O Enígma da Esfinge: a emergência do mito Ulisses na arte e no cinema sob a interface Junguiana
Autor(a) principal: | |
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Data de Publicação: | 2020 |
Tipo de documento: | Tese |
Idioma: | por |
Título da fonte: | Biblioteca Digital de Teses e Dissertações do UNIOESTE |
Texto Completo: | http://tede.unioeste.br/handle/tede/5414 |
Resumo: | This thesis has the objective to study the mythic narrative that is present in several arts, such as the movie, the literature and its connections with Analytical Psychology interfacing. It is about Ulysses’s journey, Homer’s and James Joyce’s work, the methodological assumption of the compared literature. The research is done by the theoretic objective of Homer ’s work, The Odyssey, the films o Brother, Where Art Thou? directed by the Brothers Joel and Ethan Coen in 2000. What is Brazil, in 1985, by Terry Giliam and Steppenwolf, directed by the American Fred Haines, in 1974. These movies belong to introverted genre. The last movie that will be analyzed is Bloom, all life in only one day. Ulysses’s Work adaptation, by James Joyce, in 2003, represented by the extroverted genre. Aby Warburg’s method image analyses (2015) called “iconographies” allows to show the image reappearance, his posthumous and dialectic life between myth and logo to illustrate the figure of the human condition going back to a past echo, through Ulysses drama, but Always bringing the zeitgeist, under a new textuality. As a result, it was used the theorycal body of Analytical Psychology of Carl Gustav Jung (2011) and Jungian authors as Hillman (2011), mythologist as Campbell (2007) and Kerényi (2015); the adaptation of the hero’s journey to the movie of Vogler (2015) and Canevacci (1990), the relation of this language to these bodies with the theorycal presupposition method of the Compared Literature, considering Nitrini and Coutinho’ s study (2003). |
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Silva, Acir Dias dahttp://lattes.cnpq.br/6902191554348937Silva, Acir Dias dahttp://lattes.cnpq.br/6902191554348937Sirino, Salete Paulina Machadohttp://lattes.cnpq.br/1331036846713013Camargo, Hertz Wendel dehttp://lattes.cnpq.br/2778413245735367Schroeder, Tânia Maria Rechiahttp://lattes.cnpq.br/5605834926513023Alves, Lourdes Kaminskihttp://lattes.cnpq.br/2502060350876295http://lattes.cnpq.br/9694526362843629Lopes, Adriana Goreti de Oliveira2021-06-11T13:21:22Z2020-04-24LOPES, Adriana Goreti de Oliveira. O Enígma da Esfinge: a emergência do mito Ulisses na arte e no cinema sob a interface Junguiana. 2020. 264 f. Tese (Doutorado em Letras) - Universidade Estadual do Oeste do Paraná, Cascavel - PR.http://tede.unioeste.br/handle/tede/5414This thesis has the objective to study the mythic narrative that is present in several arts, such as the movie, the literature and its connections with Analytical Psychology interfacing. It is about Ulysses’s journey, Homer’s and James Joyce’s work, the methodological assumption of the compared literature. The research is done by the theoretic objective of Homer ’s work, The Odyssey, the films o Brother, Where Art Thou? directed by the Brothers Joel and Ethan Coen in 2000. What is Brazil, in 1985, by Terry Giliam and Steppenwolf, directed by the American Fred Haines, in 1974. These movies belong to introverted genre. The last movie that will be analyzed is Bloom, all life in only one day. Ulysses’s Work adaptation, by James Joyce, in 2003, represented by the extroverted genre. Aby Warburg’s method image analyses (2015) called “iconographies” allows to show the image reappearance, his posthumous and dialectic life between myth and logo to illustrate the figure of the human condition going back to a past echo, through Ulysses drama, but Always bringing the zeitgeist, under a new textuality. As a result, it was used the theorycal body of Analytical Psychology of Carl Gustav Jung (2011) and Jungian authors as Hillman (2011), mythologist as Campbell (2007) and Kerényi (2015); the adaptation of the hero’s journey to the movie of Vogler (2015) and Canevacci (1990), the relation of this language to these bodies with the theorycal presupposition method of the Compared