Body and language in Nove noites, by Bernardo Carvalho, and “Meu tio o iauaretê”, by João Guimarães Rosa

Detalhes bibliográficos
Autor(a) principal: de Morais, Márcia Marques
Data de Publicação: 2017
Outros Autores: Gabrielli, Rita
Tipo de documento: Artigo
Idioma: por
Título da fonte: Signo (Santa Cruz do Sul. Online)
Texto Completo: https://online.unisc.br/seer/index.php/signo/article/view/8712
Resumo: This paper explores the relation between body and language as presented in Bernardo Carvalho´s Nove noites, and in João Guimarães Rosa´s “Meu tio o iauaretê”. In Carvalho's novel, narrators, orchestrated by the narrator-novelist, try to clarify, from multiple reports, the suicide of Buell Quain, who mutilated his own body, annihilating himself in response to a conflict between his desires and the civilizing process that influences and constitutes the existence of each subject. In Rosa's short story, on the other hand, the reader comes across a narrator-writer who, staging the oscillating discourse of the jaguar, reports how he killed his interlocutor to save himself from being slain. The narrative is therefore about the annihilation of a body that, as a last resort to survival, turns to the animalistic nature, in the face of language´s impossibility to perform satisfactorily before the (dominant) other´s language. For this purpose, Émile Benveniste´s conception of language, Wolfgang Iser´s notion of fiction, and an essay about Guimarães Rosa´s short story written by Valquiria Wey are used as Reading resources
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spelling Body and language in Nove noites, by Bernardo Carvalho, and “Meu tio o iauaretê”, by João Guimarães RosaCorpo e linguagem em Nove noites, de Bernardo Carvalho, e “Meu tio o iauaretê”, de João Guimarães RosaLanguage. Body. Guimarães Rosa. Bernardo Carvalho. Comparative Literature.Linguagem. Corpo. Guimarães Rosa. Bernardo Carvalho. Literatura Comparada.This paper explores the relation between body and language as presented in Bernardo Carvalho´s Nove noites, and in João Guimarães Rosa´s “Meu tio o iauaretê”. In Carvalho's novel, narrators, orchestrated by the narrator-novelist, try to clarify, from multiple reports, the suicide of Buell Quain, who mutilated his own body, annihilating himself in response to a conflict between his desires and the civilizing process that influences and constitutes the existence of each subject. In Rosa's short story, on the other hand, the reader comes across a narrator-writer who, staging the oscillating discourse of the jaguar, reports how he killed his interlocutor to save himself from being slain. The narrative is therefore about the annihilation of a body that, as a last resort to survival, turns to the animalistic nature, in the face of language´s impossibility to perform satisfactorily before the (dominant) other´s language. For this purpose, Émile Benveniste´s conception of language, Wolfgang Iser´s notion of fiction, and an essay about Guimarães Rosa´s short story written by Valquiria Wey are used as Reading resourcesEste trabalho intenta refletir sobre a relação entre corpo e linguagem, a partir dos modos como ela é encenada em Nove noites, de Bernardo Carvalho, e “Meu tio o iauaretê, de Guimarães Rosa. No romance de Carvalho, narradores, agenciados pelo narrador-romancista, tentam esclarecer, a partir de múltiplos relatos, o suicídio de Buell Quain, que mutilou o próprio corpo, aniquilando-se, como resposta a um conflito entre seus desejos e o processo civilizatório que incide na existência de cada sujeito e a constitui. No conto de Rosa, por sua vez, o leitor depara com um narrador-escritor que, encenando o discurso oscilante do onceiro-jaguar, relata como o matou para salvar-se de ser devorado. Trata-se, portanto, de uma narrativa sobre a aniquilação de um corpo que, como último recurso à sobrevivência, volta-se à natureza animalesca, diante da incidência da linguagem impossível de realizar-se satisfatoriamente na língua (dominadora) do outro. Como recursos a essa reflexão, são agenciadas a concepção de linguagem de Benveniste (1989a, 1989b, 1976a, 1976b), a noção de ficção de Iser (2002) e a leitura do conto de Rosa feita por Wey (2005).Edunisc2017-05-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://online.unisc.br/seer/index.php/signo/article/view/871210.17058/signo.v42i74.8712Signo; v. 42 n. 74 (2017); 84-951982-2014reponame:Signo (Santa Cruz do Sul. Online)instname:Universidade de Santa Cruz do Sul (UNISC)instacron:UNISCporhttps://online.unisc.br/seer/index.php/signo/article/view/8712/pdfCopyright (c) 2017 Signoinfo:eu-repo/semantics/openAccessde Morais, Márcia MarquesGabrielli, Rita2018-07-24T19:10:13Zoai:ojs.online.unisc.br:article/8712Revistahttp://online.unisc.br/seer/index.php/signohttp://online.unisc.br/seer/index.php/signo/oairgabriel@unisc.br||revistasigno.unisc@gmail.com1982-20140101-1812opendoar:2018-07-24T19:10:13Signo (Santa Cruz do Sul. Online) - Universidade de Santa Cruz do Sul (UNISC)false
dc.title.none.fl_str_mv Body and language in Nove noites, by Bernardo Carvalho, and “Meu tio o iauaretê”, by João Guimarães Rosa
Corpo e linguagem em Nove noites, de Bernardo Carvalho, e “Meu tio o iauaretê”, de João Guimarães Rosa
title Body and language in Nove noites, by Bernardo Carvalho, and “Meu tio o iauaretê”, by João Guimarães Rosa
spellingShingle Body and language in Nove noites, by Bernardo Carvalho, and “Meu tio o iauaretê”, by João Guimarães Rosa
de Morais, Márcia Marques
Language. Body. Guimarães Rosa. Bernardo Carvalho. Comparative Literature.
