiration. Through art, imagination and creativity can reconstruct the real and, in it, the beliefs, ideas, and expectations. Thus, the relationship between art, imagination, sensitivity and awareness implies a concept of art and its symbols and expressions imaginary as vectors of significant discoveries, approaching the subject and object of knowledge, through aesthetic experiences and sensitive. The emergence of the being poetic and sensitive conscience is not, a priori, preceding the aesthetic experience; both - being and consciousness - are part of this experience which combines strangeness and questions, sensitive perceptions and creative imagination, reality and transcendence.Este estudo tem como objetivo desenvolver análises e argumentos sobre o valor da arte na formação superior, com especial atenção à formação docente. A arte incorpora criação e imaginação como fontes e formas de ampliar as perspectivas de produção acadêmica e social do conhecimento. A metodologia adotada é o ensaio, com fundamentos teóricos e conceituais, que sustentam a sequência de análises. A argumentação é construída no sentido de enfatizar na arte e na imaginação as possibilidades de aguçar as observações, que são potencializadas pelo olhar com interesse, com motivação e emoção. Os elementos do ambiente natural e social, que constituem objetos de aprendizagem e de pesquisa, se descortinam mais ampla e profundamente à luz da visão artística e das inspirações imagéticas. Através da arte, da imaginação e da criatividade pode-se reconstruir o real e, nele, as crenças, as ideias, as expectativas. Assim, a relação entre arte, imaginação, sensibilidade e consciência implica num conceito da arte e dos seus símbolos e expressões imaginárias como vetores significativos de descobertas, que aproximam sujeito e objeto do conhecimento através de experiências estéticas e sensíveis. A emergência do ser poético e da consciência sensível não é, a priori, anterior à experiência estética; ambos – ser e consciência – fazem parte dessa experiência, que associa estranhamento e indagações, percepções sensíveis e imaginação criadora, realidade e transcendência.Palavras-chave: Formação Docente; Ensino Superior; Arte; Criação. THE VARIOUS WAYS OF ART IN TEACHER TRAININGAbstract: This study aims to develop analysis and arguments about the value of art in undergraduate education with special attention to teacher training. The art embodies creation and imagination as sources and ways to broaden the perspectives of academic and social production of knowledge. The adopted methodology is the essay, with theoretical and conceptual foundations that support the result of analyzis. The argument is constructed in order to emphasize in art and imagination the possibilities to sharpen the observations that are potencialized by the look with interest and motivation and emotion. The elements of the natural and social environment, which are objects of learning and researching are revealed more widely and deeply in the light of artistic vision and imagery inspiration. Through art, imagination and creativity can reconstruct the real and, in it, the beliefs, ideas, and expectations. Thus, the relationship between art, imagination, sensitivity and awareness implies a concept of art and its symbols and expressions imaginary as vectors of significant discoveries, approaching the subject and object of knowledge, through aesthetic experiences and sensitive. The emergence of the being poetic and sensitive conscience is not, a priori, preceding the aesthetic experience; both - being and consciousness - are part of this experience which combines strangeness and questions, sensitive perceptions and creative imagination, reality and transcendence.Keywords: Teacher Training, Undergraduate Education, Art, Creation.Universidade LaSalle - Unilasalle CanoasRangel, MaryRojas, Angelina Accetta2012-08-17info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.unilasalle.edu.br/index.php/Educacao/article/view/45910.18316/459Educação, Ciência e Cultura; v. 17, n. 1 (2012); p. 67-762236-6377reponame:Revista Educação Ciência e Culturainstname:Universidade La Salle (UNILASALLE)instacron:UNILASALLEporhttps://revistas.unilasalle.edu.br/index.php/Educacao/article/view/459/326info:eu-repo/semantics/openAccess2017-09-05T15:12:45Zoai:ojs.revistas.unilasalle.edu.br:article/459Revistahttps://revistas.unilasalle.edu.br/index.php/Educacao/indexONGhttps://revistas.unilasalle.edu.br/index.php/Educacao/oairevistas@unilasalle.edu.br||revista.educacao@unilasalle.edu.br2236-63772238-7293opendoar:2017-09-05T15:12:45Revista Educação Ciência e Cultura - Universidade La Salle (UNILASALLE)false |
