O tango espetáculo na região binacional do Brasil com a Argentina
Autor(a) principal: | |
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Data de Publicação: | 2018 |
Tipo de documento: | Dissertação |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações do UNIOESTE |
Texto Completo: | http://tede.unioeste.br/handle/tede/4523 |
Resumo: | The present work presents a reflection on how the Tango Show is built in the Brazilian Binational Frontier with Argentina and its relation as a cultural product inserted in the local tourism, contextualizing the Tango as Artistic Manifestation and Intangible Cultural Heritage of Humanity. Thus, the tango was presented in its construction process according to the history of dance and the contributions of the other genres that make it up or contributed in its formation and maintenance process. Among the objectives that permeate this research, reference is made to the transmission between generations and through the shows that come from the binational region, constituted by different borders, as well as characteristics that promote the feeling of belonging and identity. The tango show or scenario, present at the frontier is also considered a good and a resource for local tourism, suggesting to this investigation to note how companies use this medium within the handling and structure of the shows offered to tourists. For this result, we used bibliographic methodological contributions, supported by authors who investigated the dance, such as Hélio Fernandes (2000), Luis Labraña (2000), Hernán Morél (2009), Antonio Perna (2011) and Florencia Garramuño (2009). In addition, as a methodological process of data collection, the observation technique was used, through the researcher's perspective as a professional in the area of ballroom dancing, and professionally involved in a particular moment of the career, with some of the companies mentioned. Another resource used was the semi-structured interviews directed at companies that have tango in regular shows directed to tourists. From the problematizations, objectives and through the methods and methodologies, it was looked for to answer the questions that brought to this research being based on references from the approaches of authors like Herib |
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Klauck, Samuelhttp://lattes.cnpq.br/0473749689984547Santos, José Carlos doshttp://lattes.cnpq.br/8774702624197992Fernandes, Viviane Bonfimhttp://lattes.cnpq.br/6902242645160409Silva, Rosangela de Jesushttp://lattes.cnpq.br/7168736233931232http://lattes.cnpq.br/5423952203444148Oliveira, Daiane Glaucia de2019-10-25T20:15:13Z2018-09-03OLIVEIRA, Daiane Glaucia de. O tango espetáculo na região binacional do Brasil com a Argentina. 2018. 78 f. Dissertação (Mestrado em Sociedade, Cultura e Fronteiras) - Universidade Estadual do Oeste do Paraná, Foz do Iguaçu, 2018.http://tede.unioeste.br/handle/tede/4523The present work presents a reflection on how the Tango Show is built in the Brazilian Binational Frontier with Argentina and its relation as a cultural product inserted in the local tourism, contextualizing the Tango as Artistic Manifestation and Intangible Cultural Heritage of Humanity. Thus, the tango was presented in its construction process according to the history of dance and the contributions of the other genres that make it up or contributed in its formation and maintenance process. Among the objectives that permeate this research, reference is made to the transmission between generations and through the shows that come from the binational region, constituted by different borders, as well as characteristics that promote the feeling of belonging and identity. The tango show or scenario, present at the frontier is also considered a good and a resource for local tourism, suggesting to this investigation to note how companies use this medium within the handling and structure of the shows offered to tourists. For this result, we used bibliographic methodological contributions, supported by authors who investigated the dance, such as Hélio Fernandes (2000), Luis Labraña (2000), Hernán Morél (2009), Antonio Perna (2011) and Florencia Garramuño (2009). In addition, as a methodological process of data collection, the observation technique was used, through the researcher's perspective as a professional in the area of ballroom dancing, and professionally involved in a particular moment of the career, with some of the companies mentioned. Another resource used was the semi-structured interviews directed at companies that have tango in regular shows directed to tourists. From the problematizations, objectives and through the methods and methodologies, it was looked for to answer the questions that brought to this research being based on references from the approaches of authors like HeribO presente trabalho apresenta uma reflexão