O Enigma da Esfinge: A Emergência do Mito Ulisses na Arte e no Cinema Sob a interface Junguiana

Detalhes bibliográficos
Autor(a) principal: Lopes, Adriana Goreti de Oliveira
Data de Publicação: 2020
Tipo de documento: Tese
Idioma: por
Título da fonte: Biblioteca Digital de Teses e Dissertações do UNIOESTE
Texto Completo: http://tede.unioeste.br/handle/tede/4938
Resumo: This thesis has the objective to study the mythic narrative that is present in several arts, such as the movie, the literature and its connections with Analytical Psychology interfacing. It is about Ulysses’s journey, Homer’s and James Joyce’s work, the methodological assumption of the compared literature. The research is done by the theoretic objective of Homer ’s work, The Odyssey, the films o Brother, Where Art Thou? directed by the Brothers Joel and Ethan Coen in 2000. What is Brazil, in 1985, by Terry Giliam and Steppenwolf, directed by the American Fred Haines, in 1974. These movies belong to introverted genre. The last movie that will be analyzed is Bloom, all life in only one day. Ulysses’s Work adaptation, by James Joyce, in 2003, represented by the extroverted genre. Aby Warburg’s method image analyses (2015) called “iconographies” allows to show the image reappearance, his posthumous and dialectic life between myth and logo to illustrate the figure of the human condition going back to a past echo, through Ulysses drama, but Always bringing the zeitgeist, under a new textuality. As a result, it was used the theorycal body of Analytical Psychology of Carl Gustav Jung (2011) and Jungian authors as Hillman (2011), mythologist as Campbell (2007) and Kerényi (2015); the adaptation of the hero’s journey to the movie of Vogler (2015) and Canevacci (1990), the relation of this language to these bodies with the theorycal presupposition method of the Compared Literature, considering Nitrini and Coutinho’ s study (2003).
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spelling Silva, Acir Dias dahttp://lattes.cnpq.br/6902191554348937Sirino, Salete Paulina Machadohttp://lattes.cnpq.br/1331036846713013Camargo, Hertez Wendel dehttp://lattes.cnpq.br/2778413245735367Schroeder, Tânia Maria Rechiahttp://lattes.cnpq.br/5605834926513023Alves, Lourdes Kaminskihttp://lattes.cnpq.br/2502060350876295Cruz, Antonio Donizeti dahttp://lattes.cnpq.br/9408709557013563http://lattes.cnpq.br/9694526362843629Lopes, Adriana Goreti de Oliveira2020-09-17T12:35:28Z2020-04-24LOPES, Adriana Goreti de Oliveira. O Enigma da Esfinge: A Emergência do Mito Ulisses na Arte e no Cinema Sob a interface Junguiana. 2020. 264 f. Tese( Doutorado em Letras) - Universidade Estadual do Oeste do Paraná, Cascavel PR .http://tede.unioeste.br/handle/tede/4938This thesis has the objective to study the mythic narrative that is present in several arts, such as the movie, the literature and its connections with Analytical Psychology interfacing. It is about Ulysses’s journey, Homer’s and James Joyce’s work, the methodological assumption of the compared literature. The research is done by the theoretic objective of Homer ’s work, The Odyssey, the films o Brother, Where Art Thou? directed by the Brothers Joel and Ethan Coen in 2000. What is Brazil, in 1985, by Terry Giliam and Steppenwolf, directed by the American Fred Haines, in 1974. These movies belong to introverted genre. The last movie that will be analyzed is Bloom, all life in only one day. Ulysses’s Work adaptation, by James Joyce, in 2003, represented by the extroverted genre. Aby Warburg’s method image analyses (2015) called “iconographies” allows to show the image reappearance, his posthumous and dialectic life between myth and logo to illustrate the figure of the human condition going back to a past echo, through Ulysses drama, but Always bringing the zeitgeist, under