Narrative and reading: from experience to letters

Detalhes bibliográficos
Autor(a) principal: Ferraz, Luana
Data de Publicação: 2014
Outros Autores: Moraes, Fabiano de Oliveira
Tipo de documento: Artigo
Idioma: por
Título da fonte: Signo (Santa Cruz do Sul. Online)
Texto Completo: https://online.unisc.br/seer/index.php/signo/article/view/4481
Resumo: In contemporary society, death is presented as the tragic fate of experience. The urgency of information, the imperative of judgment, the speed and excess of activity make the possibility of something happening to us, or of something touching us, increasingly remote. So it is expected, as of Benjamin (1979), that the traditional narrative, deeply tied to experience, have the same end. However, life has its tricks and always finds ways of proclaiming itself. Even in the present day scenario of different world interpretations, ‘stories experienced in life” inscribe themselves (and are written) in the written text of the contemporary narrator. Thus, narratives, dynamic, escaping the order of the necessary and / or real, survive to be read and retold. To illustrate the persistence of traditionalism in the figure of the contemporary narrator, take a snippet of text from the incontestably literary work "Brazilian origin myths: the art of storytelling and indigenous tradition, " by Francisco Gregório Filho. In this text, the author runs through the ages of his familiar history, presenting those moments which, updated and reinterpreted, construct his identity as narrator. We are interested in observing how the traditional contemporary narrator brings his story together out of experience, making it writable, and how the story can be transformed again into experience for and in readers. Along the way, we tread the paths of memory, identity, and multiplicity. The words of Larrosa (2002), Delgado (2006), Yunes (2003a, 2003b, 2012), Bosi (1987), among others, illuminate our path.
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spelling Narrative and reading: from experience to lettersNarrativa e leitura: da experiência às letrasNarrativa. Experiência. Leitura.Narrative. Experience. Reading.In contemporary society, death is presented as the tragic fate of experience. The urgency of information, the imperative of judgment, the speed and excess of activity make the possibility of something happening to us, or of something touching us, increasingly remote. So it is expected, as of Benjamin (1979), that the traditional narrative, deeply tied to experience, have the same end. However, life has its tricks and always finds ways of proclaiming itself. Even in the present day scenario of different world interpretations, ‘stories experienced in life” inscribe themselves (and are written) in the written text of the contemporary narrator. Thus, narratives, dynamic, escaping the order of the necessary and / or real, survive to be read and retold. To illustrate the persistence of traditionalism in the figure of the contemporary narrator, take a snippet of text from the incontestably literary work "Brazilian origin myths: the art of storytelling and indigenous tradition, " by Francisco Gregório Filho. In this text, the author runs through the ages of his familiar history, presenting those moments which, updated and reinterpreted, construct his identity as narrator. We are interested in observing how the traditional contemporary narrator brings his story together out of experience, making it writable, and how the story can be transformed again into experience for and in readers. Along the way, we tread the paths of memory, identity, and multiplicity. The words of Larrosa (2002), Delgado (2006), Yunes (2003a, 2003b, 2012), Bosi (1987), among others, illuminate our path.Na sociedade contemporânea, a morte se apresenta como o trágico destino da experiência. A urgência da informação, o imperativo do julgamento, a velocidade e o excesso de atividade tornam a possibilidade de que algo nos aconteça, ou de que algo nos toque, cada vez mais remota. Desse modo, espera-se, desde Benjamin (1979), que a narrativa tradicional, profundamente atrelada à experiência, tenha o mesmo fim. Entretanto, a vida tem seus artifícios e sempre encontra meios de se dizer. Mesmo no cenário atual, diferentes leituras do mundo, ‘histórias vividas’ inscrevem-se (e escrevem-se) no texto escrito do narrador contemporâneo. Assim, as narrativas, dinâmicas, escapando à ordem do necessário e/ou do real sobrevivem para serem lidas e recontadas. A fim de ilustrar a permanência da tradicionalidade na figura do narrador contemporâneo tomamos um trecho do texto de incontestável literariedade “Mitos brasileiros de origem: a arte de contar histórias e a tradição indígena”, de Francisco Gregório Filho. Nesse texto, o autor percorre os tempos de sua história familiar, apresentando os momentos que, atualizados e ressignificados, constroem sua identidade como