sobre como o Tango Espetáculo se constitui na Fronteira Binacional do Brasil com a Argentina e sua relação enquanto produto cultural inserido no turismo local, contextualizando-o como Manifestação Artística e Patrimônio Cultural Imaterial da Humanidade. Assim sendo, apresentou-se o tango no seu processo de construção de acordo com a história da dança e as contribuições dos demais gêneros que o compõe ou contribuíram no seu processo de formação e manutenção. Dentre os objetivos que permeiam essa pesquisa, citam-se os referenciais de transmissão entre gerações e através dos espetáculos procedentes na região binacional, constituídos por diversas fronteiras, além de características que promovem o sentimento de pertencimento e identidade. O tango espetáculo ou escenário, presente na fronteira também é considerado bem de uso, e um recurso para o turismo local, sugerindo a essa investigação notar de que forma as empresas utilizam esse meio dentro do manuseio e estrutura dos shows oferecidos aos turistas. Para tal resultado, utilizou-se de aportes metodológicos bibliográficos, amparados por autores que investigaram a dança, como Hélio Fernandes (2000), Luis Labraña (2000), Hernán Morél (2009), Antonio Perna (2011), Florencia Garramuño (2009). Além disso, como processo metodológico de coleta de dados, fez-se uso da técnica de observação, através do olhar da pesquisadora enquanto profissional da área das danças de salão, e envolvida profissionalmente em determinado momento da carreira, com algumas das empresas citadas. Outro recurso utilizado, foram às entrevistas semi - estruturadas dirigidas às empresas que dispõe do tango em shows regulares direcionados a turistas. Partindo das problematizações, objetivos e através dos métodos e metodologias, buscou-se responder as questões que trouxeram a essa pesquisa balizando-se por referências a partir das abordagens de autores como Heriberto Cairo Carou (2001), Lhorenç Prats (1997) e Margarita Barreto (2000 e 2007).Submitted by Wagner Junior (wagner.junior@unioeste.br) on 2019-10-25T20:15:13Z No. of bitstreams: 2 Daiane_Glaucia_de_Oliveira_2018.pdf: 1493112 bytes, checksum: 33eb0e21c8f27a98efcf5439a1947214 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2019-10-25T20:15:13Z (GMT). No. of bitstreams: 2 Daiane_Glaucia_de_Oliveira_2018.pdf: 1493112 bytes, checksum: 33eb0e21c8f27a98efcf5439a1947214 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2018-09-03application/pdfpor8774263440366006536500Universidade Estadual do Oeste do ParanáFoz do IguaçuPrograma de Pós-Graduação em Sociedade, Cultura e FronteirasUNIOESTEBrasilCentro de Educação Letras e Saúdehttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessTangoTurismo culturalPatrimônio culturalFronteira binacionalTangoCultural tourismoCultural heritageBinational borderCIENCIAS SOCIAIS APLICADAS::TURISMOO tango espetáculo na região binacional do Brasil com a ArgentinaThe tango show in the binational region of Brazil and Argentinainfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/masterThesis55956292173257699446006006003180251958877067170-2728351546672652459reponame:Biblioteca Digital de Teses e Dissertações do UNIOESTEinstname:Universidade Estadual do Oeste do Paraná (UNIOESTE)instacron:UNIOESTEORIGINALDaiane_Glaucia_de_Oliveira_2018.pdfDaiane_Glaucia_de_Oliveira_2018.pdfapplication/pdf1493112http://tede.unioeste.br:8080/tede/bitstream/tede/4523/5/Daiane_Glaucia_de_Oliveira_2018.pdf33eb0e21c8f27a98efcf5439a1947214MD55CC-LICENSElicense_urllicense_urltext/plain; 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dc.title.por.fl_str_mv |
O tango espetáculo na região binacional do Brasil com a Argentina |
dc.title.alternative.eng.fl_str_mv |
The tango show in the binational region of Brazil and Argentina |
title |
O tango espetáculo na região binacional do Brasil com a Argentina |
spellingShingle |
O tango espetáculo na região binacional do Brasil com a Argentina Oliveira, Daiane Glaucia de Tango Turismo cultural Patrimônio cultural Fronteira binacional Tango Cultural tourismo Cultural heritage Binational border CIENCIAS SOCIAIS APLICADAS::TURISMO |
title_short |
O tango espetáculo na região binacional do Brasil com a Argentina |
title_full |
O tango espetáculo na região binacional do Brasil com a Argentina |
title_fullStr |
O tango espetáculo na região binacional do Brasil com a Argentina |
title_full_unstemmed |
O tango espetáculo na região binacional do Brasil com a Argentina |
title_sort |
O tango espetáculo na região binacional do Brasil com a Argentina |
author |
Oliveira, Daiane Glaucia de |
author_facet |
Oliveira, Daiane Glaucia de |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Klauck, Samuel |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/0473749689984547 |
dc.contributor.referee1.fl_str_mv |
Santos, José Carlos dos |
dc.contributor.referee1Lattes.fl_str_mv |