Literature, considering Nitrini and Coutinho’ s study (2003).Esta tese tem por objetivo investigar a narrativa mítica presente em diversas artes como o cinema, a literatura e suas inter-relações com a interface da Psicologia Analítica, relacionando a jornada de Ulisses, das obras de Homero e James Joyce, com os pressupostos metodológicos da literatura comparada. O corpus da pesquisa é constituído pelo escopo teórico da obra de Homero, A Odisseia; os filmes E aí, meu irmão, cadê você?, dirigido pelos irmãos Joel e Ethan Coen em 2000; Brazil, o filme: do outro lado do sonho, de 1985 por Terry Giliam e O Lobo da Estepe, dirigido pelo americano Fred Haines, em 1974. Estes filmes são pertencentes ao gênero introvertido. O último filme analisado será Bloom: toda uma vida em um único dia. Uma adaptação da Obra Ulisses, de James Joyce, de 2003, representando o gênero extrovertido. A metodologia de análise de imagens de Aby Warburg (2015), denominada “iconografia”, permite demonstrar o ressurgimento da imagem, sua vida póstuma e a dialética entre mito e logos para exemplificar, no drama de Ulisses, a metáfora da condição humana retomando como um eco do passado, mas sempre trazendo o zeitgeist, sob uma nova textualidade. Assim, foi utilizado o corpo teórico da Psicologia Analítica de Carl Gustav Jung (2011) e autores pós-Junguianos como Hillman (2011); mitólogos como Campbell (2007) e Kerényi (2015); a adaptação da Jornada do herói para o cinema de Vogler (2015) e de Canevacci (1990), correlacionando a linguagem desses campos com os pressupostos teórico-metodológicos da Literatura Comparada, considerando-se estudos de Nitrini (2000) e Coutinho (2003).Submitted by Neusa Fagundes (neusa.fagundes@unioeste.br) on 2021-06-11T13:21:22Z No. of bitstreams: 2 Adriana_Lopes2020.pdf: 11823002 bytes, checksum: c50c4bd95c5196f651128b06604f3991 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)Made available in DSpace on 2021-06-11T13:21:22Z (GMT). No. of bitstreams: 2 Adriana_Lopes2020.pdf: 11823002 bytes, checksum: c50c4bd95c5196f651128b06604f3991 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2020-04-24application/pdfpor6588633818200016417500Universidade Estadual do Oeste do ParanáCascavelPrograma de Pós-Graduação em LetrasUNIOESTEBrasilCentro de Educação, Comunicação e Arteshttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessMitoCinemaPsicologia AnalíticaArte e Literatura ComparadaMythMovieAnalytical PsychologyArts and Compared LiteratureLetrasO Enígma da Esfinge: a emergência do mito Ulisses na arte e no cinema sob a interface JunguianaThe Enigma of the Sphinx: the emergence of the Ulysses myth in art and cinema under the Jungian interfaceinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/doctoralThesis84473450707363215696006006678066452762177366reponame:Biblioteca Digital de Teses e Dissertações do UNIOESTEinstname:Universidade Estadual do Oeste do Paraná (UNIOESTE)instacron:UNIOESTEORIGINALAdriana_Lopes2020.pdfAdriana_Lopes2020.pdfapplication/pdf11823002http://tede.unioeste.br:8080/tede/bitstream/tede/5414/5/Adriana_Lopes2020.pdfc50c4bd95c5196f651128b06604f3991MD55CC-LICENSElicense_urllicense_urltext/plain; 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dc.title.por.fl_str_mv |
O Enígma da Esfinge: a emergência do mito Ulisses na arte e no cinema sob a interface Junguiana |
dc.title.alternative.eng.fl_str_mv |
The Enigma of the Sphinx: the emergence of the Ulysses myth in art and cinema under the Jungian interface |
title |
O Enígma da Esfinge: a emergência do mito Ulisses na arte e no cinema sob a interface Junguiana |
spellingShingle |
O Enígma da Esfinge: a emergência do mito Ulisses na arte e no cinema sob a interface Junguiana Lopes, Adriana Goreti de Oliveira Mito Cinema Psicologia Analítica Arte e Literatura Comparada Myth Movie Analytical Psychology Arts and Compared Literature Letras |
title_short |
O Enígma da Esfinge: a emergência do mito Ulisses na arte e no cinema sob a interface Junguiana |
title_full |
O Enígma da Esfinge: a emergência do mito Ulisses na arte e no cinema sob a interface Junguiana |
title_fullStr |
O Enígma da Esfinge: a emergência do mito Ulisses na arte e no cinema sob a interface Junguiana |
title_full_unstemmed |
