Espetáculo teatral incêndios de Wajdi Mouawad e o estudo da relação entre teatro, memória e esquecimento
Autor(a) principal: | |
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Data de Publicação: | 2015 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Repositório Institucional do Centro Universitário La Salle |
Texto Completo: | http://hdl.handle.net/11690/885 |
Resumo: | This Master’s dissertation consists of this work is to study the play Incendies (translated into English as Scorched by Linda Gaboriau) by Canadian playwright Wajdi Mouawad, who was born in Lebanon. One can see how the theme of the play relates to memory and forgetfulness when approaching to individual's memory whose origin is on the trauma of violent acts suffered by the main character: losing her son's father, losing her first son, being arrested, being raped, losing her twin children who were born inside prision. This series of violent acts generates memory ties, and the play reveals that this mother leaves the desire to undo these ties as her will. My analysis is based on theories by Maurice Halbwachs (2006) and Michael Pollak (1989) in order to deepen the discussion on memory, and on Raymond Williams (2002) and Peter Szondi (2004) for the analysis of the tragical sense in theater. As the research final product, my goal is to present a scene of the play (of approximately fifteen minutes), where the trial of the accused of war crimes on international court of justice. In this scene, Nawal, the mother, finds out that her rapist and her torturer is also her first son and father of her twin children. |
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Mósca, PlínioÉboli, Luciana MorteoBernd, Zilá2018-08-06T17:57:02Z2018-08-06T17:57:02Z2015http://hdl.handle.net/11690/885This Master’s dissertation consists of this work is to study the play Incendies (translated into English as Scorched by Linda Gaboriau) by Canadian playwright Wajdi Mouawad, who was born in Lebanon. One can see how the theme of the play relates to memory and forgetfulness when approaching to individual's memory whose origin is on the trauma of violent acts suffered by the main character: losing her son's father, losing her first son, being arrested, being raped, losing her twin children who were born inside prision. This series of violent acts generates memory ties, and the play reveals that this mother leaves the desire to undo these ties as her will. My analysis is based on theories by Maurice Halbwachs (2006) and Michael Pollak (1989) in order to deepen the discussion on memory, and on Raymond Williams (2002) and Peter Szondi (2004) for the analysis of the tragical sense in theater. As the research final product, my goal is to present a scene of the play (of approximately fifteen minutes), where the trial of the accused of war crimes on international court of justice. In this scene, Nawal, the mother, finds out that her rapist and her torturer is also her first son and father of her twin children.O presente projeto de pesquisa do consiste na realização do estudo da dramaturgia da peça da Incêndios, do dramaturgo canadense de origem libanesa, Wajdi Mouawad. Observa-se como a temática da peça pode se relacionar com a memória e o esquecimento, ao abordar a memória individual, originada pelo trauma das violências sofridas pela protagonista Nawal, perda do pai de seu filho, perda de seu primeiro filho, prisão, estupro, perda dos dois gêmeos nascidos dentro do presídio. A peça revela essa série de violências como nós de memória traumas, vergonhas. Esses nós de memória, serão desatados pelo desejo do personagem Nawal em forma de testamento. A análise fundamenta-se nas teorias de Maurice Halbwachs (2006) e Michael Pollak (1989), para aprofundar as questões memoriais, e de Raymond Williams (2002) e Peter Szondi (2004), para a análise do sentido trágico no teatro. Como produto da pesquisa, pretende-se apresentar à banca uma encenação adaptada da peça, com duração aproximada de 45 minutos, que retrata o julgamento dos acusados de crimes de guerra por uma corte internacional de justiça. A escolha desta cena se dá pelo fato de ser o momento da revelação, no enredo, em que Nawal, a mãe, descobre que seu estuprador e carrasco era seu primeiro filho e também pai de seus gêmeos.Centro Universitário La SallePrograma de Pós-Graduação em Memória Social e Bens Culturais (PPGMSBC)BRMemória socialMemóriaEsquecimentoTeatroNós de MemóriaEspetáculo teatral incêndios de Wajdi Mouawad e o estudo da relação entre teatro, memória e esquecimentoinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisCanoas/RSinfo:eu-repo/semantics/openAccessporreponame:Repositório Institucional do Centro Universitário La Salleinstname:Universidade La Salle (UNILASALLE)instacron:UNILASALLEORIGINALpmosca.pdfpmosca.pdfapplication/pdf1726573http://svr-net20.unilasalle.edu.br/bitstream/11690/885/1/pmosca.pdfe3052c58bcd092db468dd507f7c6a9e5MD51LICENSElicense.txtlicense.txttext/plain; charset=utf-82034http://svr-net20.unilasalle.edu.br/bitstream/11690/885/2/license.txtd3c0a82d640554d62a217b1f491b8af9MD5211690/8852019-07-25 15:45:35.757oai:svr-net20.unilasalle.edu.br:11690/885ICAKMS4gSWRlbnRpZmljYcOnw6NvIGRvIEFjYWTDqm1pY28KQXV0b3IoYSk6IF9fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fXwpFbmRlcmXDp286IF9fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fClJHOiBfX19fX19fX19fX19fX19fX19fX18gQ1BGOiBfX19fX19fX19fX19fX19fX19fX19fXyBUZWxlZm9uZTogX19fX19fX19fX19fX19fX19fX19fX19fCkUtbWFpbDpfX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fXwpUw610dWxvOiBfX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fXwpfX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fXwpPcmllbnRhZG9yKGEpOiBfX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fXwpDby1vcmllbnRhZG9yKGEpOiBfX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX18KQ3Vyc28gZGUgR3JhZHVhw6fDo28gZS9vdSBQcm9ncmFtYSBkZSBQw7NzLWdyYWR1YcOnw6NvOiBfX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fXwoyLiBDYXRlZ29yaWEgZG8gYXV0b3IKKCAgICkgRGlzY2VudGUgZ3JhZHVhw6fDo28gICAoICAgKSBEaXNjZW50ZSBww7NzLWdyYWR1YcOnw6NvICAgKCAgICkgRG9jZW50ZSAgIAozLiBJZGVudGlmaWNhw6fDo28gZG8gdGlwbyBkZSBtYXRlcmlhbAooICAgKSBUZXNlICAgKCAgICkgRGlzc2VydGHDp8OjbyAgICggICApIEFydGlnbyAgICggICApIFRyYWJhbGhvIFB1YmxpY2FkbyBlbSBFdmVudG8gICAoICAgKSBMaXZybyAgIAooICAgKSBDYXDDrXR1bG8gZGUgTGl2cm8gICAoICAgKSBNYXRlcmlhbCBpY29ub2dyw6FmaWNvICAgKCAgICkgTWF0ZXJpYWwgYXVkaW92aXN1YWwgCjQuIENvbmRpw6fDtWVzIGRlIGRpc3BvbmliaWxpemHDp8OjbwooICAgKSBUb3RhbCAgICggICApIFBhcmNpYWwgICAKNS4gRW1iYXJnbwooICAgKSBOw6NvICAgKCAgICkgU2ltLiBBdMOpIGEgZGF0YTogX19fXyAvIF9fX18gLyBfX19fXy4KNi4gQWNlc3NvIGFvIGRvY3VtZW50byBubyBmb3JtYXRvIGVsZXRyw7RuaWNvClByZWVuY2hlciBhIGF1dG9yaXphw6fDo28gYWJhaXhvLgpBdXRvcml6YcOnw6NvIHBhcmEgZGlzcG9uaWJpbGl6YcOnw6NvIG5vIHJlcG9zaXTDs3JpbyBpbnN0aXR1Y2lvbmFsIGUvb3UgY2F0w6Fsb2dvIGRpZ2l0YWwgCkF1dG9yaXpvIGFvIFVuaWxhc2FsbGUgZGl2dWxnYXIsIHNlbSByZXNzYXJjaW1lbnRvIGRvcyBkaXJlaXRvcyBhdXRvcmFpcywgYSBwdWJsaWNhw6fDo28gc3VwcmFjaXRhZGEsIGRlIG1pbmhhIGF1dG9yaWEsIG9ic2VydmFuZG8gYXMgY29uZGnDp8O1ZXMgZGUgZGlzcG9uaWJpbGl6YcOnw6NvLiBBIHB1YmxpY2HDp8OjbyBlc3RhcsOhIGFjZXNzw612ZWwgZW0gZm9ybWF0byBkaWdpdGFsLCBwYXJhIGZpbnMgZGUgbGVpdHVyYSwgZG93bmxvYWQgZS9vdSBpbXByZXNzw6NvIG5vIHNpdGUgZG8gVW5pbGFzYWxsZSwgZSwgZW0gY2FzbyBkZSB1c28sIGEgY2l0YcOnw6NvIGRlIGF1dG9yaWEgw6kgb2JyaWdhdMOzcmlhLiAKX19fX19fX19fX19fX19fX19fX18sIF9fX19fLyBfX19fXy9fX19fXwogICAgIExvY2FsIAkJICAgICAgRGF0YQoKX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fX19fCiAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgICAgIEFzc2luYXR1cmEgZG8oYSkgYXV0b3IoYSkgb3Ugc2V1IHJlcHJlc2VudGFudGUgbGVnYWwKRepositório Institucionalopendoar:2019-07-25T18:45:35Repositório Institucional do Centro Universitário La Salle - Universidade La Salle (UNILASALLE)false |
