Dramaturgia de autoria feminina contemporânea paranaense: estéticas de (re)existências

Detalhes bibliográficos
Autor(a) principal: Gomes, Sumara
Data de Publicação: 2021
Tipo de documento: Dissertação
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações do UNIOESTE
Texto Completo: http://tede.unioeste.br/handle/tede/5375
Resumo: The dissertation focuses on the research of theatrical texts of female authors, looking to reflect on the poetic discourse of playwrights that lived in the state of Paraná and have had written texts for theater in the last decades. It brings the voices of women who writes and wrote for theater in Brazil and the world, to endorse the dramaturgical researches of these new authors, as well as the voices of authors who contribute theoretically to the contemporary theater writing, in addition to feminist voices that discuss the panorama of the movement and how it influences writing for theater made by women. The research includes the study of texts by Leilah Assunção, from the 1960s, Grace Passô, contemporary, from the Rio-São Paulo axis, and Lígia Souza Oliveira, Juliana Partyka and Patrícia Kamis, playwrights from the Sesi Dramaturgy Center - PR. The choice of these three authors in the context of the universe that was based on this studied was due to their consistent production, due to the fact that there protuction setting of their pieces that are recognized is the theme that is surround by this dissertation. This is a bibliographic research, of an analytical type, based on comparative studies in literature and dramaturgy, especially considering the dramaturgical text and its transformations, from Peter Szondi (2001), Jean-Pierre Sarrazac (2012), Hans-Thies Lehmann (2007), Anne Ubersfeld (2005), Jean-Pierre Ryngaert (1998), Sábato Magaldi (2001), Patrice Pavis (2008), Décio de Almeida Prado (2003), Jean-Jacques Roubine (1998), Paul Zumthor (2014), Bertolt Brecht (2005), Peter Brook (1970), J. Guinsburg (2010), Renata Pallottini (1988, 2013), Anne Ubersfeld (2005). Considering studies of dramaturgical production of female authorship in relation to post-colonial studies, we seek theoretical-critical support in authors such as Simone de Beauvoir (1970), Virginia Woolf (1985), Mary Del Priore, (1997), Judith Butler (2003) , Gayatri Spivak (2010), Heloísa Buarque de Hollanda (2019), Elza Cunha de Vincenzo (1992), Djamila Ribeiro (2017), bell hooks (2018), Angela Davis (2016), among others.
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spelling Alves, Lourdes Kaminskihttp://lattes.cnpq.br/2502060350876295Alves, Lourdes Kaminskihttp://lattes.cnpq.br/2502060350876295Silva, Acir Dias dahttp://lattes.cnpq.br/6902191554348937Diniz, Alai Garciahttp://lattes.cnpq.br/1533451239385381Silva, Edson Santoshttp://lattes.cnpq.br/2855415041274093http://lattes.cnpq.br/2581866163871246Gomes, Sumara2021-05-17T13:45:27Z2021-03-15GOMES, Sumara. Dramaturgia de autoria feminina contemporânea paranaense: estéticas de (re)existências. 2021. 158 f. Dissertação (Mestrado em Letras) - Universidade Estadual do Oeste do Paraná, Cascavel - PR.http://tede.unioeste.br/handle/tede/5375The dissertation focuses on the research of theatrical texts of female authors, looking to reflect on the poetic discourse of playwrights that lived in the state of Paraná and have had written texts for theater in the last decades. It brings the voices of women who writes and wrote for theater in Brazil and the world, to endorse the dramaturgical researches of these new authors, as well as the voices of authors who contribute theoretically to the contemporary theater writing, in addition to feminist voices that discuss the panorama of the movement and how it influences writing for theater made by women. The research includes the study of texts by Leilah Assunção, from the 1960s, Grace Passô, contemporary, from the Rio-São Paulo axis, and Lígia Souza Oliveira, Juliana Partyka and Patrícia Kamis, playwrights from the Sesi Dramaturgy Center - PR. The choice of these three authors in the context of the universe that was based on this studied was due to their consistent production, due to the fact that there protuction setting of their pieces that are recognized is the theme that is surround by this dissertation. This is