To narrate is to resist: narrative representational impasses in
Autor(a) principal: | |
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Data de Publicação: | 2017 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Signo (Santa Cruz do Sul. Online) |
Texto Completo: | https://online.unisc.br/seer/index.php/signo/article/view/8716 |
Resumo: | The essay aims at unravelling the rise of a second “writing moment” in Guimarães Rosa’s work, delineated by a group of texts published in periodicals between Sagarana (1946) and the books of 1956, Corpo de baile and Grande sertão: veredas. Through the analysis of an important letter of the author and one of the capital texts of the period, “Com o vaqueiro Mariano”, we intend to devise the guidelines of a new inflexion in Rosa’s literature, characterized by the confrontation with the problems of “representative deficiency” inherent to Brazilian and international literary context and by the progressive constitution of a first person narrative voice marked by difficulties in narrating and by an adherent posture towards its matter that, as long as it gains concreteness in the texts, it must be thought in aesthetical and ideological terms. |
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To narrate is to resist: narrative representational impasses inNarrar é resistir: impasses de representação narrativa em João Guimarães Rosa no fim dos anos 1940Brazilian Literature. Guimarães Rosa. Writing moment. Narrative voice. Representative deficiency.Literatura brasileira. Guimarães Rosa. Momento de escritura.Voz narrativa. Deficiência representativa.The essay aims at unravelling the rise of a second “writing moment” in Guimarães Rosa’s work, delineated by a group of texts published in periodicals between Sagarana (1946) and the books of 1956, Corpo de baile and Grande sertão: veredas. Through the analysis of an important letter of the author and one of the capital texts of the period, “Com o vaqueiro Mariano”, we intend to devise the guidelines of a new inflexion in Rosa’s literature, characterized by the confrontation with the problems of “representative deficiency” inherent to Brazilian and international literary context and by the progressive constitution of a first person narrative voice marked by difficulties in narrating and by an adherent posture towards its matter that, as long as it gains concreteness in the texts, it must be thought in aesthetical and ideological terms.O ensaio procura flagrar o surgimento de um segundo “momento de escritura” na obra Guimarães Rosa, delineado por um conjunto de textos publicados em periódicos entre Sagarana (1946) e os livros de 1956, Corpo de Baile e Grande Sertão: Veredas. A partir da análise de uma importante carta do autor e de um dos textos síntese do período, “Com o Vaqueiro Mariano”, procuramos compreender as linhas de força de uma nova inflexão da literatura rosiana caracterizada pelo combate aos problemas da “deficiência representativa” imanente ao contexto literário brasileiro e internacional e pela constituição progressiva de uma voz narrativa em primeira pessoa marcada pela dificuldade de narrar e por uma postura de adesão à sua matéria que, adquirindo concretude nos textos, precisa ser pensada em termos de alcance estético-ideológico.Edunisc2017-05-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://online.unisc.br/seer/index.php/signo/article/view/871610.17058/signo.v42i74.8716Signo; v. 42 n. 74 (2017); 57-681982-2014reponame:Signo (Santa Cruz do Sul. Online)instname:Universidade de Santa Cruz do Sul (UNISC)instacron:UNISCporhttps://online.unisc.br/seer/index.php/signo/article/view/8716/pdfCopyright (c) 2017 Signoinfo:eu-repo/semantics/openAccessVilhena, Guilherme Mazzafera e Silva2018-07-24T19:10:13Zoai:ojs.online.unisc.br:article/8716Revistahttp://online.unisc.br/seer/index.php/signohttp://online.unisc.br/seer/index.php/signo/oairgabriel@unisc.br||revistasigno.unisc@gmail.com1982-20140101-1812opendoar:2018-07-24T19:10:13Signo (Santa Cruz do Sul. Online) - Universidade de Santa Cruz do Sul (UNISC)false |
dc.title.none.fl_str_mv |
To narrate is to resist: narrative representational impasses in Narrar é resistir: impasses de representação narrativa em João Guimarães Rosa no fim dos anos 1940 |
title |
To narrate is to resist: narrative representational impasses in |
spellingShingle |
To narrate is to resist: narrative representational impasses in Vilhena, Guilherme Mazzafera e Silva Brazilian Literature. Guimarães Rosa. Writing moment. Narrative voice. Representative deficiency. Literatura brasileira. Guimarães Rosa. Momento de escritura.Voz narrativa. Deficiência representativa. |
title_short |
To narrate is to resist: narrative representational impasses in |
title_full |
To narrate is to resist: narrative representational impasses in |
title_fullStr |
To narrate is to resist: narrative representational impasses in |
title_full_unstemmed |
To narrate is to resist: narrative representational impasses in |
title_sort |
To narrate is to resist: narrative representational impasses in |
author |
Vilhena, Guilherme Mazzafera e Silva |
author_facet |
Vilhena, Guilherme Mazzafera e Silva |
author_role |
author |
dc.contributor.author.fl_str_mv |
Vilhena, Guilherme Mazzafera e Silva |
dc.subject.por.fl_str_mv |
Brazilian Literature. Guimarães Rosa. Writing moment. Narrative voice. Representative deficiency. Literatura brasileira. Guimarães Rosa. Momento de escritura.Voz narrativa. Deficiência representativa. |
topic |
Brazilian Literature. Guimarães Rosa. Writing moment. Narrative voice. Representative deficiency. Literatura brasileira. Guimarães Rosa. Momento de escritura.Voz narrativa. Deficiência representativa. |
description |
The essay aims at unravelling the rise of a second “writing moment” in Guimarães Rosa’s work, delineated by a group of texts published in periodicals between Sagarana (1946) and the books of 1956, Corpo de baile and Grande sertão: veredas. Through the analysis of an important letter of the author and one of the capital texts of the period, “Com o vaqueiro Mariano”, we intend to devise the guidelines of a new inflexion in Rosa’s literature, characterized by the confrontation with the problems of “representative deficiency” inherent to Brazilian and international literary context and by the progressive constitution of a first person narrative voice marked by difficulties in narrating and by an adherent posture towards its matter that, as long as it gains concreteness in the texts, it must be thought in aesthetical and ideological terms. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-05-26 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://online.unisc.br/seer/index.php/signo/article/view/8716 10.17058/signo.v42i74.8716 |
url |
https://online.unisc.br/seer/index.php/signo/article/view/8716 |
identifier_str_mv |
10.17058/signo.v42i74.8716 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://online.unisc.br/seer/index.php/signo/article/view/8716/pdf |
dc.rights.driver.fl_str_mv |
Copyright (c) 2017 Signo info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2017 Signo |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Edunisc |
publisher.none.fl_str_mv |
Edunisc |
dc.source.none.fl_str_mv |
Signo; v. 42 n. 74 (2017); 57-68 1982-2014 reponame:Signo (Santa Cruz do Sul. Online) instname:Universidade de Santa Cruz do Sul (UNISC) instacron:UNISC |
instname_str |
Universidade de Santa Cruz do Sul (UNISC) |
instacron_str |
UNISC |
institution |
UNISC |
reponame_str |
Signo (Santa Cruz do Sul. Online) |
collection |
Signo (Santa Cruz do Sul. Online) |
repository.name.fl_str_mv |
Signo (Santa Cruz do Sul. Online) - Universidade de Santa Cruz do Sul (UNISC) |
repository.mail.fl_str_mv |
rgabriel@unisc.br||revistasigno.unisc@gmail.com |
_version_ |
1800218790871433216 |