dc.title.pt_BR.fl_str_mv |
Espetáculo teatral incêndios de Wajdi Mouawad e o estudo da relação entre teatro, memória e esquecimento |
title |
Espetáculo teatral incêndios de Wajdi Mouawad e o estudo da relação entre teatro, memória e esquecimento |
spellingShingle |
Espetáculo teatral incêndios de Wajdi Mouawad e o estudo da relação entre teatro, memória e esquecimento Mósca, Plínio Memória social Memória Esquecimento Teatro Nós de Memória |
title_short |
Espetáculo teatral incêndios de Wajdi Mouawad e o estudo da relação entre teatro, memória e esquecimento |
title_full |
Espetáculo teatral incêndios de Wajdi Mouawad e o estudo da relação entre teatro, memória e esquecimento |
title_fullStr |
Espetáculo teatral incêndios de Wajdi Mouawad e o estudo da relação entre teatro, memória e esquecimento |
title_full_unstemmed |
Espetáculo teatral incêndios de Wajdi Mouawad e o estudo da relação entre teatro, memória e esquecimento |
title_sort |
Espetáculo teatral incêndios de Wajdi Mouawad e o estudo da relação entre teatro, memória e esquecimento |
author |
Mósca, Plínio |
author_facet |
Mósca, Plínio |
author_role |
author |
dc.contributor.advisorco.pt_BR.fl_str_mv |
Éboli, Luciana Morteo |
dc.contributor.author.fl_str_mv |
Mósca, Plínio |
dc.contributor.advisor1.fl_str_mv |
Bernd, Zilá |
contributor_str_mv |
Bernd, Zilá |
dc.subject.por.fl_str_mv |
Memória social Memória Esquecimento Teatro Nós de Memória |
topic |
Memória social Memória Esquecimento Teatro Nós de Memória |
description |
This Master’s dissertation consists of this work is to study the play Incendies (translated into English as Scorched by Linda Gaboriau) by Canadian playwright Wajdi Mouawad, who was born in Lebanon. One can see how the theme of the play relates to memory and forgetfulness when approaching to individual's memory whose origin is on the trauma of violent acts suffered by the main character: losing her son's father, losing her first son, being arrested, being raped, losing her twin children who were born inside prision. This series of violent acts generates memory ties, and the play reveals that this mother leaves the desire to undo these ties as her will. My analysis is based on theories by Maurice Halbwachs (2006) and Michael Pollak (1989) in order to deepen the discussion on memory, and on Raymond Williams (2002) and Peter Szondi (2004) for the analysis of the tragical sense in theater. As the research final product, my goal is to present a scene of the play (of approximately fifteen minutes), where the trial of the accused of war crimes on international court of justice. In this scene, Nawal, the mother, finds out that her rapist and her torturer is also her first son and father of her twin children. |
publishDate |
2015 |
dc.date.issued.fl_str_mv |
2015 |
dc.date.accessioned.fl_str_mv |
2018-08-06T17:57:02Z |
dc.date.available.fl_str_mv |
2018-08-06T17:57:02Z |
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http://hdl.handle.net/11690/885 |
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http://hdl.handle.net/11690/885 |
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Centro Universitário La Salle |
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Programa de Pós-Graduação em Memória Social e Bens Culturais (PPGMSBC) |
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BR |
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Centro Universitário La Salle |
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