Linguagem. Corpo. Guimarães Rosa. Bernardo Carvalho. Literatura Comparada.
title_short Body and language in Nove noites, by Bernardo Carvalho, and “Meu tio o iauaretê”, by João Guimarães Rosa
title_full Body and language in Nove noites, by Bernardo Carvalho, and “Meu tio o iauaretê”, by João Guimarães Rosa
title_fullStr Body and language in Nove noites, by Bernardo Carvalho, and “Meu tio o iauaretê”, by João Guimarães Rosa
title_full_unstemmed Body and language in Nove noites, by Bernardo Carvalho, and “Meu tio o iauaretê”, by João Guimarães Rosa
title_sort Body and language in Nove noites, by Bernardo Carvalho, and “Meu tio o iauaretê”, by João Guimarães Rosa
author de Morais, Márcia Marques
author_facet de Morais, Márcia Marques
Gabrielli, Rita
author_role author
author2 Gabrielli, Rita
author2_role author
dc.contributor.author.fl_str_mv de Morais, Márcia Marques
Gabrielli, Rita
dc.subject.por.fl_str_mv Language. Body. Guimarães Rosa. Bernardo Carvalho. Comparative Literature.
Linguagem. Corpo. Guimarães Rosa. Bernardo Carvalho. Literatura Comparada.
topic Language. Body. Guimarães Rosa. Bernardo Carvalho. Comparative Literature.
Linguagem. Corpo. Guimarães Rosa. Bernardo Carvalho. Literatura Comparada.
description This paper explores the relation between body and language as presented in Bernardo Carvalho´s Nove noites, and in João Guimarães Rosa´s “Meu tio o iauaretê”. In Carvalho's novel, narrators, orchestrated by the narrator-novelist, try to clarify, from multiple reports, the suicide of Buell Quain, who mutilated his own body, annihilating himself in response to a conflict between his desires and the civilizing process that influences and constitutes the existence of each subject. In Rosa's short story, on the other hand, the reader comes across a narrator-writer who, staging the oscillating discourse of the jaguar, reports how he killed his interlocutor to save himself from being slain. The narrative is therefore about the annihilation of a body that, as a last resort to survival, turns to the animalistic nature, in the face of language´s impossibility to perform satisfactorily before the (dominant) other´s language. For this purpose, Émile Benveniste´s conception of language, Wolfgang Iser´s notion of fiction, and an essay about Guimarães Rosa´s short story written by Valquiria Wey are used as Reading resources
publishDate 2017
dc.date.none.fl_str_mv 2017-05-26
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://online.unisc.br/seer/index.php/signo/article/view/8712
10.17058/signo.v42i74.8712
url https://online.unisc.br/seer/index.php/signo/article/view/8712
identifier_str_mv 10.17058/signo.v42i74.8712
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://online.unisc.br/seer/index.php/signo/article/view/8712/pdf
dc.rights.driver.fl_str_mv Copyright (c) 2017 Signo
info:eu-repo/semantics/openAccess
rights_invalid_str_mv Copyright (c) 2017 Signo
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Edunisc
publisher.none.fl_str_mv Edunisc
dc.source.none.fl_str_mv Signo; v. 42 n. 74 (2017); 84-95
1982-2014
reponame:Signo (Santa Cruz do Sul. Online)
instname:Universidade de Santa Cruz do Sul (UNISC)
instacron:UNISC
instname_str Universidade de Santa Cruz do Sul (UNISC)
instacron_str UNISC
institution UNISC
reponame_str Signo (Santa Cruz do Sul. Online)
collection Signo (Santa Cruz do Sul. Online)
repository.name.fl_str_mv Signo (Santa Cruz do Sul. Online) - Universidade de Santa Cruz do Sul (UNISC)
repository.mail.fl_str_mv rgabriel@unisc.br||revistasigno.unisc@gmail.com
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