Espetáculo teatral incêndios de Wajdi Mouawad e o estudo da relação entre teatro, memória e esquecimento

Detalhes bibliográficos
Autor(a) principal: Mósca, Plínio
Data de Publicação: 2015
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Repositório Institucional do Centro Universitário La Salle
Texto Completo: http://hdl.handle.net/11690/885
Resumo: This Master’s dissertation consists of this work is to study the play Incendies (translated into English as Scorched by Linda Gaboriau) by Canadian playwright Wajdi Mouawad, who was born in Lebanon. One can see how the theme of the play relates to memory and forgetfulness when approaching to individual's memory whose origin is on the trauma of violent acts suffered by the main character: losing her son's father, losing her first son, being arrested, being raped, losing her twin children who were born inside prision. This series of violent acts generates memory ties, and the play reveals that this mother leaves the desire to undo these ties as her will. My analysis is based on theories by Maurice Halbwachs (2006) and Michael Pollak (1989) in order to deepen the discussion on memory, and on Raymond Williams (2002) and Peter Szondi (2004) for the analysis of the tragical sense in theater. As the research final product, my goal is to present a scene of the play (of approximately fifteen minutes), where the trial of the accused of war crimes on international court of justice. In this scene, Nawal, the mother, finds out that her rapist and her torturer is also her first son and father of her twin children.
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spelling Mósca, PlínioÉboli, Luciana MorteoBernd, Zilá2018-08-06T17:57:02Z2018-08-06T17:57:02Z2015http://hdl.handle.net/11690/885This Master’s dissertation consists of this work is to study the play Incendies (translated into English as Scorched by Linda Gaboriau) by Canadian playwright Wajdi Mouawad, who was born in Lebanon. One can see how the theme of the play relates to memory and forgetfulness when approaching to individual's memory whose origin is on the trauma of violent acts suffered by the main character: losing her son's father, losing her first son, being arrested, being raped, losing her twin children who were born inside prision. This series of violent acts generates memory ties, and the play reveals that this mother leaves the desire to undo these ties as her will. My analysis is based on theories by Maurice Halbwachs (2006) and Michael Pollak (1989) in order to deepen the discussion on memory, and on Raymond Williams (2002) and Peter Szondi (2004) for the analysis of the tragical sense in theater. As the research final product, my goal is to present a scene of the play (of approximately fifteen minutes), where the trial of the accused of war crimes on international court of justice. In this scene, Nawal, the mother, finds out that her rapist and her torturer is also her first son and father of her twin children.O presente projeto de pesquisa do consiste na realização do estudo da dramaturgia da peça da Incêndios, do dramaturgo canadense de origem libanesa, Wajdi Mouawad. Observa-se como a temática da peça pode se relacionar com a memória e o esquecimento, ao abordar a memória individual, originada pelo trauma das violências sofridas pela protagonista Nawal, perda do pai de seu filho, perda de seu primeiro filho, prisão, estupro, perda dos dois gêmeos nascidos dentro do presídio. A peça revela essa série de violências como nós de memória traumas, vergonhas. Esses nós de memória, serão desatados pelo desejo do personagem Nawal em forma de testamento. A análise fundamenta-se nas teorias de Maurice Halbwachs (2006) e Michael Pollak (1989), para aprofundar as questões memoriais, e de Raymond Williams (2002) e Peter Szondi (2004), para a análise do sentido trágico no teatro. Como produto da pesquisa, pretende-se apresentar à banca uma encenação adaptada da peça, com duração aproximada de 45 minutos, que retrata o julgamento dos acusados de crimes de guerra por uma corte internacional de justiça. A escolha desta cena se dá pelo fato de ser o momento da revelação, no enredo, em que Nawal, a mãe, descobre que seu estuprador e carrasco era