a bibliographic research, of an analytical type, based on comparative studies in literature and dramaturgy, especially considering the dramaturgical text and its transformations, from Peter Szondi (2001), Jean-Pierre Sarrazac (2012), Hans-Thies Lehmann (2007), Anne Ubersfeld (2005), Jean-Pierre Ryngaert (1998), Sábato Magaldi (2001), Patrice Pavis (2008), Décio de Almeida Prado (2003), Jean-Jacques Roubine (1998), Paul Zumthor (2014), Bertolt Brecht (2005), Peter Brook (1970), J. Guinsburg (2010), Renata Pallottini (1988, 2013), Anne Ubersfeld (2005). Considering studies of dramaturgical production of female authorship in relation to post-colonial studies, we seek theoretical-critical support in authors such as Simone de Beauvoir (1970), Virginia Woolf (1985), Mary Del Priore, (1997), Judith Butler (2003) , Gayatri Spivak (2010), Heloísa Buarque de Hollanda (2019), Elza Cunha de Vincenzo (1992), Djamila Ribeiro (2017), bell hooks (2018), Angela Davis (2016), among others.A dissertação enfoca na pesquisa de textos teatrais de autoria feminina, procurando refletir sobre o discurso poético das dramaturgas residentes no estado do Paraná e que tenham escrito textos para teatro nas últimas décadas. Traz as vozes de mulheres que escreveram e escrevem para teatro no Brasil e no mundo, para corroborar as buscas dramatúrgicas dessas novas autoras, bem como as vozes de autores e autoras que abordam teoricamente a escrita contemporânea para teatro, além de vozes feministas que discutem o panorama do movimento e como este influencia na escrita de autoria feminina para teatro. A pesquisa contempla estudos de textos de Leilah Assunção, da década de 1960, Grace Passô, contemporânea, do eixo Rio-São Paulo, e textos das paranaenses Lígia Souza Oliveira, Juliana Partyka e Patrícia Kamis, dramaturgas oriundas do Núcleo de Dramaturgia do Sesi – PR. Trata-se de uma pesquisa de caráter bibliográfico, do tipo analítico, com base nos estudos comparados em literatura e dramaturgia, sobretudo, considerando o texto dramatúrgico e suas transformações, a partir de Peter Szondi (2001), Jean Pierre Sarrazac (2012), Hans-Thies Lehmann (2007), Anne Ubersfeld (2005), Jean-Pierre Ryngaert (1998), Sábato Magaldi (2001), Patrice Pavis (2008), Décio de Almeida Prado (2003), Jean-Jacques Roubine (1998), Paul Zumthor (2014), Bertolt Brecht (2005), Peter Brook (1970), J. Guinsburg (2010), Renata Pallottini (1988, 2013). Considerando estudos da produção dramatúrgica de autoria feminina na relação com estudos pós-coloniais, buscamos embasamento teórico-crítico em autoras como Simone de Beauvoir (1970), Virginia Woolf (1985), Mary Del Priore, (1997), Judith Butler (2003), Gayatri Spivak (2010), Heloísa Buarque de Hollanda (2019), Elza Cunha de Vincenzo (1992), Djamila Ribeiro (2017), bell hooks (2018), Angela Davis (2016), entre outros.Submitted by Neusa Fagundes (neusa.fagundes@unioeste.br) on 2021-05-17T13:45:27Z No. of bitstreams: 2 Sumara_Gomes2021.pdf: 1574286 bytes, checksum: 4a16ac2d6684dfe442795621fff40a80 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2021-05-17T13:45:27Z (GMT). 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dc.title.por.fl_str_mv Dramaturgia de autoria feminina contemporânea paranaense: estéticas de (re)existências
dc.title.alternative.eng.fl_str_mv Paranaense contemporary female authority dramaturgy: aesthetics of (re) existences
title Dramaturgia de autoria feminina contemporânea paranaense: estéticas de (re)existências
spellingShingle Dramaturgia de autoria feminina contemporânea paranaense: estéticas de (re)existências
Gomes, Sumara
Dramaturgia
Autoria feminina
Autorias paranaenses
Contemporaneidade
Dramaturgy
Female authorship
Authors from Paraná
Contemporaneity
Linguagem e Sociedade
title_short Dramaturgia de autoria feminina contemporânea paranaense: estéticas de (re)existências
title_full Dramaturgia de autoria feminina contemporânea paranaense: estéticas de (re)existências
title_fullStr Dramaturgia de autoria feminina contemporânea paranaense: estéticas de (re)existências
title_full_unstemmed Dramaturgia de autoria feminina contemporânea paranaense: estéticas de (re)existências
title_sort Dramaturgia de autoria feminina contemporânea paranaense: estéticas de (re)existências
author Gomes, Sumara
