Collaborative journalism: the Twitter @plantao190 and police journalism in Curitiba

Detalhes bibliográficos
Autor(a) principal: de Mendonça, Bruno Henrique Marques
Data de Publicação: 2013
Tipo de documento: Artigo
Idioma: por
Título da fonte: Verso e Reverso (Online)
Texto Completo: https://revistas.unisinos.br/index.php/versoereverso/article/view/ver.2013.27.64.08
Resumo: This article aims to show how the Internet and the popularization of production tools potentialize the ability of ordinary, amateur people, to produce news, a fact previously reserved to professional journalists in lieu of service communication vehicles. Thus, ownership of technology and the eliminationof geographical barriers, provided by the Internet, helped spread the content of these amateurs, removing the, until then, absolute exclusivity of the journalist to spread facts and disclose information. For this, we carried out a bibliographic review to try and understand how this empowerment process of the amateur started and what are its effects on the practice of journalism. As a theoretical reference, it is possible to highlight authors such as: Dam Gilmor (2005), reference in engaging the topic of evolution of the practice of journalism and collaborative journalism; Francis Pisani & Dominique Piotet (2010), that have dedicated their studies to show the transformation of the web and its impacts on communication, and, finally, author Clay Shirky, who analyses the amateur productions published on the Internet and their relation with its users. As an empirical approach to exemplify the presented theory, a Twitter profile, microblogging tool on which is it possible to post texts with up to 140 characters via mobile devices with an internet connection, was selected. The profile @plantao190 is curated by photographer João Carlos Frigério, who is not a journalist (despite his title), but still informs in real time the police occurrences in the city of Curitiba, becoming a reference in the area and being read by thousands of users who, besides consuming his content, interact and even send their reports which later become new posts.
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spelling Collaborative journalism: the Twitter @plantao190 and police journalism in CuritibaO jornalismo colaborativo no Twitter do @plantao190 e as notícias policiais da Grande CuritibaThis article aims to show how the Internet and the popularization of production tools potentialize the ability of ordinary, amateur people, to produce news, a fact previously reserved to professional journalists in lieu of service communication vehicles. Thus, ownership of technology and the eliminationof geographical barriers, provided by the Internet, helped spread the content of these amateurs, removing the, until then, absolute exclusivity of the journalist to spread facts and disclose information. For this, we carried out a bibliographic review to try and understand how this empowerment process of the amateur started and what are its effects on the practice of journalism. As a theoretical reference, it is possible to highlight authors such as: Dam Gilmor (2005), reference in engaging the topic of evolution of the practice of journalism and collaborative journalism; Francis Pisani & Dominique Piotet (2010), that have dedicated their studies to show the transformation of the web and its impacts on communication, and, finally, author Clay Shirky, who analyses the amateur productions published on the Internet and their relation with its users. As an empirical approach to exemplify the presented theory, a Twitter profile, microblogging tool on which is it possible to post texts with up to 140 characters via mobile devices with an internet connection, was selected. The profile @plantao190 is curated by photographer João Carlos Frigério, who is not a journalist (despite his title), but still informs in real time the police occurrences in the city of Curitiba, becoming a reference in the area and being read by thousands of users who, besides consuming his content, interact and even send their reports which later become new posts.O presente artigo tem como objetivo mostrar como a internet e a popularização das ferramentas de produção potencializaram a possibilidade de pessoas comuns, ditas amadoras, produzirem notícias, fato antes reservado apenas aos profissionais do jornalismo a serviço de veículos de comunicação. Dessa forma, a apropriação da tecnologia e a quebra de barreiras geográficas, proporcionadas pela internet, ajudaram a dar voz e disseminar o contéudo desses amadores, tirando do jornalista a exclusividade, até então absoluta, de noticiar, propagar fatos e divulgar informações. Para isso, realizou-se uma revisão bibliográfica, a fim de entender como esse processo de empoderamento do amador começou e quais são seus reflexos na prática do jornalismo, baseada