seu primeiro filho e também pai de seus gêmeos.Centro Universitário La SallePrograma de Pós-Graduação em Memória Social e Bens Culturais (PPGMSBC)BRMemória socialMemóriaEsquecimentoTeatroNós de MemóriaEspetáculo teatral incêndios de Wajdi Mouawad e o estudo da relação entre teatro, memória e esquecimentoinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesisCanoas/RSinfo:eu-repo/semantics/openAccessporreponame:Repositório Institucional do Centro Universitário La Salleinstname:Universidade La Salle (UNILASALLE)instacron:UNILASALLEORIGINALpmosca.pdfpmosca.pdfapplication/pdf1726573http://svr-net20.unilasalle.edu.br/bitstream/11690/885/1/pmosca.pdfe3052c58bcd092db468dd507f7c6a9e5MD51LICENSElicense.txtlicense.txttext/plain; charset=utf-82034http://svr-net20.unilasalle.edu.br/bitstream/11690/885/2/license.txtd3c0a82d640554d62a217b1f491b8af9MD5211690/8852019-07-25 15:45:35.757oai:svr-net20.unilasalle.edu.br: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ório Institucionalopendoar:2019-07-25T18:45:35Repositório Institucional do Centro Universitário La Salle - Universidade La Salle (UNILASALLE)false
dc.title.pt_BR.fl_str_mv Espetáculo teatral incêndios de Wajdi Mouawad e o estudo da relação entre teatro, memória e esquecimento
title Espetáculo teatral incêndios de Wajdi Mouawad e o estudo da relação entre teatro, memória e esquecimento
spellingShingle Espetáculo teatral incêndios de Wajdi Mouawad e o estudo da relação entre teatro, memória e esquecimento
Mósca, Plínio
Memória social
Memória
Esquecimento
Teatro
Nós de Memória
title_short Espetáculo teatral incêndios de Wajdi Mouawad e o estudo da relação entre teatro, memória e esquecimento
title_full Espetáculo teatral incêndios de Wajdi Mouawad e o estudo da relação entre teatro, memória e esquecimento
title_fullStr Espetáculo teatral incêndios de Wajdi Mouawad e o estudo da relação entre teatro, memória e esquecimento
title_full_unstemmed Espetáculo teatral incêndios de Wajdi Mouawad e o estudo da relação entre teatro, memória e esquecimento
title_sort Espetáculo teatral incêndios de Wajdi Mouawad e o estudo da relação entre teatro, memória e esquecimento
author Mósca, Plínio
author_facet Mósca, Plínio
author_role author
dc.contributor.advisorco.pt_BR.fl_str_mv Éboli, Luciana Morteo
dc.contributor.author.fl_str_mv Mósca, Plínio
dc.contributor.advisor1.fl_str_mv Bernd, Zilá
contributor_str_mv Bernd, Zilá
dc.subject.por.fl_str_mv Memória social
Memória
Esquecimento
Teatro
Nós de Memória
topic Memória social
Memória
Esquecimento
Teatro
Nós de Memória
description This Master’s dissertation consists of this work is to study the play Incendies (translated into English as Scorched by Linda Gaboriau) by Canadian playwright Wajdi Mouawad, who was born in Lebanon. One can see how the theme of the play relates to memory and forgetfulness when approaching to individual's memory whose origin is on the trauma of violent acts suffered by the main character: losing her son's father, losing her first son, being arrested, being raped, losing her twin children who were born inside prision. This series of violent acts generates memory ties, and the play reveals that this mother leaves the desire to undo these ties as her will. My analysis is based on theories by Maurice Halbwachs (2006) and Michael Pollak (1989) in order to deepen the discussion on memory, and on Raymond Williams (2002) and Peter Szondi (2004) for the analysis of the tragical sense in theater. As the research final product, my goal is to present a scene of the play (of approximately fifteen minutes), where the trial of the accused of war crimes on international court of justice. In this scene, Nawal, the mother, finds out that her rapist and her torturer is also her first son and father of her twin children.
publishDate 2015
dc.date.issued.fl_str_mv 2015
dc.date.accessioned.fl_str_mv 2018-08-06T17:57:02Z
dc.date.available.fl_str_mv 2018-08-06T17:57:02Z
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dc.publisher.program.fl_str_mv Programa de Pós-Graduação em Memória Social e Bens Culturais (PPGMSBC)
dc.publisher.country.fl_str_mv BR
publisher.none.fl_str_mv Centro Universitário La Salle
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