dc.title.none.fl_str_mv |
THE VARIOUS WAYS OF ART IN TEACHER TRAINING. Os vários sentidos da arte na formação docente. |
title |
THE VARIOUS WAYS OF ART IN TEACHER TRAINING. |
spellingShingle |
THE VARIOUS WAYS OF ART IN TEACHER TRAINING. Rangel, Mary Teacher Training; Undergraduate Education; Art; Creation Educação Formação Docente; Ensino Superior; Arte; Criação |
title_short |
THE VARIOUS WAYS OF ART IN TEACHER TRAINING. |
title_full |
THE VARIOUS WAYS OF ART IN TEACHER TRAINING. |
title_fullStr |
THE VARIOUS WAYS OF ART IN TEACHER TRAINING. |
title_full_unstemmed |
THE VARIOUS WAYS OF ART IN TEACHER TRAINING. |
title_sort |
THE VARIOUS WAYS OF ART IN TEACHER TRAINING. |
author |
Rangel, Mary |
author_facet |
Rangel, Mary Rojas, Angelina Accetta |
author_role |
author |
author2 |
Rojas, Angelina Accetta |
author2_role |
author |
dc.contributor.none.fl_str_mv |
|
dc.contributor.author.fl_str_mv |
Rangel, Mary Rojas, Angelina Accetta |
dc.subject.none.fl_str_mv |
|
dc.subject.por.fl_str_mv |
Teacher Training; Undergraduate Education; Art; Creation Educação Formação Docente; Ensino Superior; Arte; Criação |
topic |
Teacher Training; Undergraduate Education; Art; Creation Educação Formação Docente; Ensino Superior; Arte; Criação |
description |
This study aims to develop analysis and arguments about the value of art in undergraduate education with special attention to teacher training. The art embodies creation and imagination as sources and ways to broaden the perspectives of academic and social production of knowledge. The adopted methodology is the essay, with theoretical and conceptual foundations that support the result of analyzis. The argument is constructed in order to emphasize in art and imagination the possibilities to sharpen the observations that are potencialized by the look with interest and motivation and emotion. The elements of the natural and social environment, which are objects of learning and researching are revealed more widely and deeply in the light of artistic vision and imagery inspiration. Through art, imagination and creativity can reconstruct the real and, in it, the beliefs, ideas, and expectations. Thus, the relationship between art, imagination, sensitivity and awareness implies a concept of art and its symbols and expressions imaginary as vectors of significant discoveries, approaching the subject and object of knowledge, through aesthetic experiences and sensitive. The emergence of the being poetic and sensitive conscience is not, a priori, preceding the aesthetic experience; both - being and consciousness - are part of this experience which combines strangeness and questions, sensitive perceptions and creative imagination, reality and transcendence. |
publishDate |
2012 |
dc.date.none.fl_str_mv |
2012-08-17 |
dc.type.none.fl_str_mv |
|
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.unilasalle.edu.br/index.php/Educacao/article/view/459 10.18316/459 |
url |
https://revistas.unilasalle.edu.br/index.php/Educacao/article/view/459 |
identifier_str_mv |
10.18316/459 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.unilasalle.edu.br/index.php/Educacao/article/view/459/326 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade LaSalle - Unilasalle Canoas |
publisher.none.fl_str_mv |
Universidade LaSalle - Unilasalle Canoas |
dc.source.none.fl_str_mv |
Educação, Ciência e Cultura; v. 17, n. 1 (2012); p. 67-76 2236-6377 reponame:Revista Educação Ciência e Cultura instname:Universidade La Salle (UNILASALLE) instacron:UNILASALLE |
instname_str |
Universidade La Salle (UNILASALLE) |
instacron_str |
UNILASALLE |
institution |
UNILASALLE |
reponame_str |
Revista Educação Ciência e Cultura |
collection |
Revista Educação Ciência e Cultura |
repository.name.fl_str_mv |
Revista Educação Ciência e Cultura - Universidade La Salle (UNILASALLE) |
repository.mail.fl_str_mv |
revistas@unilasalle.edu.br||revista.educacao@unilasalle.edu.br |
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1788165870400307200 |