author_facet Gomes, Sumara
author_role author
dc.contributor.advisor1.fl_str_mv Alves, Lourdes Kaminski
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/2502060350876295
dc.contributor.referee1.fl_str_mv Alves, Lourdes Kaminski
dc.contributor.referee1Lattes.fl_str_mv http://lattes.cnpq.br/2502060350876295
dc.contributor.referee2.fl_str_mv Silva, Acir Dias da
dc.contributor.referee2Lattes.fl_str_mv http://lattes.cnpq.br/6902191554348937
dc.contributor.referee3.fl_str_mv Diniz, Alai Garcia
dc.contributor.referee3Lattes.fl_str_mv http://lattes.cnpq.br/1533451239385381
dc.contributor.referee4.fl_str_mv Silva, Edson Santos
dc.contributor.referee4Lattes.fl_str_mv http://lattes.cnpq.br/2855415041274093
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/2581866163871246
dc.contributor.author.fl_str_mv Gomes, Sumara
contributor_str_mv Alves, Lourdes Kaminski
Alves, Lourdes Kaminski
Silva, Acir Dias da
Diniz, Alai Garcia
Silva, Edson Santos
dc.subject.por.fl_str_mv Dramaturgia
Autoria feminina
Autorias paranaenses
Contemporaneidade
topic Dramaturgia
Autoria feminina
Autorias paranaenses
Contemporaneidade
Dramaturgy
Female authorship
Authors from Paraná
Contemporaneity
Linguagem e Sociedade
dc.subject.eng.fl_str_mv Dramaturgy
Female authorship
Authors from Paraná
Contemporaneity
dc.subject.cnpq.fl_str_mv Linguagem e Sociedade
description The dissertation focuses on the research of theatrical texts of female authors, looking to reflect on the poetic discourse of playwrights that lived in the state of Paraná and have had written texts for theater in the last decades. It brings the voices of women who writes and wrote for theater in Brazil and the world, to endorse the dramaturgical researches of these new authors, as well as the voices of authors who contribute theoretically to the contemporary theater writing, in addition to feminist voices that discuss the panorama of the movement and how it influences writing for theater made by women. The research includes the study of texts by Leilah Assunção, from the 1960s, Grace Passô, contemporary, from the Rio-São Paulo axis, and Lígia Souza Oliveira, Juliana Partyka and Patrícia Kamis, playwrights from the Sesi Dramaturgy Center - PR. The choice of these three authors in the context of the universe that was based on this studied was due to their consistent production, due to the fact that there protuction setting of their pieces that are recognized is the theme that is surround by this dissertation. This is a bibliographic research, of an analytical type, based on comparative studies in literature and dramaturgy, especially considering the dramaturgical text and its transformations, from Peter Szondi (2001), Jean-Pierre Sarrazac (2012), Hans-Thies Lehmann (2007), Anne Ubersfeld (2005), Jean-Pierre Ryngaert (1998), Sábato Magaldi (2001), Patrice Pavis (2008), Décio de Almeida Prado (2003), Jean-Jacques Roubine (1998), Paul Zumthor (2014), Bertolt Brecht (2005), Peter Brook (1970), J. Guinsburg (2010), Renata Pallottini (1988, 2013), Anne Ubersfeld (2005). Considering studies of dramaturgical production of female authorship in relation to post-colonial studies, we seek theoretical-critical support in authors such as Simone de Beauvoir (1970), Virginia Woolf (1985), Mary Del Priore, (1997), Judith Butler (2003) , Gayatri Spivak (2010), Heloísa Buarque de Hollanda (2019), Elza Cunha de Vincenzo (1992), Djamila Ribeiro (2017), bell hooks (2018), Angela Davis (2016), among others.
publishDate 2021
dc.date.accessioned.fl_str_mv 2021-05-17T13:45:27Z
dc.date.issued.fl_str_mv 2021-03-15
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dc.identifier.citation.fl_str_mv GOMES, Sumara. Dramaturgia de autoria feminina contemporânea paranaense: estéticas de (re)existências. 2021. 158 f. Dissertação (Mestrado em Letras) - Universidade Estadual do Oeste do Paraná, Cascavel - PR.
dc.identifier.uri.fl_str_mv http://tede.unioeste.br/handle/tede/5375
identifier_str_mv GOMES, Sumara. Dramaturgia de autoria feminina contemporânea paranaense: estéticas de (re)existências. 2021. 158 f. Dissertação (Mestrado em Letras) - Universidade Estadual do Oeste do Paraná, Cascavel - PR.
url http://tede.unioeste.br/handle/tede/5375
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