a new textuality. As a result, it was used the theorycal body of Analytical Psychology of Carl Gustav Jung (2011) and Jungian authors as Hillman (2011), mythologist as Campbell (2007) and Kerényi (2015); the adaptation of the hero’s journey to the movie of Vogler (2015) and Canevacci (1990), the relation of this language to these bodies with the theorycal presupposition method of the Compared Literature, considering Nitrini and Coutinho’ s study (2003).Esta tese tem por objetivo investigar a narrativa mítica presente em diversas artes como o cinema, a literatura e suas inter-relações com a interface da Psicologia Analítica, relacionando a jornada de Ulisses, das obras de Homero e James Joyce, com os pressupostos metodológicos da literatura comparada. O corpus da pesquisa é constituído pelo escopo teórico da obra de Homero, A Odisseia; os filmes E aí, meu irmão, cadê você?, dirigido pelos irmãos Joel e Ethan Coen em 2000; Brazil, o filme: do outro lado do sonho, de 1985 por Terry Giliam e O Lobo da Estepe, dirigido pelo americano Fred Haines, em 1974. Estes filmes são pertencentes ao gênero introvertido. O último filme analisado será Bloom: toda uma vida em um único dia. Uma adaptação da Obra Ulisses, de James Joyce, de 2003, representando o gênero extrovertido. A metodologia de análise de imagens de Aby Warburg (2015), denominada “iconografia”, permite demonstrar o ressurgimento da imagem, sua vida póstuma e a dialética entre mito e logos para exemplificar, no drama de Ulisses, a metáfora da condição humana retomando como um eco do passado, mas sempre trazendo o zeitgeist, sob uma nova textualidade. Assim, foi utilizado o corpo teórico da Psicologia Analítica de Carl Gustav Jung (2011) e autores pós-Junguianos como Hillman (2011); mitólogos como Campbell (2007) e Kerényi (2015); a adaptação da Jornada do herói para o cinema de Vogler (2015) e de Canevacci (1990), correlacionando a linguagem desses campos com os pressupostos teórico-metodológicos da Literatura Comparada, considerando-se estudos de Nitrini (2000) e Coutinho (2003).Submitted by Neusa Fagundes (neusa.fagundes@unioeste.br) on 2020-09-17T12:35:28Z No. of bitstreams: 2 Adriana Goreti de Oliveira Lopes.pdf: 11822991 bytes, checksum: a4144fbad98870a6a7bc1ba3d2507113 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2020-09-17T12:35:28Z (GMT). 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dc.title.por.fl_str_mv O Enigma da Esfinge: A Emergência do Mito Ulisses na Arte e no Cinema Sob a interface Junguiana
dc.title.alternative.eng.fl_str_mv The enigma of the sphinx: the emergence of the Ulysses myth in art and cinema under the Jungian interface
title O Enigma da Esfinge: A Emergência do Mito Ulisses na Arte e no Cinema Sob a interface Junguiana
spellingShingle O Enigma da Esfinge: A Emergência do Mito Ulisses na Arte e no Cinema Sob a interface Junguiana
Lopes, Adriana Goreti de Oliveira
Mito
Cinema
Psicologia Analítica
Arte e Literatura Comparada
Myth
Movie
Analytical Psychology
Arts and Compared Literature
LETRAS::LITERATURA COMPARADA
title_short O Enigma da Esfinge: A Emergência do Mito Ulisses na Arte e no Cinema Sob a interface Junguiana
title_full O Enigma da Esfinge: A Emergência do Mito Ulisses na Arte e no Cinema Sob a interface Junguiana
title_fullStr O Enigma da Esfinge: A Emergência do Mito Ulisses na Arte e no Cinema Sob a interface Junguiana
title_full_unstemmed O Enigma da Esfinge: A Emergência do Mito Ulisses na Arte e no Cinema Sob a interface Junguiana
title_sort O Enigma da Esfinge: A Emergência do Mito Ulisses na Arte e no Cinema Sob a interface Junguiana
author Lopes, Adriana Goreti de Oliveira
author_facet Lopes, Adriana Goreti de Oliveira
author_role author
dc.contributor.advisor1.fl_str_mv Silva, Acir Dias da
dc.contributor.advisor1Lattes.fl_str_mv http://lattes.cnpq.br/6902191554348937