http://lattes.cnpq.br/8774702624197992 |
dc.contributor.referee2.fl_str_mv |
Fernandes, Viviane Bonfim |
dc.contributor.referee2Lattes.fl_str_mv |
http://lattes.cnpq.br/6902242645160409 |
dc.contributor.referee3.fl_str_mv |
Silva, Rosangela de Jesus |
dc.contributor.referee3Lattes.fl_str_mv |
http://lattes.cnpq.br/7168736233931232 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/5423952203444148 |
dc.contributor.author.fl_str_mv |
Oliveira, Daiane Glaucia de |
contributor_str_mv |
Klauck, Samuel Santos, José Carlos dos Fernandes, Viviane Bonfim Silva, Rosangela de Jesus |
dc.subject.por.fl_str_mv |
Tango Turismo cultural Patrimônio cultural Fronteira binacional |
topic |
Tango Turismo cultural Patrimônio cultural Fronteira binacional Tango Cultural tourismo Cultural heritage Binational border CIENCIAS SOCIAIS APLICADAS::TURISMO |
dc.subject.eng.fl_str_mv |
Tango Cultural tourismo Cultural heritage Binational border |
dc.subject.cnpq.fl_str_mv |
CIENCIAS SOCIAIS APLICADAS::TURISMO |
description |
The present work presents a reflection on how the Tango Show is built in the Brazilian Binational Frontier with Argentina and its relation as a cultural product inserted in the local tourism, contextualizing the Tango as Artistic Manifestation and Intangible Cultural Heritage of Humanity. Thus, the tango was presented in its construction process according to the history of dance and the contributions of the other genres that make it up or contributed in its formation and maintenance process. Among the objectives that permeate this research, reference is made to the transmission between generations and through the shows that come from the binational region, constituted by different borders, as well as characteristics that promote the feeling of belonging and identity. The tango show or scenario, present at the frontier is also considered a good and a resource for local tourism, suggesting to this investigation to note how companies use this medium within the handling and structure of the shows offered to tourists. For this result, we used bibliographic methodological contributions, supported by authors who investigated the dance, such as Hélio Fernandes (2000), Luis Labraña (2000), Hernán Morél (2009), Antonio Perna (2011) and Florencia Garramuño (2009). In addition, as a methodological process of data collection, the observation technique was used, through the researcher's perspective as a professional in the area of ballroom dancing, and professionally involved in a particular moment of the career, with some of the companies mentioned. Another resource used was the semi-structured interviews directed at companies that have tango in regular shows directed to tourists. From the problematizations, objectives and through the methods and methodologies, it was looked for to answer the questions that brought to this research being based on references from the approaches of authors like Herib |
publishDate |
2018 |
dc.date.issued.fl_str_mv |
2018-09-03 |
dc.date.accessioned.fl_str_mv |
2019-10-25T20:15:13Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/masterThesis |
format |
masterThesis |
status_str |
publishedVersion |
dc.identifier.citation.fl_str_mv |
OLIVEIRA, Daiane Glaucia de. O tango espetáculo na região binacional do Brasil com a Argentina. 2018. 78 f. Dissertação (Mestrado em Sociedade, Cultura e Fronteiras) - Universidade Estadual do Oeste do Paraná, Foz do Iguaçu, 2018. |
dc.identifier.uri.fl_str_mv |
http://tede.unioeste.br/handle/tede/4523 |
identifier_str_mv |
OLIVEIRA, Daiane Glaucia de. O tango espetáculo na região binacional do Brasil com a Argentina. 2018. 78 f. Dissertação (Mestrado em Sociedade, Cultura e Fronteiras) - Universidade Estadual do Oeste do Paraná, Foz do Iguaçu, 2018. |
url |
http://tede.unioeste.br/handle/tede/4523 |
dc.language.iso.fl_str_mv |
por |
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por |
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600 600 600 |
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3180251958877067170 |
dc.relation.cnpq.fl_str_mv |
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http://creativecommons.org/licenses/by-nc-nd/4.0/ info:eu-repo/semantics/openAccess |
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http://creativecommons.org/licenses/by-nc-nd/4.0/ |
eu_rights_str_mv |
openAccess |
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Universidade Estadual do Oeste do Paraná Foz do Iguaçu |
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Programa de Pós-Graduação em Sociedade, Cultura e Fronteiras |
dc.publisher.initials.fl_str_mv |
UNIOESTE |
dc.publisher.country.fl_str_mv |
Brasil |
dc.publisher.department.fl_str_mv |
Centro de Educação Letras e Saúde |
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Universidade Estadual do Oeste do Paraná Foz do Iguaçu |
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