em autores como: Dam Gilmor (2005), que aborda a evolução da prática do jornalismo e o jornalismo colaborativo; Francis Pisani & Dominique Piotet (2010), que dedicam seus estudos às transformações da web e seus impactos na comunicação; e Clay Shirky, que analisa as produções amadoras publicadas na internet e a relação delas com seus usuários. Como recorte empírico, com o objetivo de exemplificar a teoria apresentada, foi selecionado um perfil no Twitter, ferramenta de microblog na qual é permitida a postagem de textos com 140 caracteres, que podem ser atualizados por diversos dispositivos móveis com acesso à internet. Esse perfil é o @plantao190, atualizado por João Carlos Frigério, um fotógrafo policial, que não é jornalista, mas tornou-se referência no assunto, sendolido por milhares de usuários que, além de leitores, interagem e enviam novos relatos.Verso e Reverso2013-03-16info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://revistas.unisinos.br/index.php/versoereverso/article/view/ver.2013.27.64.0810.4013/ver.2013.27.64.08Verso e Reverso; v. 27 n. 64: Ano XXVII - 2013/1; 50-571806-6925reponame:Verso e Reverso (Online)instname:Universidade do Vale do Rio dos Sinos (UNISINOS)instacron:UNISINOSporhttps://revistas.unisinos.br/index.php/versoereverso/article/view/ver.2013.27.64.08/1401de Mendonça, Bruno Henrique Marquesinfo:eu-repo/semantics/openAccess2014-11-07T13:48:04Zoai:ojs2.revistas.unisinos.br:article/3779Revistahttp://revistas.unisinos.br/index.php/versoereversoPRIhttp://revistas.unisinos.br/index.php/versoereverso/oaiperiodicos@unisinos.br||bmarocco@unisinos.br1806-69250103-1414opendoar:2014-11-07T13:48:04Verso e Reverso (Online) - Universidade do Vale do Rio dos Sinos (UNISINOS)false
dc.title.none.fl_str_mv Collaborative journalism: the Twitter @plantao190 and police journalism in Curitiba
O jornalismo colaborativo no Twitter do @plantao190 e as notícias policiais da Grande Curitiba
title Collaborative journalism: the Twitter @plantao190 and police journalism in Curitiba
spellingShingle Collaborative journalism: the Twitter @plantao190 and police journalism in Curitiba
de Mendonça, Bruno Henrique Marques
title_short Collaborative journalism: the Twitter @plantao190 and police journalism in Curitiba
title_full Collaborative journalism: the Twitter @plantao190 and police journalism in Curitiba
title_fullStr Collaborative journalism: the Twitter @plantao190 and police journalism in Curitiba
title_full_unstemmed Collaborative journalism: the Twitter @plantao190 and police journalism in Curitiba
title_sort Collaborative journalism: the Twitter @plantao190 and police journalism in Curitiba
author de Mendonça, Bruno Henrique Marques
author_facet de Mendonça, Bruno Henrique Marques
author_role author
dc.contributor.author.fl_str_mv de Mendonça, Bruno Henrique Marques
description This article aims to show how the Internet and the popularization of production tools potentialize the ability of ordinary, amateur people, to produce news, a fact previously reserved to professional journalists in lieu of service communication vehicles. Thus, ownership of technology and the eliminationof geographical barriers, provided by the Internet, helped spread the content of these amateurs, removing the, until then, absolute exclusivity of the journalist to spread facts and disclose information. For this, we carried out a bibliographic review to try and understand how this empowerment process of the amateur started and what are its effects on the practice of journalism. As a theoretical reference, it is possible to highlight authors such as: Dam Gilmor (2005), reference in engaging the topic of evolution of the practice of journalism and collaborative journalism; Francis Pisani & Dominique Piotet (2010), that have dedicated their studies to show the transformation of the web and its impacts on communication, and, finally, author Clay Shirky, who analyses the amateur productions published on the Internet and their relation with its users. As an empirical approach to exemplify the presented theory, a Twitter profile, microblogging tool on which is it possible to post texts with up to 140 characters via mobile devices with an internet connection, was selected. The profile @plantao190 is curated by photographer João Carlos Frigério, who is not a journalist (despite his title), but still informs in real time the police occurrences in the city of Curitiba, becoming a reference in the area and being read by thousands of users who, besides consuming his content, interact and even send their reports which later become new posts.
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publisher.none.fl_str_mv Verso e Reverso
dc.source.none.fl_str_mv Verso e Reverso; v. 27 n. 64: Ano XXVII - 2013/1; 50-57
1806-6925
reponame:Verso e Reverso (Online)
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