dc.contributor.referee1.fl_str_mv Sirino, Salete Paulina Machado
dc.contributor.referee1Lattes.fl_str_mv http://lattes.cnpq.br/1331036846713013
dc.contributor.referee2.fl_str_mv Camargo, Hertez Wendel de
dc.contributor.referee2Lattes.fl_str_mv http://lattes.cnpq.br/2778413245735367
dc.contributor.referee3.fl_str_mv Schroeder, Tânia Maria Rechia
dc.contributor.referee3Lattes.fl_str_mv http://lattes.cnpq.br/5605834926513023
dc.contributor.referee4.fl_str_mv Alves, Lourdes Kaminski
dc.contributor.referee4Lattes.fl_str_mv http://lattes.cnpq.br/2502060350876295
dc.contributor.referee5.fl_str_mv Cruz, Antonio Donizeti da
dc.contributor.referee5Lattes.fl_str_mv http://lattes.cnpq.br/9408709557013563
dc.contributor.authorLattes.fl_str_mv http://lattes.cnpq.br/9694526362843629
dc.contributor.author.fl_str_mv Lopes, Adriana Goreti de Oliveira
contributor_str_mv Silva, Acir Dias da
Sirino, Salete Paulina Machado
Camargo, Hertez Wendel de
Schroeder, Tânia Maria Rechia
Alves, Lourdes Kaminski
Cruz, Antonio Donizeti da
dc.subject.por.fl_str_mv Mito
Cinema
Psicologia Analítica
Arte e Literatura Comparada
Myth
Movie
Analytical Psychology
Arts and Compared Literature
topic Mito
Cinema
Psicologia Analítica
Arte e Literatura Comparada
Myth
Movie
Analytical Psychology
Arts and Compared Literature
LETRAS::LITERATURA COMPARADA
dc.subject.cnpq.fl_str_mv LETRAS::LITERATURA COMPARADA
description This thesis has the objective to study the mythic narrative that is present in several arts, such as the movie, the literature and its connections with Analytical Psychology interfacing. It is about Ulysses’s journey, Homer’s and James Joyce’s work, the methodological assumption of the compared literature. The research is done by the theoretic objective of Homer ’s work, The Odyssey, the films o Brother, Where Art Thou? directed by the Brothers Joel and Ethan Coen in 2000. What is Brazil, in 1985, by Terry Giliam and Steppenwolf, directed by the American Fred Haines, in 1974. These movies belong to introverted genre. The last movie that will be analyzed is Bloom, all life in only one day. Ulysses’s Work adaptation, by James Joyce, in 2003, represented by the extroverted genre. Aby Warburg’s method image analyses (2015) called “iconographies” allows to show the image reappearance, his posthumous and dialectic life between myth and logo to illustrate the figure of the human condition going back to a past echo, through Ulysses drama, but Always bringing the zeitgeist, under a new textuality. As a result, it was used the theorycal body of Analytical Psychology of Carl Gustav Jung (2011) and Jungian authors as Hillman (2011), mythologist as Campbell (2007) and Kerényi (2015); the adaptation of the hero’s journey to the movie of Vogler (2015) and Canevacci (1990), the relation of this language to these bodies with the theorycal presupposition method of the Compared Literature, considering Nitrini and Coutinho’ s study (2003).
publishDate 2020
dc.date.accessioned.fl_str_mv 2020-09-17T12:35:28Z
dc.date.issued.fl_str_mv 2020-04-24
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dc.identifier.citation.fl_str_mv LOPES, Adriana Goreti de Oliveira. O Enigma da Esfinge: A Emergência do Mito Ulisses na Arte e no Cinema Sob a interface Junguiana. 2020. 264 f. Tese( Doutorado em Letras) - Universidade Estadual do Oeste do Paraná, Cascavel PR .
dc.identifier.uri.fl_str_mv http://tede.unioeste.br/handle/tede/4938
identifier_str_mv LOPES, Adriana Goreti de Oliveira. O Enigma da Esfinge: A Emergência do Mito Ulisses na Arte e no Cinema Sob a interface Junguiana. 2020. 264 f. Tese( Doutorado em Letras) - Universidade Estadual do Oeste do Paraná, Cascavel PR .
url http://tede.unioeste.br/handle/tede/4938
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