Curatorial notions of the exhibition Sound Art Occupation performed by Franz Manata and Saulo Laudares in Castelinho do Flamengo
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Data de Publicação: | 2016 |
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Tipo de documento: | Artigo |
Idioma: | por |
Título da fonte: | Crítica Cultural (Online) |
Texto Completo: | https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/3471 |
Resumo: | Aiming to think about the curatorial process of the Exhibition Sound Art Occupation, performed by Franz Manata and Saulo Laudares in Castelinho do Flamengo, in 2015, we perform one brief genealogy from trusteship history. The Manata’s and Laudares untimeliness art work refers to the invisibility of the work itself, through its immateriality, gives visibility to the contemporary problematic of time management and the liquidity of affective meetings. |
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Curatorial notions of the exhibition Sound Art Occupation performed by Franz Manata and Saulo Laudares in Castelinho do FlamengoAs noções curatoriais da exposição Ocupação Arte Sonora realizada por Franz Manata e Saulo Laudares no Castelinho do FlamengoBrazilian Contemporary ArtRelational ArtTrusteeshipArte contemporânea brasileiraArte relacionalCuradoriaAiming to think about the curatorial process of the Exhibition Sound Art Occupation, performed by Franz Manata and Saulo Laudares in Castelinho do Flamengo, in 2015, we perform one brief genealogy from trusteship history. The Manata’s and Laudares untimeliness art work refers to the invisibility of the work itself, through its immateriality, gives visibility to the contemporary problematic of time management and the liquidity of affective meetings.Visando pensar sobre o processo curatorial da exposição Ocupação Arte Sonora, realizado pelos artistas Franz Manata e Saulo Laudares no Castelinho do Flamengo, em 2015, realizamos uma breve genealogia da história da curadoria. A intempestividade da obra de Manata e Laudares se refere à invisibilidade da própria obra que, através desta imaterialidade, dá visibilidade à problemática contemporânea de gerenciamento do tempo e da liquidez dos encontros afetivos.Universidade do Sul de Santa Catarina2016-07-13info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/347110.19177/rcc.v11e1201669-83Revista Crítica Cultural; v. 11 n. 1 (2016); 69-831980-64931980-6493reponame:Crítica Cultural (Online)instname:Universidade do Sul de Santa Catarina (UNISUL)instacron:UNISULporhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/3471/pdfCopyright (c) 2016 Revista Crítica Culturalinfo:eu-repo/semantics/openAccessAlvarez, José Maurício SaldanhaFasani, Priscilla Porto Nascimento2017-04-19T20:16:10Zoai:portaldeperiodicos.animaeducacao.com.br:article/3471Revistahttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_CulturalPRIhttps://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/oairamayana.lira@gmail.com1980-64931980-6493opendoar:2017-04-19T20:16:10Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL)false |
dc.title.none.fl_str_mv |
Curatorial notions of the exhibition Sound Art Occupation performed by Franz Manata and Saulo Laudares in Castelinho do Flamengo As noções curatoriais da exposição Ocupação Arte Sonora realizada por Franz Manata e Saulo Laudares no Castelinho do Flamengo |
title |
Curatorial notions of the exhibition Sound Art Occupation performed by Franz Manata and Saulo Laudares in Castelinho do Flamengo |
spellingShingle |
Curatorial notions of the exhibition Sound Art Occupation performed by Franz Manata and Saulo Laudares in Castelinho do Flamengo Alvarez, José Maurício Saldanha Brazilian Contemporary Art Relational Art Trusteeship Arte contemporânea brasileira Arte relacional Curadoria |
title_short |
Curatorial notions of the exhibition Sound Art Occupation performed by Franz Manata and Saulo Laudares in Castelinho do Flamengo |
title_full |
Curatorial notions of the exhibition Sound Art Occupation performed by Franz Manata and Saulo Laudares in Castelinho do Flamengo |
title_fullStr |
Curatorial notions of the exhibition Sound Art Occupation performed by Franz Manata and Saulo Laudares in Castelinho do Flamengo |
title_full_unstemmed |
Curatorial notions of the exhibition Sound Art Occupation performed by Franz Manata and Saulo Laudares in Castelinho do Flamengo |
title_sort |
Curatorial notions of the exhibition Sound Art Occupation performed by Franz Manata and Saulo Laudares in Castelinho do Flamengo |
author |
Alvarez, José Maurício Saldanha |
author_facet |
Alvarez, José Maurício Saldanha Fasani, Priscilla Porto Nascimento |
author_role |
author |
author2 |
Fasani, Priscilla Porto Nascimento |
author2_role |
author |
dc.contributor.author.fl_str_mv |
Alvarez, José Maurício Saldanha Fasani, Priscilla Porto Nascimento |
dc.subject.por.fl_str_mv |
Brazilian Contemporary Art Relational Art Trusteeship Arte contemporânea brasileira Arte relacional Curadoria |
topic |
Brazilian Contemporary Art Relational Art Trusteeship Arte contemporânea brasileira Arte relacional Curadoria |
description |
Aiming to think about the curatorial process of the Exhibition Sound Art Occupation, performed by Franz Manata and Saulo Laudares in Castelinho do Flamengo, in 2015, we perform one brief genealogy from trusteship history. The Manata’s and Laudares untimeliness art work refers to the invisibility of the work itself, through its immateriality, gives visibility to the contemporary problematic of time management and the liquidity of affective meetings. |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016-07-13 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/3471 10.19177/rcc.v11e1201669-83 |
url |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/3471 |
identifier_str_mv |
10.19177/rcc.v11e1201669-83 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://portaldeperiodicos.animaeducacao.com.br/index.php/Critica_Cultural/article/view/3471/pdf |
dc.rights.driver.fl_str_mv |
Copyright (c) 2016 Revista Crítica Cultural info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2016 Revista Crítica Cultural |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
publisher.none.fl_str_mv |
Universidade do Sul de Santa Catarina |
dc.source.none.fl_str_mv |
Revista Crítica Cultural; v. 11 n. 1 (2016); 69-83 1980-6493 1980-6493 reponame:Crítica Cultural (Online) instname:Universidade do Sul de Santa Catarina (UNISUL) instacron:UNISUL |
instname_str |
Universidade do Sul de Santa Catarina (UNISUL) |
instacron_str |
UNISUL |
institution |
UNISUL |
reponame_str |
Crítica Cultural (Online) |
collection |
Crítica Cultural (Online) |
repository.name.fl_str_mv |
Crítica Cultural (Online) - Universidade do Sul de Santa Catarina (UNISUL) |
repository.mail.fl_str_mv |
ramayana.lira@gmail.com |
_version_ |
1800220552812560384 |