Self cutting: the theatral censorship and the government legitimation
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Data de Publicação: | 2010 |
Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Verso e Reverso (Online) |
Texto Completo: | https://revistas.unisinos.br/index.php/versoereverso/article/view/7002 |
Resumo: | This article intends to evaluate how the relation between the State and the popular forms of art were reconfigurated by the censorship. In order to do this, we will analyze the censorship in the play O Retrato de Luciano. We will demonstrate how the search for the monopoly of the legitimate symbolic violence worked inside a new system of relationship inaugurated in the decade of thirty. |
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Self cutting: the theatral censorship and the government legitimationCortando a própria carne: a censura teatral e a legitimação dos regimes políticosThis article intends to evaluate how the relation between the State and the popular forms of art were reconfigurated by the censorship. In order to do this, we will analyze the censorship in the play O Retrato de Luciano. We will demonstrate how the search for the monopoly of the legitimate symbolic violence worked inside a new system of relationship inaugurated in the decade of thirty.O presente artigo busca avaliar como as relações entre o Estado e as formas populares de arte se estabeleciam e se reconfiguravam através da censura teatral. Para isso, escolhemos analisar a peça O Retrato de Luciano, que passou pela censura do Departamento de Diversões Públicas do Estado de São Paulo em julho de 1959. Essa apresentação teatral nos parece paradigmática para demonstrar como se dava a busca pelo monopólio da violência simbólica legítima em um sistema de alianças policlassistas, inaugurado pela ascensão das massas urbanas à esfera pública, relevante a partir da década de 30.Verso e Reverso2010-06-17info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersiontext/htmlhttps://revistas.unisinos.br/index.php/versoereverso/article/view/7002Verso e Reverso; v. 22 n. 50: Ano XXII - 2008/21806-6925reponame:Verso e Reverso (Online)instname:Universidade do Vale do Rio dos Sinos (UNISINOS)instacron:UNISINOSporhttps://revistas.unisinos.br/index.php/versoereverso/article/view/7002/4009Casadei, Eliza Bachegainfo:eu-repo/semantics/openAccess2020-11-23T22:31:04Zoai:ojs2.revistas.unisinos.br:article/7002Revistahttp://revistas.unisinos.br/index.php/versoereversoPRIhttp://revistas.unisinos.br/index.php/versoereverso/oaiperiodicos@unisinos.br||bmarocco@unisinos.br1806-69250103-1414opendoar:2020-11-23T22:31:04Verso e Reverso (Online) - Universidade do Vale do Rio dos Sinos (UNISINOS)false |
dc.title.none.fl_str_mv |
Self cutting: the theatral censorship and the government legitimation Cortando a própria carne: a censura teatral e a legitimação dos regimes políticos |
title |
Self cutting: the theatral censorship and the government legitimation |
spellingShingle |
Self cutting: the theatral censorship and the government legitimation Casadei, Eliza Bachega |
title_short |
Self cutting: the theatral censorship and the government legitimation |
title_full |
Self cutting: the theatral censorship and the government legitimation |
title_fullStr |
Self cutting: the theatral censorship and the government legitimation |
title_full_unstemmed |
Self cutting: the theatral censorship and the government legitimation |
title_sort |
Self cutting: the theatral censorship and the government legitimation |
author |
Casadei, Eliza Bachega |
author_facet |
Casadei, Eliza Bachega |
author_role |
author |
dc.contributor.author.fl_str_mv |
Casadei, Eliza Bachega |
description |
This article intends to evaluate how the relation between the State and the popular forms of art were reconfigurated by the censorship. In order to do this, we will analyze the censorship in the play O Retrato de Luciano. We will demonstrate how the search for the monopoly of the legitimate symbolic violence worked inside a new system of relationship inaugurated in the decade of thirty. |
publishDate |
2010 |
dc.date.none.fl_str_mv |
2010-06-17 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://revistas.unisinos.br/index.php/versoereverso/article/view/7002 |
url |
https://revistas.unisinos.br/index.php/versoereverso/article/view/7002 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://revistas.unisinos.br/index.php/versoereverso/article/view/7002/4009 |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
text/html |
dc.publisher.none.fl_str_mv |
Verso e Reverso |
publisher.none.fl_str_mv |
Verso e Reverso |
dc.source.none.fl_str_mv |
Verso e Reverso; v. 22 n. 50: Ano XXII - 2008/2 1806-6925 reponame:Verso e Reverso (Online) instname:Universidade do Vale do Rio dos Sinos (UNISINOS) instacron:UNISINOS |
instname_str |
Universidade do Vale do Rio dos Sinos (UNISINOS) |
instacron_str |
UNISINOS |
institution |
UNISINOS |
reponame_str |
Verso e Reverso (Online) |
collection |
Verso e Reverso (Online) |
repository.name.fl_str_mv |
Verso e Reverso (Online) - Universidade do Vale do Rio dos Sinos (UNISINOS) |
repository.mail.fl_str_mv |
periodicos@unisinos.br||bmarocco@unisinos.br |
_version_ |
1800219585470791680 |