O Enígma da Esfinge: a emergência do mito Ulisses na arte e no cinema sob a interface Junguiana |
title_sort |
O Enígma da Esfinge: a emergência do mito Ulisses na arte e no cinema sob a interface Junguiana |
author |
Lopes, Adriana Goreti de Oliveira |
author_facet |
Lopes, Adriana Goreti de Oliveira |
author_role |
author |
dc.contributor.advisor1.fl_str_mv |
Silva, Acir Dias da |
dc.contributor.advisor1Lattes.fl_str_mv |
http://lattes.cnpq.br/6902191554348937 |
dc.contributor.referee1.fl_str_mv |
Silva, Acir Dias da |
dc.contributor.referee1Lattes.fl_str_mv |
http://lattes.cnpq.br/6902191554348937 |
dc.contributor.referee2.fl_str_mv |
Sirino, Salete Paulina Machado |
dc.contributor.referee2Lattes.fl_str_mv |
http://lattes.cnpq.br/1331036846713013 |
dc.contributor.referee3.fl_str_mv |
Camargo, Hertz Wendel de |
dc.contributor.referee3Lattes.fl_str_mv |
http://lattes.cnpq.br/2778413245735367 |
dc.contributor.referee4.fl_str_mv |
Schroeder, Tânia Maria Rechia |
dc.contributor.referee4Lattes.fl_str_mv |
http://lattes.cnpq.br/5605834926513023 |
dc.contributor.referee5.fl_str_mv |
Alves, Lourdes Kaminski |
dc.contributor.referee5Lattes.fl_str_mv |
http://lattes.cnpq.br/2502060350876295 |
dc.contributor.authorLattes.fl_str_mv |
http://lattes.cnpq.br/9694526362843629 |
dc.contributor.author.fl_str_mv |
Lopes, Adriana Goreti de Oliveira |
contributor_str_mv |
Silva, Acir Dias da Silva, Acir Dias da Sirino, Salete Paulina Machado Camargo, Hertz Wendel de Schroeder, Tânia Maria Rechia Alves, Lourdes Kaminski |
dc.subject.por.fl_str_mv |
Mito Cinema Psicologia Analítica Arte e Literatura Comparada |
topic |
Mito Cinema Psicologia Analítica Arte e Literatura Comparada Myth Movie Analytical Psychology Arts and Compared Literature Letras |
dc.subject.eng.fl_str_mv |
Myth Movie Analytical Psychology Arts and Compared Literature |
dc.subject.cnpq.fl_str_mv |
Letras |
description |
This thesis has the objective to study the mythic narrative that is present in several arts, such as the movie, the literature and its connections with Analytical Psychology interfacing. It is about Ulysses’s journey, Homer’s and James Joyce’s work, the methodological assumption of the compared literature. The research is done by the theoretic objective of Homer ’s work, The Odyssey, the films o Brother, Where Art Thou? directed by the Brothers Joel and Ethan Coen in 2000. What is Brazil, in 1985, by Terry Giliam and Steppenwolf, directed by the American Fred Haines, in 1974. These movies belong to introverted genre. The last movie that will be analyzed is Bloom, all life in only one day. Ulysses’s Work adaptation, by James Joyce, in 2003, represented by the extroverted genre. Aby Warburg’s method image analyses (2015) called “iconographies” allows to show the image reappearance, his posthumous and dialectic life between myth and logo to illustrate the figure of the human condition going back to a past echo, through Ulysses drama, but Always bringing the zeitgeist, under a new textuality. As a result, it was used the theorycal body of Analytical Psychology of Carl Gustav Jung (2011) and Jungian authors as Hillman (2011), mythologist as Campbell (2007) and Kerényi (2015); the adaptation of the hero’s journey to the movie of Vogler (2015) and Canevacci (1990), the relation of this language to these bodies with the theorycal presupposition method of the Compared Literature, considering Nitrini and Coutinho’ s study (2003). |
publishDate |
2020 |
dc.date.issued.fl_str_mv |
2020-04-24 |
dc.date.accessioned.fl_str_mv |
2021-06-11T13:21:22Z |
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LOPES, Adriana Goreti de Oliveira. O Enígma da Esfinge: a emergência do mito Ulisses na arte e no cinema sob a interface Junguiana. 2020. 264 f. Tese (Doutorado em Letras) - Universidade Estadual do Oeste do Paraná, Cascavel - PR. |
dc.identifier.uri.fl_str_mv |
http://tede.unioeste.br/handle/tede/5414 |
identifier_str_mv |
LOPES, Adriana Goreti de Oliveira. O Enígma da Esfinge: a emergência do mito Ulisses na arte e no cinema sob a interface Junguiana. 2020. 264 f. Tese (Doutorado em Letras) - Universidade Estadual do Oeste do Paraná, Cascavel - PR. |
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