narrador. Interessa-nos observar como o narrador tradicional contemporâneo recolhe sua história na experiência, tornando-a ‘escrevível’, e como a história pode transformar-se novamente em experiência para os/nos leitores. Nesse percurso, trilhamos as veredas da memória, da identidade e da multiplicidade. Iluminam nosso caminho as palavras de Larrosa (2002), Delgado (2006), Yunes (2003a, 2003b, 2012), Bosi (1987), entre outros.Edunisc2014-01-03info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://online.unisc.br/seer/index.php/signo/article/view/448110.17058/signo.v39i66.4481Signo; v. 39 n. 66 (2014): Narração literária, da oralidade à escrita; 290-3001982-2014reponame:Signo (Santa Cruz do Sul. Online)instname:Universidade de Santa Cruz do Sul (UNISC)instacron:UNISCporhttps://online.unisc.br/seer/index.php/signo/article/view/4481/3473Ferraz, LuanaMoraes, Fabiano de Oliveirainfo:eu-repo/semantics/openAccess2018-07-26T17:52:54Zoai:ojs.online.unisc.br:article/4481Revistahttp://online.unisc.br/seer/index.php/signohttp://online.unisc.br/seer/index.php/signo/oairgabriel@unisc.br||revistasigno.unisc@gmail.com1982-20140101-1812opendoar:2018-07-26T17:52:54Signo (Santa Cruz do Sul. Online) - Universidade de Santa Cruz do Sul (UNISC)false
dc.title.none.fl_str_mv Narrative and reading: from experience to letters
Narrativa e leitura: da experiência às letras
title Narrative and reading: from experience to letters
spellingShingle Narrative and reading: from experience to letters
Ferraz, Luana
Narrativa. Experiência. Leitura.
Narrative. Experience. Reading.
title_short Narrative and reading: from experience to letters
title_full Narrative and reading: from experience to letters
title_fullStr Narrative and reading: from experience to letters
title_full_unstemmed Narrative and reading: from experience to letters
title_sort Narrative and reading: from experience to letters
author Ferraz, Luana
author_facet Ferraz, Luana
Moraes, Fabiano de Oliveira
author_role author
author2 Moraes, Fabiano de Oliveira
author2_role author
dc.contributor.author.fl_str_mv Ferraz, Luana
Moraes, Fabiano de Oliveira
dc.subject.por.fl_str_mv Narrativa. Experiência. Leitura.
Narrative. Experience. Reading.
topic Narrativa. Experiência. Leitura.
Narrative. Experience. Reading.
description In contemporary society, death is presented as the tragic fate of experience. The urgency of information, the imperative of judgment, the speed and excess of activity make the possibility of something happening to us, or of something touching us, increasingly remote. So it is expected, as of Benjamin (1979), that the traditional narrative, deeply tied to experience, have the same end. However, life has its tricks and always finds ways of proclaiming itself. Even in the present day scenario of different world interpretations, ‘stories experienced in life” inscribe themselves (and are written) in the written text of the contemporary narrator. Thus, narratives, dynamic, escaping the order of the necessary and / or real, survive to be read and retold. To illustrate the persistence of traditionalism in the figure of the contemporary narrator, take a snippet of text from the incontestably literary work "Brazilian origin myths: the art of storytelling and indigenous tradition, " by Francisco Gregório Filho. In this text, the author runs through the ages of his familiar history, presenting those moments which, updated and reinterpreted, construct his identity as narrator. We are interested in observing how the traditional contemporary narrator brings his story together out of experience, making it writable, and how the story can be transformed again into experience for and in readers. Along the way, we tread the paths of memory, identity, and multiplicity. The words of Larrosa (2002), Delgado (2006), Yunes (2003a, 2003b, 2012), Bosi (1987), among others, illuminate our path.
publishDate 2014
dc.date.none.fl_str_mv 2014-01-03
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10.17058/signo.v39i66.4481
url https://online.unisc.br/seer/index.php/signo/article/view/4481
identifier_str_mv 10.17058/signo.v39i66.4481
dc.language.iso.fl_str_mv por
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dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
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dc.publisher.none.fl_str_mv Edunisc
publisher.none.fl_str_mv Edunisc
dc.source.none.fl_str_mv Signo; v. 39 n. 66 (2014): Narração literária, da oralidade à escrita; 290-300
1982-2014
reponame:Signo (Santa Cruz do Sul. Online)
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reponame_str Signo (Santa Cruz do Sul. Online)
collection Signo (Santa Cruz do Sul. Online)
repository.name.fl_str_mv Signo (Santa Cruz do Sul. Online) - Universidade de Santa Cruz do Sul (UNISC)
repository.mail.fl_str_mv rgabriel@unisc.br||revistasigno.unisc@gmail.com
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